James McTeigue
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The action film Breaking In, starring Gabrielle Union, Billy Burke, Richard Cabral, etc., directed by James McTeigue, was released on May 11, 2018 in Japon. It tells the story of Une femme lutte pour protéger sa famille lors d'un cambriolage. This is an Action, Thriller film with a runtime of 88 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.5/10 from 17,703 viewers.
James McTeigue
dans le rôle de Director
Gabrielle Union
dans le rôle de Shaun Russell
Billy Burke
dans le rôle de Eddie
Richard Cabral
dans le rôle de Duncan
Ajiona Alexus
dans le rôle de Jasmine Russell
Levi Meaden
dans le rôle de Sam
Seth Carr
dans le rôle de Glover Russell
Mark Furze
dans le rôle de Peter
Jason George
dans le rôle de Justin Russell
Christa Miller
dans le rôle de Maggie Harris
Damien Leake
dans le rôle de Isaac Paulson
Ryan Engle
dans le rôle de Writer
Jaime Primak Sullivan
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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mmokomm
Bon film !
Bon film !
Bon film !
Even though this movie was predictable, because there are a million movies with the story line of a desperate mother willing to go great lengths for her children, I really liked it. It had a lot of action throughout the entire movie. So it kept my attention!
Dreary and stupid. So much of this movie makes no sense. The lead character lives a life of privilege due to her father's criminal behavior, but I guess we should overlook that. There are too many scenes where the movie would have ended if people stayed in chsracter. No reason for the robbers to not shoot Shaun. But they don't. No reason for Shaun to not shoot the robbers who are threatening to kill her and her children, But she doesn't. In one scene the younger brother fires a gun from five feet away and misses completely. What kid doesn't play enough video games to do that? The robbers are cardboard cutouts. I laughed out loud when they figured out how to open the safe. The most secure spot in a wired-for-anything house and they have an app to override it. The topper is when Shaun threatens to burn the cash which she has soaked in gasoline. She holds a lit cigarette lighter over the money, which in the real world would have ignited (gasoline fumes burn, not the liquid) and flared all over her. This all takes place in rural Wisconsin. Of course the police arrive only after Shaun heroically prevailed, I half expected to see white cops arrive and arrest her for breaking into the house because she's black. Maybe that was a post credits scene.
This movie hits to every mother's nightmare. For her children to be taken from her. Shaun Russell goes to her father's house with her children. In the course of events she is caught up in a home invasion. Things go from bad to worse as her children get trapped inside with the bad guys. It becomes a battle of wits and determination. This suspenseful movie has lots of twist and turns. A good action pack adventure that reminds you, don't mess with mama.
Imagine a suspense movie cobbled together out of other movies, only worse than any of them. Youve got this supposedly clever and resourceful woman. Her dad is whacked, and the first time she visits his house, its obvious there are WAAY too many security systems, that is, unless he's hiding some heavy stuff she doesnt know anything about. But does she call the real estate agent back and say, "Uh I think my dad may have been into some heavy stuff I dont know about (which could be why hes dead) so we'd better hold off on selling this place awhile'? No; shes still gonna list it next week. Riiiight. Robbers come. Is it not odd that the small town pizza place on the phone does not notify the cops about a customer apparently being attacked on the phone? The mom takes one of the bad guys prisoner. Why not take him out with his crow bar? Why does she not use his phone to call both her husband and the cops? Why in the hell would a crook wear dog tags to a crime? But since he does (idiot!) why does she not seize his wallet and dog tags immediately? This would ensure one robber is ID'ed even if he somehow gets away? Why does she not make SURE the knifey dude she runs over is DEAD? Take his weapon, at the very least. At the end, same mistake again. Why does she not put at least a few shots in him after stabbing him, when there is a gun just a few feet away? When she stumbles into the room with all those security monitors, and realizes theyre monitoring her moves, why does she not smash them to remove any surveillance capability from the robbers, while she maneuvers around the house to save her kids? Why are the robbers so unbelievably stupid, discussing their criminal info in front of the kids? Why is the kids' father character written so unbelievably lame? Why doesn't the director realize that holding a lighter an inch from gas soaked material would instantly light the fumes? You don't need to touch the material if fumes are present. Why would the robber not know that discharging a "firearm" in a room soaked in gas (ie, full of fumes) would likely start a huge fire or possibly even cause an explosion?
Great action. Shows what a mother will do to protect the ones she loves most. Especially her kids.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.