Sean 'Diddy' Combs
dans le rôle de Self - Interviewee
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The documentaire film Can't Stop, Won't Stop: A Bad Boy Story, starring Sean 'Diddy' Combs, Lil' Kim, Mase, etc., directed by an unlisted director, was released on June 23, 2017 in États-Unis. It tells the story of A behind-the-scenes look at the prolific labels legacy and offer an in-depth look at the two-night anniversary extravaganza, that took place last May at Brooklyns Barclays Center, in honor of the late rap great, The Notorious B. This is a Documentaire, Musique film with a runtime of 80 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.4/10 from 924 viewers.
Sean 'Diddy' Combs
dans le rôle de Self - Interviewee
Sean 'Diddy' Combs
dans le rôle de Self - Performer
Lil' Kim
dans le rôle de Self - Interviewee
Lil' Kim
dans le rôle de Self - Performer
Mase
dans le rôle de Self - Interviewee
Mase
dans le rôle de Self - Performer
Raha Scoff
dans le rôle de Self
112
dans le rôle de Themselves - Performers
Mary J. Blige
dans le rôle de Self - Interviewee
Mary J. Blige
dans le rôle de Self - Performer
James Cruz
dans le rôle de Self
Ebro Darden
dans le rôle de Self
Clive Davis
dans le rôle de Self - Interviewee
Desiigner
dans le rôle de Self
DMX
dans le rôle de Self - Performer
Kima Raynor Dyson
dans le rôle de Self - Interviewee
Kima Raynor Dyson
dans le rôle de Self - Performer
Amir Epps
dans le rôle de Self
K'Mari Epps
dans le rôle de Self
Keisha Epps
dans le rôle de Self - Interviewee
Keisha Epps
dans le rôle de Self - Performer
Faith Evans
dans le rôle de Self - Interviewee
Faith Evans
dans le rôle de Self - Performer
Fab 5 Freddy
dans le rôle de Self - Interviewer
Fabolous
dans le rôle de Self
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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source: Can't Stop, Won't Stop: A Bad Boy Story
To be completely honest, everyone in this doesn't seem to be best pleased to share a room with him. What seems to be important is what is not said rather than said and there's a feeling of underlying tension when you see how the artists currently are. I'm sure there are other versions of the truth that should be heard. Standing there being encouraged by a man who made billions off of your talent and who doesn't seem to have any appreciation for those people is quite narcissistic, but then again would he have gotten there if he wasn't Not a good documentary, not a good advert for Bad Boy and not a good use of 90 minutes.
my last review was for the film All eyez on me. Which was a biopic of Tupac, a much better rapper then P. Diddy, but after seeing this so called "film" i have to put in the quote bracket, as it was more of an attempt at self marketing with a seriously bad script! and terrible actors then a movie. The time of great music biopics is over! With films like 8 mile get rich or die trying, hustle and flow, notorious and N.W.A Straight outta of Compton, giving fans a great story telling with good cinematography while focusing and embracing the rap industry we have hit the bottom with this one. Do yourself a favor and press skip, stop giving your money to producers who make terrible films. Stop supporting crap! go and rent one the films above and enjoy it. Otherwise you are only giving them more reason to make films ever worse.
It was fun seeing all the behind the scenes stuff (P Diddy seems like a cool dude) but all in all it was like watching a music video on mute. A bit more concert footage would've raised my rating.
As captivating and compeling is the life and success of Puff Daddy himself, this was quite a boring watch. What is interesting about this documentary tho is learning about some of the things that might have been unknown going into the film, this man definitely made his way from nothing which is intriguing and respectable, was enough to stick around to find out about to a dagree I guess. While alot of whats happened to the rapping businessman in his day to day life up untill this point in time has been alot to jump up and down about in celebration, the narrating and storytelling definitely was almost as fun as watching paint dry.
Bon film !
source: Can't Stop, Won't Stop: A Bad Boy Story
To be completely honest, everyone in this doesn't seem to be best pleased to share a room with him. What seems to be important is what is not said rather than said and there's a feeling of underlying tension when you see how the artists currently are. I'm sure there are other versions of the truth that should be heard. Standing there being encouraged by a man who made billions off of your talent and who doesn't seem to have any appreciation for those people is quite narcissistic, but then again would he have gotten there if he wasn't Not a good documentary, not a good advert for Bad Boy and not a good use of 90 minutes.
my last review was for the film All eyez on me. Which was a biopic of Tupac, a much better rapper then P. Diddy, but after seeing this so called "film" i have to put in the quote bracket, as it was more of an attempt at self marketing with a seriously bad script! and terrible actors then a movie. The time of great music biopics is over! With films like 8 mile get rich or die trying, hustle and flow, notorious and N.W.A Straight outta of Compton, giving fans a great story telling with good cinematography while focusing and embracing the rap industry we have hit the bottom with this one. Do yourself a favor and press skip, stop giving your money to producers who make terrible films. Stop supporting crap! go and rent one the films above and enjoy it. Otherwise you are only giving them more reason to make films ever worse.
It was fun seeing all the behind the scenes stuff (P Diddy seems like a cool dude) but all in all it was like watching a music video on mute. A bit more concert footage would've raised my rating.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.