Rahul Sadasivan
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The drame film Bramayugam, starring Mammootty, Arjun Ashokan, Sidharth Bharathan, etc., directed by Rahul Sadasivan, was released on February 15, 2024 in Inde. It tells the story of Thevan, un chanteur folklorique de la caste des Paanan, fait une rencontre fatidique alors qu'il échappe à l'esclavage, ce qui l'amène à découvrir une ancienne tradition qui modifiera son destin. This is a Drame, Horreur, Thriller film with a runtime of 139 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.7/10 from 16,995 viewers.
Rahul Sadasivan
dans le rôle de Director
Mammootty
dans le rôle de Kodumon Potti
Arjun Ashokan
dans le rôle de Thevan
Sidharth Bharathan
dans le rôle de Servant
Amalda Liz
dans le rôle de Yakshi
Manikandan R. Achari
dans le rôle de Koran
Aluva Sheeba Sebastian
dans le rôle de Thevan's Mother
Akash Chandran
dans le rôle de Chathan
Rafnas Rafeek
dans le rôle de Theyyam
Andrè
dans le rôle de Portuguese Infantryman 1
Sergi
dans le rôle de Portuguese Infantryman 2
Nikola
dans le rôle de Portuguese Cavalryman
Stas
dans le rôle de Portuguese Army
Vitalii
dans le rôle de Portuguese Army
Zabi
dans le rôle de Portuguese Army
Dmitri Sergeev
dans le rôle de Portuguese Army
Alex
dans le rôle de Portuguese Army
Sergé
dans le rôle de Portuguese Army
Andrey
dans le rôle de Portuguese Army
Rahul Sadasivan
dans le rôle de Writer
T.D. Ramakrishnan
dans le rôle de Writer
K N Vijayakumar
dans le rôle de Writer
Vybhav. M
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Bon film !
This movie is quite engaging. It makes you think about what's going to happen next. And I guess that's the reason why it is highly rated, only unless you've watched movies better than this. I don't like the action in this film. I don't like the colours. There's only a few action and that also useless, what do I say about action? This movie kept me watch it till the end because I wanted to know the conclusion. However, while I was watching this, I was like, when will this end? Like there are plenty of slow motion scenes, you just have to wait for minutes about where it takes. It was not on to the point in some scenes. Is this movie good or bad? Boring, I would say. I felt bored. I am like, how come this be engaging and boring at the same time? Yes, it is engaging but boring also due to some scenes that waste your time unnecessarily. If it was like a decade ago, I would have enjoyed this, but in this date, I have already watched better movies than this. So, I apologise if I hurt any fans, but this movie is not worth it. Thank you.
My Detailed Review about : #Bramayugam This is the only movie which reached My Expections 1st Half is Mystery around the mamooty Character , 2nd half has slowness But it doesn't matter Just awesome coz of twist Unfolds Overall It's a Very Creepy, eerie , Scary filled Movie If You like Kumari , Tummbad , Virupaaksha Type of movies Definitely Bramayugam Will be Your cup of Tea It's A Dracula Version Of @mammukka He is Absolutely monster My Rating 8/10. (JUST GIVE A TRY) YOU WONT BE DISAPPOINTED FOR SURE , THIS MOVIE DESERVES THEATRE EXPERIENCE , SO WATCH IT ON BEST SCREEN IN YOUR NEARBY...
Bramayugam. Mammootty proves he is a flabbergasting ogre in performance. Review by M. Siraj Bramayugam, directed by Rahul Sadasivan, is a brilliant folklore horror thriller that explores power corruption and human greed, and Mammootty's standout performance versatile acting, and script selection make it a must-watch cinematic experience. In the 17th century, Devan (Arjun Asokan) runs away with his friend Kora in the thick forest, at night Kora is dragged away by Yakshi (Witch/Goblin) making him fall into a trap of enchantment as he enters into a nearby dilapidated Mana (mansion) to save his life from it. In the beginning he doesn't know the mansion belongs to Koduman Potti (Mammootty) who trapped him in the supernatural house of cruelty. Movie is slow paced in the beginning and takes time to set up the plot, later goes fairly engaging with an extraordinary creepy and scary performance of Mammootty. Every scene goes elaborated with visuals and sound effects. The art work is excellent as the Mana (Mansion) and its surroundings are untidy, nature has reclaimed parts of it, with vegetation creeping up the walls and many roof tiles broken as the look itself screams, "visitors not allowed". Mammootty excels as the role of a Villain in howling horror, as seeing his shadow comes the shudder that comes from seeing the shadow of Dracula, the horror effect he gives with his vision and voice while sitting majestically in a chair distorts the stomach of audience. Ogre Hats off to Director Rahul Sathasivan for framing the story in Black and White with only 3 characters throughout the film, slowly narrates how Devan escaped from that Mana (Mansion) full of occult and ambiguities to become his prison. Mammootty has brought the character to life with his trademark voice, laughter with stained teeth and sitting posture, as well as the tone of the legend and nerve-wracking intimidating gaze. In some scenes, his voice, even his shadow, makes us convulsion to compensate for his presence. Cinematography is the backbone of the film, shot entirely in black and white, (Hats of the Director's courage) with a single ruined mansion (Mana) palace as the plot. Along with the lighting for black and white, his compact frames go hand in hand, transmitting horror and the supernatural in depth. In fact, every frame and angle of Mammootty replicates the voice of that Koduman potti character. Background music plays a pivotal role in the movie by transmitting to the audience many feelings of mystery, deceit, aggression and fear, vividly through a mixture of folk and Carnatic music giving boundary shots in horror scenes. Director's concentrated collage can be felt not only in the thrill scenes, but also in the scenes that show the mental state of the characters. Director Rahul Sadasivan made an absolutely terrific folklore horror with brilliant metaphorical layers on power corruption and human greed whereas Mammootty proves he is a flabbergasting ogre in performance. There is a famous Dialogue by Mohan Lal in the Film "Manichitrathazh" as follows: "Oru mano roga chikilsakanum sanjarichittillatha vazhikalil koodi gnan sanjarichu ennirukkum. (I may travel in any route which other Psychiatrist were not travelled) Oru branthanai pole. (As a mad man) Ente nakulanuvendi. (For my Nakulan) Avante bharyakku vendi. (For his wife) I am going to break all conventional concept of psychiatry". Here Mammootty breaks all the conventional concept of a Hero. Even after 400 films in his credit, his quest for new roles, passion for acting never ends. Really, he is a mad man who had the courage to travel in different routes which other actors are not dare enough to try. He is least worried about his image, concentrating only for the Character he portrays. Yes. Mammootty is a Mad Man. Review by M. Siraj.
One of the epic movies by Mammootty. The great actor Mammootty is like a wine that gets stronger with age. Everyone else, including Arjun Ashoka, has acted well. It can be said that Bharamayugam is definitely a must-watch movie. What sets Mammootty apart from other stars is the way he chooses movies. His finesse in story selection has been evident for some time now. It can be said that the director has made this movie for us in such a way that we even forget that we are watching the movie on a black-and-white screen. Watch this movie with the confidence of not being afraid. Because when the movie is over, others will understand the fear in your eyes.
Pure Madness exceptional masterpiece, offering a slow-burning horror thriller experience that captivates viewers with its black and white visual storytelling. Directed by Rahul Sadasivan, this cinematic gem sets a new standard in Malayalam cinema, delivering a quality viewing experience that is truly unforgettable. Led by the visionary talents of Shehnad Jalal and Christo Xavier in the visual and music departments respectively, the film immerses audiences deeply into its core themes and narrative. Their contributions elevate the storytelling to new heights, creating an atmosphere that is both haunting and mesmerizing. The stellar performances from the cast further enhance the film's impact. Sidharth Bharathan and Arjun Ashokan deliver standout performances, showcasing their remarkable acting abilities. However, it is Mammootty who steals the show with his unbelievable portrayal. Despite his extensive filmography of over 400 films, Mammootty brings a never before seen character to life with unparalleled skill and intensity. His performance is nothing short of mind-blowing, leaving viewers in awe of his exceptional talent. Rahul Sadasivan's direction is nothing short of brilliant, demonstrating his mastery of filmmaking and establishing a new benchmark for excellence in Malayalam cinema. "Bramayugam " is a must-watch film that demands to be seen on the big screen. It leaves audiences spellbound and sets a milestone in the annals of Malayalam cinema.
Bramayugam starring Mammootty in the lead role. Also starring Arjun Ashokan and Siddharth Bharatan Directed by Rahul Sadasivan. *** A horror mystery set to convey the evil side of Rulership *** Set in the period of the 17th Century where black magic, lust for power, control was in extreme, Bramayugam creates a world of the power vests in the hand of the evil & how the helpless society falls prey into this gamble of dominance. As the whole movie set in Black and White, for me the impression was it was unambiguous of the dominance of the superior over the downtrodden. Performance wise what we thought was completely different of the characterization of the megastar Mammootty. The thirst for acting has never ended and that's clearly being noticed in each frame of his. The cruelty of the character was very well absorbed by him and that's why he is the Kulapathy of the Malayalam Film Industry. Another note worthy performance of Arjun Ashokan. The career graph of Arjun will escalate here onwards.. Siddharth Bharatan also gave a fitting performance. The songs set back in the 17th century was pleasing. BGM added the horror mode. Overall a purely experimental movie but with the good technical work and class performers Bramayugam sets a new benchmark for the upcoming horror jonor movies in Malayalam Film Industry.
Good theme, but need better execution. Black&White suits the plot. Not horror. The selection of characters for the trio is perfect. Siddharth Bharathan is the best of the lot, and believable. No one else can replace Mammoottys character, but at times, the expectations made him overdo a bit. Instead of following a simple theme with a strong message like TUMBBAD (very good Indian hindi horror movie), Bramayugam unnecessarily (like many Malayalam movies) brings in the subliminal chit chat of class division that existed in society in those ages. Once the twist is revealed the climax scenes loose punch.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.