Brendan Walsh
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The drame film Centigrade, starring Genesis Rodriguez, Vincent Piazza, Benjamin Sokolow, etc., directed by Brendan Walsh, was released on August 28, 2020 in États-Unis. It tells the story of Un couple marié se retrouve coincé dans son véhicule après une tempête de neige et lutte pour survivre au milieu de températures plongeantes et dobstacles imprévus. This is a Drame, Thriller film with a runtime of 89 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.4/10 from 4,068 viewers.
Brendan Walsh
dans le rôle de Director
Genesis Rodriguez
dans le rôle de Naomi
Vincent Piazza
dans le rôle de Matt
Benjamin Sokolow
dans le rôle de Baby Liv
Emily Bayiokos
dans le rôle de Baby Liv
Daley Nixon
dans le rôle de Writer
Brendan Walsh
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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I know this is a movie but the characters are dumb. How could they not try to go outside and stayed for more than 10days fighting each other. Their energy wasted from all the yelling and crying.
Bon film !
how did it end coz mine is 1hr29min....abt the movie they have foolish decisions it's better to give a try they would have broken the window or hang a peace of cloth outside...
Bon film !
Bon film !
Bon film !
source: Centigrade
Sorry, but this is kind of nonsense. You can also come up with a movie where people could not leave the toilet. With doors and windows.
These people are idiots. She's annoying as hell and was ready to give up 10 seconds into realizing their predicament. They never tried to exit through the sunroof...they had candles but never tried to warm up the windows enough to be able to dig themselves out even a bit, they didn't try to use the rear defroster (car's battery wasn't dead, it just wouldn't turn over). Breaking the glass (finally!) with the headrest prongs will NOT lead to freezing to death...snow is an insulator which also means that the car's inside wouldn't be as cold as they're implying. A great example of everything NOT to do in this predicament.
Honestly I fell for the "based on true events" at the start and thought that was about the actual story in the movie so I thought it would be interesting but from the first scene we were getting tense with the inaccuracies. First we have lived in the Arctic circle in Sweden so we know about thick snow! You can see so much light at the top of the windows that they could have easily broken through. If they really were in deep, unmovable snow, the 2 of them and lighting candles would have made them run out of enough oxygen for them to breathe properly in 24 days. In the depth of winter (esp as a tourist) you can only stick to main roads and they are plowed daily (even where we lived with 3 houses for 30mins) so they would have heard that plow everyday and been truly buried within a few days. They even see car lights really clearly through the snow when 1 drives past! Seriously they could have easily got out as the snow couldn't have been a few cm deep due to the light penetrating. The amount of candles they have could have helped melt it since they started to do that DAYS later anyway. Matt also uses the smallest pick to try and break the ice when he said at the start of the movie they had a tool kit for safety (its standard in these Countries) so he could have used something bigger or used the car headrest bars, he is also shown always picking at the ice at bottom of the window, Seriously!? You'd obviously do it at the top to dig yourself out. When she had the baby everyone knows (and clearly she did too as she does it in the end) the placenta is full of nutrients and people eat it anyway let alone when starving and trapped so basically Matt would rather die than eat the placenta? OK. She finally gets through to her dad and she doesn't even know where they are and panic cries. In situations like this adrenaline takes over and you would be clear and definitely have learnt your position! Honestly I could go on on and was so happy this wasn't a true story as dam i was starting to feel they deserved it haha. The acting wasn't bad but dam what awful writing how could they not see all these OBVIOUS mistakes! Its embarrassing
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.