Jason Orley
dans le rôle de Director
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The comédie film Big Time Adolescence, starring Griffin Gluck, Larry John Meyers, Michael Devine, etc., directed by Jason Orley, was released on March 13, 2020 in États-Unis. It tells the story of Un adolescent de 16 ans toujours vierge et en déficience d'hormones de croissance se laisse corrompre par son héros : un jeune nihiliste renvoyé de son lycée. This is a Comédie, Drame film with a runtime of 91 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.9/10 from 17,400 viewers.
Jason Orley
dans le rôle de Director
Griffin Gluck
dans le rôle de Monroe
Larry John Meyers
dans le rôle de Principal Clarke
Michael Devine
dans le rôle de Officer Peters
John Villanueva
dans le rôle de Teacher
Pete Davidson
dans le rôle de Zeke
Emily Arlook
dans le rôle de Kate
Aiden Arthur
dans le rôle de Younger Monroe
Susan Atwood
dans le rôle de Drive Thru Lady
Jon Cryer
dans le rôle de Reuben
Julia Murney
dans le rôle de Sherri
Colson Baker
dans le rôle de Nick
Andre Hyland
dans le rôle de Tony
Clare Lopez
dans le rôle de Girl at Bar
Sydney Sweeney
dans le rôle de Holly
Thomas Barbusca
dans le rôle de Stacey
Oona Laurence
dans le rôle de Sophie
Sheirel Mordaunt
dans le rôle de Customer
Omar Shariff Brunson Jr.
dans le rôle de Danny
Jason Orley
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
I was so pleasantly surprised with the entire movie. the only thing that i wish was different would be more of an ending :( it was super good but a little more detail would've been much appreciated! definitely my current favorite movie ((:
So I don't usually get emotional about movies but this one it's almost impossible not to. I relate to it so much, and the ending was so Sad. I didn't rly understand why Zeke seemed like he didn't care until I read a review one here and once I understood the movie got like 5x sadder Anyone who does not like this movie is to young or to sheltered... (cough cough) the dude who said characters are unbelievable
I never had an incentive to sign up with Hulu before. But now that Pete's "BIG TIME ADOLESCENCES" is out, I signed up today so I could watch it. Wow, the acting was so good, everyone's character was believable. Without giving too much away, the ending was sad to me. A very well done movie.
The conversations and the way Pete Davidson acts is so authentic (I think attributed to his micro-dosing of mushrooms) from body movements to line delivery, he was spot on. You watched a star that has the possibility to go anywhere now that we seen how much he was made for the big screen, in his first starring role ever. I predict he will go far and really hope he does, love his stand up, loved him on SNL (even though show has went downhill and hard to watch sometimes), his way of thinking about loving life, and now I love his acting on the big screen. I can't wait to see what his next performance will be or what type of roles he can play, really excited, as he should be, for his career right now!!
I really tried to like it. The story line is all over the place. It's almost a rom-com coming of age story but it falls short In every way. John Cryer needs to stop acting he is terrible in this movie.
This film start with young man "Monroe" capture by the police at school, and the flashback of six years ago scene! As turnout, this film is about the friendship between Monroe and his drug dealer friend "Zeke"! Entire film full of boring conversation, and overuse scene! Such as, overuse of the talking at the party scene, overuse of the driving scene, and overuse of the song playing at the background scene! Make the film unwatchable! Barely intense scene is, father of Monroe punching Zeke! At the end, Monroe capture by the police, and doing rehab at the rehab center! Monroe talking with Zeke at the restaurant, and driving his car away! That's it! Wasting time to watch!
The story didn't really end anywhere and I wanted more comedy. Newb director and writer Jason Orley was impressive this being his first full length film. What humor there was, was great, as was Pete Davidson who needs to do more TV/movies. He was jokes in The Rookie.
I hope this movie changes peoples minds about Pete Davidson because he was fantastic in this film. I felt like this movie really showed how you can idolize someone older and "cooler" but realize at some point you need to move on from them. Pete's character Zeke broke my heart, he's a good kid with a great soul, just lost in his own problems. We all know a Zeke and we all know a Mo and to watch their friendship blossom then fade reminded me of so many friendships in my adolescence. The last scene where Mo sees Zeke in his rear view mirror smoking was the perfect way to end the movie. Mo will move on and Zeke will be right where he left him in that parking lot. Sad but true for so many young adults. Not an overly crude movie (not that I mind that) and had some really beautiful scenes that perfectly captured what it is like to be growing and changing in high school. Highly recommend this movie!
Both actors have chemistry and Griffin doesn't act awkward like you would seem him to be at the beginning of the movie. I'd watch it again just for a few scenes that are so good. So many jokes in the movie too. Talks about real life stuff.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.