American Animals

'American Animals' is, formally, a difficult film to describe. It retains the structure of the heist films that came before it, even referencing them from time to time, cementing it as a disciple of those pioneers. Where the film stands out, however, is in the way it tells its story, in a non-linear fashion that seamlessly blends between the reality and fiction of this true-crime narrative. Whereas documentaries often use dramatisations to help visually realise their subject matter, here, these dramatisations take centre stage, supported by the painfully real inflections of those who were actually involved in this 2004 heist. This conflux, use to provide commentary, as well as irregular but welcome flair within the recreated narrative, help to differentiate 'American Animals' from other films of its pedigree. Furthermore, these aforementioned recreations feature standout performances from the likes of Evan Peters and Barry Keoghan, further distancing Layton's film from the somewhat shabby predecessors that deploy similar techniques. On a technical level, the film is fairly regular, lacking inspiration with its cinematography which arguably helps ground the events which it portrays. The score nicely compliments the action on-screen, effectively building upon the tension set up by the visuals. The film can, however, drag in places, particularly during the first act, whereupon it hits familiar story beats that could have been addressed quicker, the time taken with the set-up juxtaposing the otherwise revolutionary approach the film takes to the heist formula. Otherwise, the third act is nothing short of thrilling, with the conclusion proving a melancholic reminder of the reality of these events, and the impact they can carry, with its audacity to allow the audience to decipher the difference between what is true and false. 'American Animals' is a heist film through and through, but differentiates itself from others through the methods by which its tells its story and provides connections between the characters and audience. Whilst the pacing can prove problematic at times, persistence ultimately proves rewarding. Should Layton continue to adopt this unique approach to other genres, he may become a standout in years to come.

If you're going to write a heist movie, there had better be charm, intricacy or genuine tension. The story of 4 bland suburban teens trying to steal rare books from a library has none of those. There's no energy, urgency or beauty to engage the viewer. Visually it's a wash of muted colours. Imagine sitting in a dentist's office with faded wallpaper. Kentucky has never looked so ugly. So what's got people excited? Well, there's a gimmick where they have actors playing 'real people' in this 'true story'. Of course it's all nonsense. The 'real people' are remarkably photogenic and deliver their dialogue with trained inflection. They're also all wearing freshly purchased work clothes. It's obvious they're actors too. Aside from that, there's a lot of self-indulgent whining. The dialogue hardly crackles. They reference Tarantino a few times, but that only emphasises how bland this script is in comparison. Can no one say anything interesting? Even Audubon's work seems lifeless. Despite what critics say, this movie is a one note gimmick and deserves a pass.

Bon film !

Bon film !

Bon film !

source: American Animals

A mesmerizing story about a couple friends that plan a heist in which is slightly based on real events. I crave the way American Animals is filmed it's so so good! Evan Peters and Barry are exceptional throughout they're meant for this it seems. The soundtrack is god teir, I see why it's got high ratings. I kinda wish I saw sooner I'm glad I decided to now.

Without knowing anything about the film beyond some structural elements I came into the film and was surprised by how quickly I was engaged by it. The mix of documentary footage and reenactment is not new or special, but it is effective in the early stages of this film of allowing the viewer to catch-up with the people quickly, while part of the reenactment builds tension well early on. As the film goes on, the documentary side steps into the background, but the reenactment side is more than up to the task. It links well to the real footage, adding weight, and the performances are convincing as young men in this situation. The tension surprised me - particularly as I knew this was part documentary, so I had not expected it to be as good a drama as it was. It perhaps is a bit functional and event driven, but this works well, and the conclusion suggests that motivations and feelings were not readily available. It is slickly filmed with good use of music, and a control of tone that draws in cool sequences with real life panic and fumbling. It doesn't quite satisfy in terms of the ending, with its lack of full answers and exploration, but it is engaging, well-made, and enjoyable in several different ways.

Glad I stuck with this. The unique filmmaking style of Bart Layton can take a little to get used to. If you enjoyed his documentary The Imposter, then you'll probably love this. American Animals rides that documentary-drama combination to full effect. The ratio here is probably more drama to documentary, unlike the reverse of The Imposter - which this really echoed. Has to have the best soundtrack of any film I've seen in ages. Can't believe this thing was a true story. The "where are they now" segment at the end was interesting. I feel like we all experience some of the emotions and feelings in life that these guys did - which lead to their heist. If you're after a crime film that's quite different - then check this out.

This film tells the story of four students who plan a heist to steal precious books from the library. It takes an hour to get the story going, and hence initially I thought the film could be a bore. After the adrenaline kicks in, I couldn't believe how engaging and intense the film become. The interviews with the real individuals concerned are very very interesting, and makes this film very special. I enjoyed it a lot.