Thirumala Kishore
dans le rôle de Director
The comédie film Aadavaallu Meeku Johaarlu, starring Rashmika Mandanna, Sharwanand, Vennela Kishore, etc., directed by Thirumala Kishore, was released on March 4, 2022 in Inde. It tells the story of Chiranjeevi grows up in the company of his mom and aunts who dote on him. But he is ultimately frustrated at not finding a bride who would be approved by all of them. This is a Comédie, Drame, Famille film with a runtime of 139 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.1/10 from 3,923 viewers.
Thirumala Kishore
dans le rôle de Director
Rashmika Mandanna
dans le rôle de Aadhya
Sharwanand
dans le rôle de Chiranjeevi
Vennela Kishore
dans le rôle de Phani
Radhika Sarathkumar
dans le rôle de Aadhi Lakshmi
Darbha Appaji Ambarisha
dans le rôle de Businessman
Jhansi
dans le rôle de Saritha
Kushboo
dans le rôle de Vakula
Satya Krishnan
dans le rôle de Santhamma
Banerjee
dans le rôle de Chiru's father
Rajshri Nair
dans le rôle de Gouramma
Kalyani Natarajan
dans le rôle de Sharadamma
Surya Srinivas
dans le rôle de Vijay
Thirumala Kishore
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Itna bakeas movie keyse Hoya hey ..... Rashmika same ghisipiti attitude.... Same old family drama... Totally time waste....... Comedy hasane me pora faile he .........
Set in Rajamundry, 'Aadavallu Meeku Johaarlu' is a family drama. The protagonist is the only male child in a big joint family that is dominated by women - mothers, aunts, sisters, and nieces. Chiranjeevi aka Chiru (Sharwanand) is the apple of everyone's eye. He has been brought up by five women, including his mother (Radhika) and aunt (Kavitha Ranjini). There are men in this family, the husbands, but they don't matter in the bigger picture because it's the women who take decisions in this family. Decisions like who Chiru should marry, because no girl is ever good enough for him. Aadhya (Rashmika Mandanna) comes across this wacky family and seems to blend in just fine. But there's one big hitch - her single mom (Khusbu), also an independent woman, doesn't even want her to get married. The film has some humorous moments, thanks to Brahmanandam, Vennela Kishore, Satya and co. Who manage to keep things light. Sharwanand and Rashmika Mandanna are a delight - they're the only reason you manage to sit through the film. They're both naturals at their roles and Rashmika looks absolutely gorgeous. On a whole, Aadavaallu Meeku Johaarlu is complete family entertainer with brilliant performances from all the actors.
The story and screenplay of the movie is good. The movie is a romantic, comedy movie. Family movie. Some scenes are very comedy. Again there are some scenes that are very entertaining. A beautiful time will pass if you watch the movie.
Being ladies all over the film filled with veteran actresses naturally makes it watchable if you have grown up watching them all and if you films with heavily loaded emotions and too from the Telugu industry, that's precisely the reason why I watched it, hence saying so. The overall film is so lengthier and felt like watching a tv series with a decent plot to create good emotional drama but made very poorly with a dead slow screenplay and very less emotional sequences and more crappy fun sequences which spoils the overall flow/mood of the film. There was a chance of making it better by removing the useless songs & comedy scenes but it was a wasted opportunity, though there were some really good dialogues bit & pieces sprinkled across the film and when they're played by the prominent actresses, it just works & does its magic but the potential of these actresses was totally under-utilized, I'd say.
It was a really poor story and execute as well,if we talk about acting then no one will get passing mark. They cast Rashmika becouse of her popularity, i think she shows just over attitude which is not necessary. At the end we see Chiro begging for his girl and trust me that looks so horrible.
Nice pure heart touching music love drama. There was so nice music. Beautiful direction and cast. Very good message. Its teach us respect family...............
The movie is very very long with a wafer thin subject, could have been easily wrapped up within 2 hrs 15 mins. It was stretched beyond tha patience limits of the spectators. The lead actor was not acting properly , she was too much emotionless in the movie with no expressions. There was no reason to reject the marriage proposal of the hero. The comedy scenes wherein Padma asks for the ' Dabba' just before the interval was bang on and too too hilarious. Padma and Radhika acted well and i was not so sure why there were three other pinnis. The movie was entirely run by females and the role of male actors was less than 15 mins or so. The director should get kudos for achieving a rare feet these days. Overall a feel good movie . Vennela Kishore role was too restricted.
This is also a routin family entertainer which is good attempt by the director. Sarwanand and Rashmika both are doing good. But the character Padma played by Kavita Ranjini is the main eye catching role. Bramhanandam sir's small role also attracts everyone. Other cast like vellela Kishore and Satya also doing good but I think Satya's role is little bit lesser and that comedy punch is totally missing by him. We know that Satya's comedy timing and expression and he is upcoming comedy superstar of tollywood. Overall good attepmt.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.