Shadab Kamal
dans le rôle de Mukesh
English,Filipino,اَلْعَرَبِيَّةُ,اُردُو,हिन्दी,বাংলা
The crime film B.A. Pass, starring Shadab Kamal, Shilpa Shukla, Rajesh Sharma, etc., directed by an unlisted director, was released on August 2, 2013 in Inde. It tells the story of A young boy is seduced by a woman who later turns him into a gigolo (male prostitute). This is a Crime, Drame, Thriller film with a runtime of 95 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.3/10 from 4,552 viewers.
Shadab Kamal
dans le rôle de Mukesh
Shilpa Shukla
dans le rôle de Sarika
Rajesh Sharma
dans le rôle de Mr. Khanna
Deepti Naval
dans le rôle de Mrs. Suhasini
Dibyendu Bhattacharya
dans le rôle de Johnny
Vanya Joshi
dans le rôle de Landlady
Vijay Kaushik
dans le rôle de Foofa Ji
Anula Navlekar
dans le rôle de Chhoti
Happy Ranajit
dans le rôle de Phd
Amit Sharma
dans le rôle de Amit
Geeta Agrawal Sharma
dans le rôle de Bua Ji
Kiran Deep Sharma
dans le rôle de Warden
Rajeev Sharma
dans le rôle de Goon
Raveena Singh
dans le rôle de Sonu
Raghvendra Tiwari
dans le rôle de Mortuary Owner
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Bon film !
how can i add the source
The movie is an adaptation of the story railway aunt and its just fine noir The highlight was the aunt character played by Shilpa Shukla, who stole the entire movie. The thing that made me like this movie is the uneasy ambiance surrounding the poor boy throughout the movie. The scenes when the boy takes his feelings to the zenith when his sisters were troubled and when he is treated as a servant in his own relatives' house were shown so aptly. Had few issues like the reason the boy took up 'that' job/gig (see the movie and you'll know it) is still questionable to the book writer/director. The screenplay is cool for a débutant but could've made far better with such a twist in the climax.
This movie has no motive. Confused about thinking what they really tried to create.
No full nudity, so it was disappointing, story is just like 1 time watch
Having recently lost both of his parents, a young college student by the name of "Mukesh" (Shadab Kamal) is taken in by his aunt while his two sisters move to his grandfather's house. While with his aunt he meets an attractive married woman by the name of "Sarika" (Shilpa Shukla) who takes an interest in him and invites him on several occasions to come to her house. She finally convinces Mukesh's aunt to send him over to pick up a crate of apples but when he gets there he realizes that it was all a ruse as she immediately attempts to seduce him. Since Mukesh is not very experienced Sarika proceeds to teach him all about sex and after several days convinces him to work for her in the capacity of a gigolo. Somewhat reluctant at first, when his grandfather dies and his sisters are forced to live in an orphanage for girls, he decides to accept her offer in order to make enough money to take care of them. Now rather than reveal any more I will just say that I was rather disappointed in this film for a couple of reasons. First, although it started off well enough, it quickly bogged down and became a bit mundane and boring. Things then went downhill immediately afterward. Admittedly, there were some interesting scenes here and there with Shilpa Shukla performing in a fine manner. Unfortunately, while the plot was realistic enough, some of it seemed unnecessarily harsh and brutal and for that reason I have rated it accordingly. Slightly below average.
First of all for sensitive people this is not a good movie to watch because at the first half and hour of this movie it seems like a erotic thriller but as the movie progresses it's becomes clear that this movie will not have a happy ending. It's admirable how well the director has captured the elements of human emotions in this movie.where the director have shown how a person can decay emotionally and physically when that person is pressured to a breaking point. sexual exploitation,violence,betrayal and the never ending struggle to find money is shown through a gradual process masterfully.when it comes to acting a special note should be made where the main actor has acted in a way which has captured the hearts and minds of the audience.where as the movie progresses even the audience can feel the frustrations that main protagonist goes through and that is just good acting. Overall this is not the most easiest movie to watch and you will not have a good time watching this movie but if a person wants a proper idea how hard life can be this is the movie to watch.
why did everything turn out to be against the protagonist such a depressing movie guy's acting wasn't good shilpa was good but the movie overall was not something new can they ever show that a gigolo made something out of his life why is it shown that they get raped and end up committing some crime or worse suicide
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
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Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.