Gail Mancuso
dans le rôle de Director
English,Filipino,Français,Indonesian,اَلْعَرَبِيَّةُ,اُردُو,বাংলা
The TV series Are You There, Chelsea?, created by Brad Wollack and produced by an unlisted studio, first premiered on January 11, 2012 in États-Unis. The series spans 1 season with 12 episodes, featuring the voices of Laura Prepon, Lauren Lapkus, Jake McDorman, and Mark Povinelli. It follows the story of A comedy about a 20-something woman based loosely on the outrageous number one best-selling book by Chelsea Handler. This is a Comédie series and has received a rating of 5.0/10 from 4,476 viewers.
Gail Mancuso
dans le rôle de Director
Laura Prepon
dans le rôle de Chelsea Newman
Lauren Lapkus
dans le rôle de Dee Dee
Jake McDorman
dans le rôle de Rick Miller
Mark Povinelli
dans le rôle de Todd
Ali Wong
dans le rôle de Olivia
Lenny Clarke
dans le rôle de Melvin Newman
Chelsea Handler
dans le rôle de Sloane
Natasha Leggero
dans le rôle de Nikki Natoli
Bennie the Cat
dans le rôle de Assface
Michaela Rose Haas
dans le rôle de 8-Year-Old Chelsea
P.J. Byrne
dans le rôle de Elliot
Estelle Harris
dans le rôle de Tess
Cindy Clark
dans le rôle de High School Lover
Ali Williams
dans le rôle de Bar Redhead
Kyra Schwartz
dans le rôle de Lily
Whitney Catandella
dans le rôle de Hostess
Kwanwu Yu
dans le rôle de Self - Server
Nat Faxon
dans le rôle de Tim Kornick
Brad Wollack
dans le rôle de Writer
Julie Larson
dans le rôle de Writer
Dottie Dartland Zicklin
dans le rôle de Writer
Ed Lee
dans le rôle de Writer
Brian Gallivan
dans le rôle de Writer
Clay Graham
dans le rôle de Writer
Robin Schiff
dans le rôle de Writer
Regina Stewart
dans le rôle de Writer
Jeremy Hall
dans le rôle de Writer
Eric Zicklin
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Bon film !
Like everything else Chelsea has done since leaving E-it's terrible! I used to like her but now she just seems mad and it's hard to be funny when you're angry all the time. Her story of being a drug taking, future alcoholic * is just not funny, between her and Amy Schumer I've had enough of this type of comedy.
I just love the show, love the actors, love the story, love the humor, love the characters. love love love OK, so its not big cinematographic art, but WHAT IS in sitcoms? Friends is also at the end more bad comedy than good acting, how i met your mother has weird plot mistakes and character mistakes throughout the seasons, supernatural doesn't know where to stop (also true for Buffy), don't get me started on Seinfeld and stuff like that, which is really just boring and maybe adequate for their time, but not in this decade For me, "Chelsea" is just a perfect way to chill. The only bad thing is that it takes them so long to get a new episode out, real bummer. So all you haters out there: i dare you to name one G O O D series without mistakes in plot and flat storyline or characters! love love love Chelsea :)
Its pretty simple. If you love Chelsea Handler you will love this show. IF you do not like her, then you will not like this show. I wish they would have kept the original title, but didn't. This show is Raunchy, Blunt, Witty, Sarcastic and a little Taboo. I love the chemistry of the characters. I having worked the bar scene have had co-workers similar to them, and enjoy the subject matter that comes up because of its real world similarity. i didn't think that Laura Prepon could pull off the sarcasm but as the episodes progress, she gets more and more comfortable in her alternate skin. i hope you enjoy this show as much as my partner and i do.
This show is consistently, irreverently funny. I don't understand why people are so negative about it. It's fun to watch every week. I don't think it's trying to be anything more than what it is. It pushes the envelope a little, not so much as say the Sarah Silverman Program. The casting is great. The contrast between Larua and Lauren couldn't be more stark, it is the opposing sides of this dynamic that make the show for me. The rest of the cast seems a perfect compliment. I think they have done a great job. I love the appearances by Lenny Clark. (Was Chelsea's father really like this?) I need to read the book. Kudos to Chelsea Handler for providing the material. I don't have time for a lot of TV, this is a show I make time for, you should too(if you enjoy laughing).
I'm quite surprised this show disappeared as quick as it showed up. Laura Prepon was great as the lead character, and all the supporting characters were perfect. Lauren Lapkus is hilarious and steals any scene she's in. The little guy was awesome. The dad was right on the money. The bartender/boyfriend was really capable in his role. The Asian roommate and the diminutive rival coworker were appealing. Even Chelsea Handler in her subdued role as an uptight young mother was acceptable. This show was a typical modern comedy and needed a chance to grow an audience. I'm puzzled how the network could make decisions to air a sitcom like this, just to scrap it so soon. Should I stop watching TV?
Oh my, what a mess. I am a Chelsea fan and had high hopes for this show. But it just ain't happening. Not at all. If you're going to do an old-school 4 camera, laugh track sitcom you've got to make it really dumb to appeal to the 2.5 Men audience. But if you want to make a smart comedy you will be competing with the likes of "30 Rock" and "Modern Family" which have excellent writing and nice modern production values. "Are You There, Chelsea?" has neither. The writing is just a string of the stalest, lamest sexual double entendres which might amuse middle school children but only elicit groans and cringes in anyone older (chronologically or mentally) than 15. It never ceases to amaze me that nobody associated with productions like this seems to notice that it is drivel with no chance of success. But what do I know? I think "Two an a Half Men" is garbage.
I liked that girl on "That 70s Show." But in this show, she acts just like herself. She has Chelsea Handler's flat tone down (because it's her own tone as well) but it's like she's trying to be so cool and hard. She doesn't exhibit any of Handler's happy-go-lucky, chuckling, self-deprecating crassness. I'm watching this week's episode (01x08). She just said, "Wiggling, my friend. Wiggling." The real Chelsea would totally say that, but not the way that girl did. Sorry I don't know her name. This could be a lot better if she had the character down a little better. I dunno, it's just disappointing when we love the real Chelsea so much.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.