Steve Richard Harris
dans le rôle de Dr. J.P. Roth
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The action film Atlantic Rim : Résurrection, starring Steve Richard Harris, Xavi Israel, Jenna Enns, etc., directed by an unlisted director, was released on February 15, 2018 in États-Unis. It tells the story of The east coast is under attack by monsters. The mechs attempting to fight them off are better armed than their precursors, but so are the creatures. This is an Action, Adventure, Science-Fiction film with a runtime of 86 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 1.9/10 from 1,079 viewers.
Steve Richard Harris
dans le rôle de Dr. J.P. Roth
Xavi Israel
dans le rôle de Russo
Jenna Enns
dans le rôle de Dr. Andrea Horowitz
Terry Woodberry
dans le rôle de General Worthington
Paul Logan
dans le rôle de Lee
Michael Marcel
dans le rôle de Hammer
Jos Deacon
dans le rôle de Wright
Richard Leacock
dans le rôle de Andrus
Samm Wiechec
dans le rôle de Badger
Vinnie Duyck
dans le rôle de Greene
Joseph Michael Harris
dans le rôle de Navy Commander Reece Sterling
Liz Fenning
dans le rôle de Karyn
Teagan Sirset
dans le rôle de Samantha
Tammy Klein
dans le rôle de Office Worker
Daniel Judd
dans le rôle de Handsome Crew Member
Shane Naute
dans le rôle de Eric Skylander
Brendan Petrizzo
dans le rôle de Scientist
Jared Cohn
dans le rôle de Soldier
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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traduction en français
Nice title for a rubbish movie, you guys really tried well well for scamming people. this movie should be awarded the worst action and sci-fi movie of the year. it should be rated in the top 3 bad movies. nonsense waste of time, energy and money.....
Bon film !
source: Atlantic Rim: Resurrection
Have made no secret in the past of intensely disliking, and even outright hating a lot, a vast majority of The Asylum's (near-universally maligned for good reason) output, though there is curiosity as to whether they are capable of making something good and compulsive about their output's badness. Admittedly, The Asylum do have a small group of watchable films and the occasional (big emphasis on that word) above average one, unfortunately outweighed by the lacklustre at best and often dreadful films they churn out. Despite hating the first 'Atlantic Rim' (the first 'Pacific Rim' had its problems but it was to me reasonably entertaining and there is no question it is the better film), there was curiosity to see the second film that capitalised upon the second 'Pacific Rim's' release. Have yet to see the second 'Pacific Rim', but it, although hearing negative comments on it, would have to be really awful to be worse than 'Atlantic Rim 2', that manages to be even worse than its predecessor. The special effects are far worse here for instance, while far from great (or even good) they were the least bad asset of the first 'Atlantic Rim' whereas they are one of this film's biggest sore spots. They are some of the shoddiest for any film seen not just recently but actually ever, they are incredibly fake-looking and afterthought-like, quality so cheap they would have been out of date and looked awful even in the 50s. In other technical areas 'Atlantic Rim 2' fares worse, the editing and camera work are rushed and frenzied, making some scenes containing action not very cohesive and the sound effects and mixing are muddied. The music is generic and doesn't come across as memorable at all, sometimes at a sluggish tempo which made it a rather dull score too. The dialogue is just painful, the interplay is awkward and the actors look even more uncomfortable delivering it while the scripting itself is shallow, on the wrong side of camp and rambling and if you're looking for sense you won't find it. The story as to be expected shows The Asylum's complete lack of originality, it's a decent idea but executed horribly. The pacing is hugely problematic in 'Atlantic Rim 2', there is a lot of irrelevant filler that bogs everything down significantly while the action is rushed and done in such a half-hearted way. Anybody who expects thrills, fun and a little suspense are better off finding something else, none of those things are in 'Atlantic Rim 2'. It's just ridiculous and dull, with no heart, charm or brains. None of the characters are likable, they have cardboard personalities- once you get over the fact that once again The Asylum are using literally every cliché in the book- and are severely undeveloped, with a mix of dull as dishwater and cartoonish. Regarding the acting, it gives insult to the word amateurish, with a mix of looking constipated, bad overacting, having the inability of acting scared or fearful of their situation and just acting emotionless. It doesn't even have dependable actors trying to save it or being wasted. Summing up, even when knowing what to expect 'Atlantic Rim 2' was an abomination. 1/10 Bethany Cox
This is one of the worst movies I have seen. The CGI I thought was a joke to start with. It is out of the 80's!!! Please Hollywood, WHY make rubbish like this when you could be using 1.5 million dollars to feed many starving people!!! They are more important than doing absolute rubbish like this.
It didn't even deserve to be titled using any ocean Rims title nor claiming as the sequel. the bald soldier act was just annoying, making me want to puke from my eyes. if theres a minus five (-5) stars, i'd choose -5 fot this amazing movie.
I mean i would of thought that but it is not. People spend time, money, resources to do this movie. It is a horrible experience. Effect are from 1950s, script feels like wrote by bunch of 8 years for a school project, actors are aware that movie is terrible but they had to see it through because easy money, director have no idea what a movie is... i can go and go and go on with bad things to say about this sad movie. I felt like i had to warn people who is about to watch this wretched movie. Don't do it.
I love bad movies. Getting together with friends to drink some beers and laugh at poor continuity, questionable acting, and incoherent plots? Classic. The Asylum doesn't make bad movies. "Movie" implies an attempt at application of art. They don't care. They aren't trying. What they make isn't bad because they're incompetent, it's bad because they didn't even try. Manos? Plan 9? As terrible as they may be (and terrible they are), they are still movies. Somebody set out to realize their vision (however incoherent) and try to entertain audiences. The Asylum isn't doing that. They're not making movies. They're just being shameless because they know people will buy their products either 1) on accident or 2) ironically. Save yourself the time and watch some Roger Corman stuff. It's full of low-budget schlock with actual artistry. When it's bad, it's still good.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.