Robert Bryce Milburn
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The crime film 8th Floor Massacre, starring Catherine Dyer, Michael Aaron Milligan, Joshua Mikel, etc., directed by Robert Bryce Milburn, was released on November 11, 2020 in États-Unis. It tells the story of Trois femmes piégées dans une salle de bain lors d'une fusillade commencent à se méfier l'une de l'autre lorsqu'elles se rendent compte que l'histoire de l'une des victimes ne tient pas debout. This is a Crime, Drame, Thriller film with a runtime of 68 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.3/10 from 350 viewers.
Robert Bryce Milburn
dans le rôle de Director
Catherine Dyer
dans le rôle de Juliette Hearst
Michael Aaron Milligan
dans le rôle de Morgan Price
Joshua Mikel
dans le rôle de Dale Reznik
Andrea Andrade
dans le rôle de Catalina Reyes
Ashlyn Moore
dans le rôle de Renee Flynn
Robert Vardaros
dans le rôle de Scared man at the Door
Cassandra Tuten
dans le rôle de 911 Operator
Toby Osborne
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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source: 8th Floor Massacre
I thought this was a great movie for what it was. To film an entire movie in a bathroom with five actors and keep your attention though the whole thing takes a good script and decent acting. This movie suceeded!
The single room bathroom set has to be one of the lowest cost sets! Even cleaning it up afterwards will be a cinch. Great script, good acting, a few awkward and unrealistic parts. I was feeling the stress of the situation and was surprised at the ending.
If you are happy with an entirely serviceable little film that makes no attempt to be anything more than the ultra-low budget expanded short film that this movie feels like, than you might enjoy watching this one. It's short. There's always that. And to give credit where it's due, the cinematography is excellent, the score is good, the sound is decent, and direction is efficient if you only judge it visually - but more on that in a bit. The production design (assuming they built that one solitary set) is very good and the actors do a decent-to-very-good job with what they've been given. But I am frustrated by how little effort the filmmakers put into trying to make the film anything more than the easiest thing it could be. Four people in one bathroom. The basic idea is actually quite interesting, and the idea of them suspecting that one of them might be the shooter, opens the script up to a variety of deep possibilities if the writer was willing to tackle them. But he's not. In fact, he more or less chickens out on daring to delve too deeply; if someone is gonna get hurt then they are naturally going to deserve it somehow - which is actually the exact OPPOSITE of what most mass shootings teach us. So there is only one person to blame for all the inherent weaknesses and massive missed opportunities and that's the writer/director. The film is technically well-made and his visual use of the camera in the confined space is good, but he doesn't push for anything more than a surface "twist" or two (both of which could be seen coming from a mile away) but he also ignores everything else that makes a movie good. He sets up interesting dynamics amongst the four characters but cannot develop them believably within the context of the situation. It's like they repeatedly forget that an active shooter might be right outside the door. That they are in a life and death situation. They also seem to become progressively less intelligent about their situation the more time passes. If that was done as part of an overall theme showing the lack of natural instincts or the ability to act in a threatening situation compared to the "accepted" qualities of office politics than it would serve a purpose. But it doesn't. Those aren't things this filmmaker wants to address. He just needs people to be stupid or to act out of character. And maybe he doesn't understand how forensics works, or how to blockade a room, or that bleach sprayed into someone's eyes actually does damage, it doesn't just sting - but a decent writer/director would care enough to find out about them, if he was interested in making a good movie! And one final note: how many credits does one guy need? A film with four people in one bathroom and he needs credit as Location Manager AND Casting, while at the same time acknowledging he needs an assistant to cast those four people? And he needs a credit for carpentry and collecting props? I have seen several micro-budget films where the directors literally not only designed everything but constructed special props and special effects, did their own lighting and often ran the camera themselves, and never felt the need to be given credit other than writer/producer/director/designer. Maybe if the creator of Active Shooter had been less concerned with telling people every little thing he had a hand in (which is the NORM for low budget indies) and been more concerned with having something to say with his film, it would be more than tolerable.
Poorly executed all around. If you don't value your time, then this is the movie for you.
We found this movie on Prime video and decided to watch it because it had 5.5/6 stars. So misleading. Apparently, there's another movie with the same title from 2017 that's actually good. This movie was such a waste of my time. I never leave reviews but I had to leave a review for this one because it's cruel for the ratings on this movie to be so misleading. This movie was horrible.
OMG I didn't know Jared from The Walking Dead had a new movie out! I love Josh Mikel! I've seen this movie several times just for him! You have to watch it!
The entire film is in the ladies room. This is choreographed like a ballet. The script is tight as well. Had to be story boarded. Hitchcock would love this. It is like The Rope. This is a riveting piece of work. It is in the writing. The acting is most demanding without a brake for the entire film. Ashlyn Moore is the boss who did the layoffs. Catherine Dyer has not been layed off, but her friend, Andrea Andrade, has. Toby Osborne, who wrote Freshman Year, wrote this brilliant film.
This movie has a lot of fake 10s. Users recent and this is their only review with copy/paste content. It was an ok movie. One actress (the older one) was a terrible actress but, the others were ok. I don't know why ppl give 10s to ok movies. If everything is a 10 your 10s don't matter anymore. This movie had a great ending, really well done. Good suspense, good dynamics and the shooter was done very well. Def worth a watch, stay till the end it was one of the best for a B movie!
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.