Kwabena Gyansah
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The drame film Azali, starring Asana Alhassan, Akofa Edjeani Asiedu, Adjetey Anang, etc., directed by Kwabena Gyansah, was released on February 6, 2020 in Ghana. It tells the story of Thrust into Accra by circumstances, a 14-year-old girl from Northern Ghana must endure life in the slums of Accra, and find a way to get back home. This is a Drame film with a runtime of 92 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.7/10 from 300 viewers.
Kwabena Gyansah
dans le rôle de Director
Asana Alhassan
dans le rôle de Amina
Akofa Edjeani Asiedu
dans le rôle de Rukaya
Adjetey Anang
dans le rôle de Akatok
Peter Ritchie
dans le rôle de Razak
Ama K. Abebrese
dans le rôle de Joan
Mohammed Hafiz
dans le rôle de Seidu
Emmanuel Nii Adom Quaye
dans le rôle de Kortey
Ramatu Mohammed
dans le rôle de Fatima
Abdul Malek
dans le rôle de Boy
Alhassan Tahiru Niindoo
dans le rôle de Yussif
Ismaila Mashod
dans le rôle de Baba Abdulai
Yakubu Inusah
dans le rôle de Fuseini
Ibraham Alhassan
dans le rôle de Baba Dauda
Mohammed Awal Mahama
dans le rôle de Man 1
Bela Afua Sarhene
dans le rôle de Orphanage Woman
Wumpini
dans le rôle de C.I.D.
Sagan
dans le rôle de Muscular Man
Adam Rahimatu
dans le rôle de Social Welfare Woman
Kwabena Gyansah
dans le rôle de Writer
Gwandelen Quartey
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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I felt empty watching this, in the sense that there seemed to be no connectivity. I had subtitles but they didn't generate with some of the non-English probably because the languages were mixed together. I understand countries do that; that's not a problem but going from one scene to the next just seemed disconnected and that seemed to be one of the reasons why. Also, I've seen a lot of movies etc., but I don't know if I would call any of this 'acting'. It seemed as if everyone was just speaking AT each other rather than TO each other. Maybe it's a cultural thing, I don't know. There's a lot of quietness in this. Like you're just looking at people, scenery etc., like it was dispersing art house type moments (I don't think it was, intentionally at least.) It's a story about a 14 year old girl surviving and trying to get back home. Everything moves so slowly. I was interested in the film but it just was teetering on boring me to death. It's too quiet. Even what supposedly is supposed to be exciting was subtle and quiet; such as the main girl finding out that she's going to be sold into slavery (sex trafficking, most likely) and the slaver comes up from behind her--and this other guy that the girl knows from elsewhere--and reaches for a gun in her purse and was so ominous but became so monotonous. It begins only to get interesting until the last 35 minutes of the film but then it twists into just the unbelievable. Amina was able to escape a life of slavery and perhaps sex trafficking only to end up surviving in Accra as a prostitute. That's irony for you. Of a city of over 2 million people she runs into a guy who sort of becomes her protector (who's also new to the city) oh, and after Amina finds her Uncle we find that her protector is her biological father who she's pregnant by! Oh, the twists this movie has and how pathetically entwined. I think they knew it was a boring movie so they added that taboo! I will say the showing of the vast landscape was quite lovely to look at but other than that, I didn't really care for this film.
Very interesting movie about the difficult life of a 14-year old girl in Ghana. The storyline might be a little foreseeable and the plot twist at the end is a little too much, but that's not what it's really about. This movie gives you an insight on hard living conditions in Ghana and the reality of a lot of people, especially women, without dramatizing too much. Instead, it puts an emphasis on the day-to-day life and willingness/necessity to fight for survival, which is very well played by the main actress. A immersion in another world which makes you reflect about inequalities as well as violence against women and children. I definitely recommend this movie.
Bon film !
My compound
nice movie
u
Following dis movie 🎬
source: Azali
I felt empty watching this, in the sense that there seemed to be no connectivity. I had subtitles but they didn't generate with some of the non-English probably because the languages were mixed together. I understand countries do that; that's not a problem but going from one scene to the next just seemed disconnected and that seemed to be one of the reasons why. Also, I've seen a lot of movies etc., but I don't know if I would call any of this 'acting'. It seemed as if everyone was just speaking AT each other rather than TO each other. Maybe it's a cultural thing, I don't know. There's a lot of quietness in this. Like you're just looking at people, scenery etc., like it was dispersing art house type moments (I don't think it was, intentionally at least.) It's a story about a 14 year old girl surviving and trying to get back home. Everything moves so slowly. I was interested in the film but it just was teetering on boring me to death. It's too quiet. Even what supposedly is supposed to be exciting was subtle and quiet; such as the main girl finding out that she's going to be sold into slavery (sex trafficking, most likely) and the slaver comes up from behind her--and this other guy that the girl knows from elsewhere--and reaches for a gun in her purse and was so ominous but became so monotonous. It begins only to get interesting until the last 35 minutes of the film but then it twists into just the unbelievable. Amina was able to escape a life of slavery and perhaps sex trafficking only to end up surviving in Accra as a prostitute. That's irony for you. Of a city of over 2 million people she runs into a guy who sort of becomes her protector (who's also new to the city) oh, and after Amina finds her Uncle we find that her protector is her biological father who she's pregnant by! Oh, the twists this movie has and how pathetically entwined. I think they knew it was a boring movie so they added that taboo! I will say the showing of the vast landscape was quite lovely to look at but other than that, I didn't really care for this film.
The beginning 20-30 minutes got me very interested in the story, but then it lags so badly and for so long that I no longer cared what was going to happen. There are stretches up to 10 minutes where there is little or absolutely no dialogue AND nothing happening. It is just panning the area they are in and while it is beautiful scenery and people are going about their daily lives in the market, I don't understand the point of how lengthy these segments were. I think the film could have benefited from a better editor. With all that said, the lead actress did a pretty good job working with a bad script. The message is lost in the confusing mess that is the final film.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.