Michael Su
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The action film Bloodthirst, starring Costas Mandylor, Tara Reid, Robert LaSardo, etc., directed by Michael Su, was released on October 31, 2023 in États-Unis. It tells the story of In a post apocalyptic world run by vampires, only the strong survive. John Shepard, Vampire Hunter, is one of them. John has to track down and eliminate the master vampire before he himself gets turned. This is an Action, Horreur, Science-Fiction film with a runtime of 88 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.6/10 from 1,250 viewers.
Michael Su
dans le rôle de Director
Costas Mandylor
dans le rôle de John Shepard
Tara Reid
dans le rôle de Vampire Queen
Robert LaSardo
dans le rôle de Vampire Master
Tatiana Sokolova
dans le rôle de Destias
Sarah French
dans le rôle de Brooke Thompson
Elissa Dowling
dans le rôle de Elena Thompson
Kyrillos Saber
dans le rôle de Vampire Queen's Follower #3
Rich R. Rendon
dans le rôle de Rico
Johnny Huang
dans le rôle de Charlie
Bishop Stevens
dans le rôle de Torque
William 'Bill' Connor
dans le rôle de Daddy Thompson
Denny Nolan
dans le rôle de Farmer
Ben Stobber
dans le rôle de Martin
Kevin Hager
dans le rôle de Abbadon
Dee Cutrone
dans le rôle de Doris
Rizi Timane
dans le rôle de Park
Wesley Cannon
dans le rôle de Ultimate Vampire Master
Wesley Cannon
dans le rôle de Queen's Follower
Stephen L. Satterfield
dans le rôle de Campbell
Massimiliano Cerchi
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Bon film !
Bon film !
This movie is horrible, the acting and the special effects. What a waste of talent. Costas Mandylor, Tara Reid, and the B horror movie King Robert Lasardo. The movie centers on an apocalyptic world run by Vampires, Mandylor Character is John Shepard a vampire hunter. He tracks down vampires in order to eliminate the master. We seen it all before, but at a much grand scale, as I said earlier this movie is very amatuerish. The acting and special effects. It was definitely wasted time spent. Watch John Carpenters Vampires instead or Near Dark. Two great vampire classics. Tara Reid needs a good comeback and this isnt it.
What's with the "1" ratings? Very few films are really a "1." Those who give this film a "1" clearly have something against the makers of the film. Moving on... This is a low-budget, independent horror film. It was probably made for less than most movies spend on craft services. But that doesn't make it bad - far from it. With stars such as Costas Mandylor, Tara Reid and Robert LaSardo, there's some real talent on board. And, unlike some other low-budget indies, the stars aren't in it for 2 minutes - they have major roles. I'll avoid spoilers and say this: There's plenty of gore, laughs, and campy-cheese (or is it "cheesy-camp?") to make this film enjoyable. Most of the acting is good (Robert LaSardo is always a pleasure to watch) and the costumes/locations are believable - they keep you in the film. If this was a $50 million movie, I'd give it a 3. But it's not. It was probably made for less than 1% of that amount...and, honestly, it's better than some big budget movies. The Mahals have carved out a nice niche in the industry. This is another good one from them. Overall: 7.
Must watch
source: Bloodthirst
Living in a post-apocalyptic wasteland, a vampire hunter and his protege manage to find an outcrop of survivors in the desert and enlist their services to help them track a vicious vampire clan running through the area feeding on the weak and must try to stop them before it's too late. There was a lot to like with this indie vampire effort. One of the better features here is a rather intriguing storyline that attempts to employ an intriguing post-apocalyptic setup for vampires. As this opens in the aftermath of these works have taken place and the exploits of the gang running around feasting on the hold-out of survivors at the one location, this manner of bringing vampires into this setup is quite fun. It allows for the film to work within it's low-budget featuring the creatures coming down to enforce their superiority over the victims while they can think of a means of escape. As well, there's also the tracker coming for them hunting them down which has some equally fun means of trying to catch up for a great setup. This all lets the film have a solid and generally fine if somewhat low-key series of confrontations throughout. As the early scenes of them taking over the farm or hunting the stragglers in the wasteland have a nice bit of brutality alongside the cheesy situations, it comes off nicely against the later scenes where they've got the victims hostage in the basement and arrive mainly to taunt them before feeding. The concurrent scenes of the hunters going through the desert taking them out and hunting the creatures in the abandoned town where the vampires have kept their captives and the series of battles here provide some fun action featuring solid indie gore. These features all manage to have a lot to really like about it. The film does have some minor drawbacks to hold this down. One of the main factors against it is the somewhat repetitive first half that never gives the vampires much urgency for what they're doing. The idea of the vampires staying at the house of their prey, holding them like hostages, and coming back down on several occasions is a pretty underwhelming one that doesn't have a lot of interesting aspects to it. As well, this one tends to go through ill-thought-out material for twists in the finale merely to prolong the running time as the series of double-crosses and allegiance shifts that don't make much sense and well thought-out how it would play out in the story are what end up being the issues that bring it down. Rated Unrated/R: Graphic Violence and Graphic Language.
I'm writing this 'cause it's a pity that people rate this so extremely. There's no way this is a 10 movie and no way it's a 1. It's a pity as some of the reviews are quite good, but they lose credit by trying to massage the ratings.. we get it.. just, if you are gunna do it, don't mix it with a review. The story is fairly good, a few twists but ultimately predictable, but that doesn't take away anything from the film: Many big budget films have insanely predictable stories. The camera work and music scores were brilliant. The acting was on par with any low budget/indie movie, with notables (as has been mentioned) Sarah French, Elissa Dowling and Johnny Huang. I don't think there was much Tara Reid had to offer, but willing to forgive as that outfit and makeup must have been nasty to work in. Costumes/makeup were, sadly, too stereotypical, especially for the vampires... and Rico (Rich R. Rendon).. why did he have to look like a grease monkey.. I ride a Harley so therefore I must be covered in grease... even the main protagonist John Shepard (where have I heard that name before?) (Costas Mandylor) what was he wearing? Seriously, A load of pill bottles? Or shotgun cartridges.. but he uses a crossbow! All in all, if you're gunna take the movie seriously then it's not for you... but if you don't mind hanging out with a few, not overly cynical, friends, opening a few bottles and chill to a nice story told on a budget, then go for it. My personal critic would be something low budget vampire movies seem to like doing, but makes no sense (it's been done and hammered): I get it for the gore factor, but, why do the vampires waste such a valuable resource as blood by spilling it down their chin? I just don't get it. Also the first 5 minutes(ish.. didn't time it) really didn't do the movie any favours. ... and no vampires where paid for being in the movie.. that hardly seems fair.. don't they have a union?
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.