Reece Ritchie
dans le rôle de Atul
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The comédie film All in Good Time, starring Reece Ritchie, Amara Karan, Harish Patel, etc., directed by an unlisted director, was released on May 11, 2012 in Royaume-Uni. It tells the story of For Atul Dutt and his young bride Vina married life is proving far from straightforward, when it comes to their 'first night'. Atul is so woefully inhibited by the proximity of his parents, let alone his brother's childish pranks, that his beautiful virgin bride remains just that. When their hard saved honeymoon is cancelled the next day, the couple is forced to return to the Dutt household and set up home there. So with meddling parents, nosy neighbours and a community that thrives on gossip, can this marriage last. This is a Comédie film with a runtime of 94 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.7/10 from 486 viewers.
Reece Ritchie
dans le rôle de Atul
Amara Karan
dans le rôle de Vina
Harish Patel
dans le rôle de Eeshwar
Meera Syal
dans le rôle de Lopa
Neet Mohan
dans le rôle de Jay Dutt
Shaheen Khan
dans le rôle de Lata Patel
Hassani Shapi
dans le rôle de Laxman Patel
Sudha Bhuchar
dans le rôle de Auntie Nushie
Shelley King
dans le rôle de Auntie Laxmi
Rani Moorthy
dans le rôle de Auntie Sudha
Arsher Ali
dans le rôle de Etash
Christine Bottomley
dans le rôle de Molly Batt
Simon Nagra
dans le rôle de Jivaj Batt
Tarlochan Singh Nandra
dans le rôle de Dholl Player
Ramrik Bhatt
dans le rôle de Priest
Sue Vincent
dans le rôle de Woman at Airport
Jonathan Jaynes
dans le rôle de Man at Airport
Ozzie Yue
dans le rôle de Mr. Dinesh
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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source: All in Good Time
I was never much taken by the Family Way This remake turns what was dull to something that is plain silly. The idea that a girl would know nothing about sex in this day and age is virtually an anachronism.
All in good time is a typical Brit Asian film... as an Asian I don't watch many Brit Asian films but this film is hilarious! I love the way that the father's character has been portrayed to the audience, it's funny because he is an overweight character and the way he behaves combined with his appearance is what makes his character very humorous. Looking at my family the stereotypes are almost true!I would recommend this strongly to viewers who love other films such as It's a Wonderful after life and Bend it like Beckham.. just like these films even though the stereotypes are there, they are not strong enough to be offensive. Also, the humour is light and is a very good family friendly film.
A comedy drama about contemporary British Asian life. It focuses on a newly married couple and their domestic/marital/relationship problems, in the context of their families and community. Things start badly for the newly weds with a cancelled honeymoon resulting in a return to his parents' house and a frustrating life from there on within the family home and community. Unfortunately the drama is unconvincing and unbelievable whilst the comedy is awkward, predictable, clichéd and full of stereotypes. For comedy to be effective it needs more than recycled situations and resurrected themes, it requires originality and fresh perspectives that provide insights into the world within which the events unfold.
The fathers character in this was so revolting it made it a hard movie to watch. Lame comedy and slow uninteresting story line. Would not recommend this movie to anyone. Pretty much the story goes a young Indian couple get married and are yet to have sex. Their honeymoon gets canceled and they are currently living with the husbands parents. Every time they try to have sex they can't manage to get aroused enough because they can always here the father in the other room making disgusting noises etc. So then their marriage starts to fall apart and they begin to have their doubts about whether they should be together or not. GAYYYY
What an abysmal remake of a great British film called The Family Way (1966). Heavy-handed, ham-fisted and lacking ANY quality acting it drearily and pathetically trudges its way through almost-mimicking the great film made in 1966. The final insult was the atrocious acting by the 'father' at the end of the film when he cries as he remembers the friend whom his 'son' resembles. The late, great Sir John Mills as well as the late Marjorie Rhodes might have choked had they seen this particular drivel of so-called 'acting', as too might Hayley Mills and Hywell Bennett. What a mediocre mess this whole effort is, it should never have been made. Leave good originals alone, don't desecrate their memory by creating rubbish like this. Shame to everyone involved in this. A rating of 5.6 for this?! Perhaps anyone who thinks that this tripe remake is a reasonable film should watch the original and see what a good film is all about - QUALITY. QUALITY gets a deserved 7.5 rating.
I found this laugh out loud film by accident. Truth is it was at a reduced price at the DVD shop. But I am so glad I found it. You don't have to be Asian to find this film funny as it is just so well acted and written. But the Asian wedding is probably different to many western ones in that the bride is actually a virgin and it is this that makes it so workable. All the acting is brilliant but the guy who acts as the boys father was really funny. This is a film I could definitely watch again and would recommend to others. Oh also hardly any bad language if at all which makes a change.
All in Good Time
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.