Alex Veadov
dans le rôle de Christo
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The action film Act of Valor: Les Soldats de l'Ombre, starring Alex Veadov, Roselyn Sanchez, Nestor Serrano, etc., directed by an unlisted director, was released on February 24, 2012 in États-Unis. It tells the story of Une escouade d'élite des Navy SEAL organise une opération secrète pour libérer un agent de la CIA kidnappé par des terroristes. This is an Action, Adventure, Thriller film with a runtime of 110 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.4/10 from 73,728 viewers.
Alex Veadov
dans le rôle de Christo
Roselyn Sanchez
dans le rôle de Lisa Morales
Nestor Serrano
dans le rôle de Walter Ross
Rorke Denver
dans le rôle de Lieutenant Rorke
Dave
dans le rôle de Chief Dave
Sonny
dans le rôle de SO1 Sonny
Weimy
dans le rôle de SO1 Weimy
Ray Mendoza
dans le rôle de SO1 Ray
Ajay James
dans le rôle de SO1 Ajay
Mikey
dans le rôle de SO1 Mikey
Derrick Van Orden
dans le rôle de Senior Chief Otto
Katelyn
dans le rôle de LT Lyons
Callaghan
dans le rôle de Admiral Callaghan
Duncan Smith
dans le rôle de Captain Duncan Smith
Billy
dans le rôle de SWCC Boat Senior Chief
Jason Cottle
dans le rôle de Abu Shabal
Ailsa Marshall
dans le rôle de LT Rorke's Wife
Gonzalo Menendez
dans le rôle de Commander Pedros
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
le version français s'il vous plaît
Act of Valour set out to create a film with 100% authentic and realistic action sequences and promote the lives of US Navy Seals. In that aspect it succeeded, however, failed everywhere else. The advertisement of using real navy seals as the main characters creates a level of military authenticity and accuracy that I have not seen in a film for a long time. All equipment and vehicles used are used correctly whilst dialogue and radio chatter inside of combat shows detail that inexperienced eyes might miss. However, acting is not something these Seals train for at basic! Dialogue outside of combat is weak at best and any scene trying to get some form of emotion out of the audience is lost as soon as one opens their mouth. Not many good things can be said about the story line. A rather unimaginative plot coupled with the stereotypical 'bad guy' does little but create a backdrop for the numerous fire fights and special forces insertions. Lastly, it should be noted that the film was shot in a noticeable High Definition that creates specular grandeur on wide pan shots. Those looking for a well constructed war film should look else where. The predicable storyline and patriotic American stance will put most viewers off. However, if HD fire fights, good military realism can be taken with a pinch of salt this film does not disappoint.
'Act of Valor' is an impressive movie about the cult of professional warriors in the age of global terrorism. Directors Mouse McCoy and Scott Waugh collaborated with the US Navy and actual Navy SEALs to give the film a sense of battle tactics and environment on par with 'Black Hawk Down' and 'Saving Private Ryan'. What little is lost in the SEALs' lack of acting chops is more than made up for by honest performances from the men who actually do this stuff for a living and the film's gripping battle realism. The movie sidesteps an overt political point of view, wisely focusing on the men and their mission rather than commenting on the times in which they serve. Watch for a great scene where Navy swift boats extract the SEALs from a Central American jungle with an astonishing display of live fire. Plenty of battle action to see here that you've never seen before. Highly recommended.
Bon film !
Bon film !
Bon film !
source: Act of Valor
If this was cut to around 50 minutes and consisted of just action sequences, I'd give it a 10. In that department it actually beats most recent action movies. Problem is, the other 60 minutes is nothing but treating viewer like he/she is an imbecile with endless propaganda. There are scenes where SEAL's do not shoot women. If that were true in reality, SEAL's would all have died due to their stupidity. When elite combat force attacks enemy encampment in middle of the night they shoot everything. Women, children, dogs, cats, everything. If it moves, it dies. In this movie, these guys are all white knights full of self sacrifice. What a bunch of bs. If you watch this movie objectively, without taking sides (which is hard as suicide bombers are full retards), it pops out that SEAL's as portrayed in this movie are as fanatical as what they are fighting. I can totally see idiots joining US Army/Navy after watching this crap. If any of those are reading this, don't be stupid, real military is far from entertaining, just visit any vet hospital and talk to those people.
This movie is some military guy's idea of what a movie should be like. This movie wasn't entertaining. It was tedious. Too many shootouts and chases. You can't replace proper character development with narration by SEALS about how much these SEALS love their families and each other. Sorry, but you can't. These family/camaraderie scenes were too awkward and seemed phony to me. If you're going to make "glory", "honour", "sacrifice", etc. the theme of your movie, you really have to play it with a light hand. In this movie the moviegoer is bludgeoned to death with it. Every sappy thing you can imagine is thrown at you. There were some really dreadful acting performances in this movie. The dialogue was forced and irritating. "Yes" is not good enough. It has to be "roger that" or "check". Even "you" is replaced by "your ass". Everyone spoke constantly in an abrupt staccato way, as if they couldn't stop doing it. This military-style dialogue just felt forced and overdone to me. If the SEALS really talk like this all the time, they live in a strange world. I've served in the military and it's not like this. The Christo character confused me. Why would a Russian Jew who spoke such flawless American English be willing to participate in jihadist activities against the US? And how could the same man be considered a local hero in Costa Rica?? I don't require perfect logic and credibility in a movie, but these issues made it difficult for me to enjoy the movie. The scene of the amateurish and juvenile interrogation of Christo was just....strange. I found the movie hard to follow at times. I couldn't tell the characters apart at times. When Mikey got hit, and everyone was yelling "Mikey! Mikey!" I was thinking, "who is Mikey again?" The violence in this movie was over the top and gratuitous. Two scenes in particular. However, I don't want to say anything more about that because it'll give away what happens. OK, we get it. The evil guys are truly evil. No grey. No nuance. Just black and white. This movie presented a world view that I don't recognise. Apparently there are Philippine Muslims willing to act as suicide bombers. Really? Apparently there is an association, a vast conspiracy, between jihadists and organised criminals in Russia, Costa Rica and Mexico. Really?? The open shootouts in Mexico and Costa Rica are just disturbing. I thought these countries were allies of the US. To accept this movie, you have to accept that ordinary Costa Ricans and Mexicans (even those involved in nefarious activities) will do suicidal things in the face of overwhelming American military firepower, i.e. put themselves in the line of fire and willingly sacrifice their lives...for what exactly? Their orders? Are the Costa Ricans and Mexicans really that fanatical? To filmmakers with this worldview, everyone is a suicidal fanatic. And can the SEALS just go into Mexico and terrorise Mexicans like this in their efforts to protect American interests? That surprised me... Another problem for me started with the use of the word "war" at the beginning. The US is not really at war is it? But even if it is, this does not include the kind of international operation shown in this movie. For these filmmakers, the fight against international organised crime has merged into the concept of war. To enjoy this movie you have to accept that the US is involved in a "war" that entails military operations all over the world. Apparently there are American filmmakers who believe that the US is involved in a universal, never-ending war with almost everybody. OK, the SEAL tactics and military technology were cool.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.