Gavin Rothery
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The drame film Archive, starring Theo James, Stacy Martin, Rhona Mitra, etc., directed by Gavin Rothery, was released on July 10, 2020 in Royaume-Uni. It tells the story of 2038: George Almore travaille sur une intelligence artificielle. Son dernier prototype est presque prêt. Cette phase sensible est également la plus risquée. D'autant qu'il a un objectif secret: retrouver sa femme décédée. This is a Drame, Mystère, Science-Fiction film with a runtime of 109 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.4/10 from 29,012 viewers.
Gavin Rothery
dans le rôle de Director
Theo James
dans le rôle de George Almore
Stacy Martin
dans le rôle de Jules Almore
Stacy Martin
dans le rôle de J3
Stacy Martin
dans le rôle de J2
Rhona Mitra
dans le rôle de Simone
Peter Ferdinando
dans le rôle de Tagg
Lia Williams
dans le rôle de House
Toby Jones
dans le rôle de Vincent Sinclair
Richard Glover
dans le rôle de Melvin
Hans Peterson
dans le rôle de Elson
Hadisha Sovetova
dans le rôle de Waitress
Imre Csók
dans le rôle de Android
Norbert Botszki
dans le rôle de Android
Eliza Winter Rothery
dans le rôle de Baby Almore
Christopher Schubert
dans le rôle de J1 Robot Performer
Timea Maday Kinga
dans le rôle de J2 Robot Performer
Ami Masamitsu
dans le rôle de Japanese Voices Performer
Annamária Ha-Mi Berta
dans le rôle de Extra
Jeremy Wheeler
dans le rôle de Extra
Pamela Johnston
dans le rôle de Extra
Gavin Rothery
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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source: Archive
I would not recommend this who loves sci fi genre, first hour of the movie is way to slow with not much plot in it, dragged throughout the whole movie i skipped at thr ending to complete it. I would rate it 4 only for cinematography and special effects.
Do yourself a favour and save almost 2 hours of your life that you will never get back. And don't be swayed by the other good reviews, they are all based on the final 5 minutes of the movie that has a surprise twist. If I had the power to delete parts of my memory then I would definitely delete the 2 hours I spent watching this. But I can't so I will just have to Archive this movie deep down in my memory and pretend I didn't waste my time watching it! (Pun intended)
The movie looks great, solid special effects, wonderful production quality, with very competent cinematography and editing. In 2020, this should be the expectation, and as with most film and television media made in 2020, the writing is the weakest link. Unlike many infamous examples in horrific writing seen in these mediums lately, this film is at least competently written. The issue is what story it's trying to tell, and how it's told. There's a "twist" ending that actually works within the rules of the films universe, which shouldn't be high praise, but in 2020, it unfortunately is. The issue with the twist ending is that it undermines the entire journey the audience takes with the characters and plot. I won't ruin the twist, but it's on par with "and then (s)he wakes up." This writing device destroys the entire story, because none of it really mattered. Another issue with the writing is the characters, and their character progression and growth. Again, given the twist ending, almost none of the characters we get to know really mattered. But, even disregarding the twist ending, there's another issue with the characters. When a robot with almost no visual human characteristics named J2 is your most sympathetic character, you've done something wrong. Sure, it's an accomplishment they've written J2 to be the character the audience sympathizes with, and is the most invested in. The issue is, the film is Georges story, and once J2 exits the story, the audiences investment in the plots outcome drastically diminishes. Even J2 doesn't matter once the twist ending reveals itself, which only compounds the issue of the ending. Even disregarding the twist ending, there's still another issue with the writing; what is it trying to say? What subject matter does it explore, and what issues and topics is it addressing? Besides just telling an interesting story, this is usually the primary focus of science fiction. To explore social issues in a setting that amplifies the subject it's examining. This is where the writing truly fails from similar science fiction films like Her and Ex Machina, because this film doesn't seem to have much to say at all.
Another run-of-the-mill A.I. movie about a secluded man obsessed with re-creating life in a metal body. Usually those films can be thought-provoking and innovative. But this one isn't. And results in a dry, meaningless plot with boring characters. It even has its own abysmal attempt at the Ex-Machina dance scene. But with that said, there is one very good touch to this movie. One that's unfortunately let down by the other 95% (that doesn't allow it to have the impact that it perhaps should have done). A nice idea, but poorly executed. Also, this movie is a perfect example of how NOT to use a score (music). More producers need to understand that it's not necessary to fill every second of a movie with an over-bearing score in the background. Because in doing so, the viewer loses the ability to notice which parts of the film something profound, sad, exciting, revealing or exciting is about to happen. The whole movie is filled with futuristic sci-fi ambience music; making every scene/segment of the movie feel exactly the same. Not helpful when the entire plot of the film is already set in one compound with very limited characters. It makes the whole viewing experience even more boring. If the producers of this film need to learn how to use the score correctly, refer to Moon (2009) and how it used Clint Mansell's masterful soundtrack.
Maybe my first time for a review. I really think that movie deserved it, at least. A very good SF movie and very well directed. Just watch it .... and after ...you will be thinking "what the F....."
Ai is something else
source: Archive
source: Archive
The concept isn't original ("Transcendence" is way better). Didn't like musicalization.The storyline is flat, sad and unclear.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.