Kenny Johnson
dans le rôle de Roy
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The action film Check Point, starring Kenny Johnson, Bill Goldberg, Michelle Lee, etc., directed by an unlisted director, was released on January 20, 2017 in États-Unis. It tells the story of Port City North Carolina: During a routine camp out, a local vagrant, a former marine discovers plans for an invasion in America. When he tries to notify the local Sheriff about his discovery, the Sheriff dismisses his claims and has him locked up for loitering. The Sheriff's deputy notices odd interactions with other towns folk so he begins to look into the vagrants' claim of a sleeper cell living among the locals within this small town. After evidence of a beheading is exposed, others begin to fear that the insurgents attack on their hometown USA. Questions and tempers begin to rise. Why this little beach community with it's Norman Rockwell way of life? A town where everyone knows one another - or so they thought. When the truth is blind and justice seems lost, It will take an army of five unlikely heroes banding together to infiltrate the insurgents and foil their invasion plans. War is Hell and Hell comes home at the Check Point. This is an Action, Thriller, Guerre film with a runtime of 97 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.2/10 from 1,237 viewers.
Kenny Johnson
dans le rôle de Roy
Bill Goldberg
dans le rôle de T.J.
Michelle Lee
dans le rôle de Suzie
Fred Williamson
dans le rôle de Chester
Ricky Harris
dans le rôle de Kenny
Tyler Mane
dans le rôle de Deputy Stacks
Niko Foster
dans le rôle de Deputy Parks
Mindy Robinson
dans le rôle de Rebecca
Krista Grotte Saxon
dans le rôle de Libby
William Forsythe
dans le rôle de Sheriff Thomas Hancock
Kane Hodder
dans le rôle de Cyris
John Lewis
dans le rôle de James 'Brick' Dean
Victoria Marcello
dans le rôle de LuAnn
Mel Novak
dans le rôle de The Reverend
Tom Latimer
dans le rôle de McGregor
David Schifter
dans le rôle de Gunnery Sergeant Rush
Alessandra Panepinto
dans le rôle de Cassandra
Stephen Geoffreys
dans le rôle de Grant
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
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Bon film !
Roy (Kenny Johnson) is a former marine who lives in the streets of Port City (Wilmington, NC) Carolina. We get a brief flashback of his former life and wife. Note, the opening scene is not part of that flashback, but a plot spoiler tease that comes later. His brother (Bill Goldberg) lives in town and wants to help him. There is a terrorist cell beheading people on TV, something Roy gets to watch because mobs of people still gather at the local store and watch TV through a window. Roy is able to identify the unmasked killer and one of the victims which he believes is in Port City. Everyone thinks he is crazy. This is a PLOT SPOILER paragraph, although I spare many details. About an hour into the film we get a long winded patriotic anarchy, overthrow the government type of speech that even sounded crazy to crazy Roy. Decommissioned Battleships don't move. It would take years to be able to get it to move under its own power and even if it was armed, fueled and ready, it is ineffective in modern times outside of a few unique situations. I love Marines, but they are not trained to operate a boiler and steam plant. The film had some top "B" stars including Kane Hodder, Fred Williamson, Tyler Mane, William Forsythe, and Mindy Robinson to name a few. It also had a great soundtrack with top 40 rock tunes. They spent some money. Unfortunately the script was horrible. It was totally unbelievable with wooden dialogue. They have some kind of Marine dedication for the film, which is nice, except the film really sucked. Guide: F-word. No sex or nudity. Mindy Robinson and Krista "rack pack" Grotte- cleavage only.
Part of me was intrigued before watching 'Check Point'. It sounded interesting with a great concept, but it did look like a not very well made, ridiculous and by the numbers film with not particularly good actors so there was a little apprehension. Saw 'Check Point' anyway out of curiosity, being intrigued by the idea and having been a lot of low-budget films recently (most not very good to put it lightly). 'Check Point' managed to be worse than expected, even with mixed expectations. It started off pretty badly, got even worse quickly and never recovered. It picks up marginally at the end, when it gets a little more eventful and wasn't as dull. Sadly that's saying little, it feels too late when that happens and the climax is badly bungled and clumsy. On a visual level, 'Check Point' looked shoddy. Drab and simplistic, with haphazard editing, far from slick photography and very artificial-looking visuals on the whole. The scenery is one of the two least bad aspects of the film, but the low budget look of everything else in the production values makes it difficult to appreciate. The sound is intrusive and obvious, making a waste of the other least bad aspect of the film (the music, which is a little more than the one-note, repetitive stuff it could have been) and the direction has no sense of atmosphere or pacing, nothing to be thrilled by and nothing much engaging. Script is awkward-sounding and ponderous, with lines that do make one cringe. A lot of it is gibberish and juvenile, with a stilted improvisatory feel that shouldn't have made it past draft stages. On top of that, the story goes through the motions with no tension, suspense or thrills, a lot of intelligence-insulting ridiculousness, implausibility and pacing so dull that it makes a reasonably short length much longer. It is very derivative and parts also felt incomplete. The action sequences are more preposterous and by the numbers than they are thrilling or fun. The terrible way they look also hinder them. Characters are basically every stereotype in the book it seems and are one-dimensional caricatures with no likeability or development and with the inability to behave logically. The acting is very poor all round, even from those who have been in films for years and in roles they should have been perfect for. In summary, very poor. 2/10 Bethany Cox
This is a classic case of a film made by people who really didn't care at all if it was any good. They hired a couple actors with recognizable names who could sleepwalk through inept dialog and poorly choreographed action, came up with a plot that sounds arguably engaging when reduced to a one-liner, made a distribution deal with Netflix and Showtime and called it a success. Whether anyone actually likes it is immaterial. In its own way this is a far poorer effort than anything made by Ed Wood, because Wood actually believed his films were entertaining. The plot involves a two-stage effort to take over the USA: steal a decommissioned battleship now serving as a museum in a small North Carolina town and sail it up the Potomac to attack Washington, and simultaneously send commandos through a secret Civil War era tunnel linking that very same small North Carolina town (holy coincidence!) to the White House to assassinate the president. In order for their plot to succeed, here's a few things that need to happen: The museum piece battleship must still be completely functional and stocked with live ordnance The Potomac must be dredged out to accommodate the battleship's 38' draft (the river is only 10'-20' deep near the city; there's a reason Washington isn't a major seaport) The Woodrow Wilson Bridge must be opened to accommodate the battleship's 170' height above waterline; the 14th St bridges don't open and may need to be removed A single vintage battleship must be able to destroy the US government completely, targeting from a distance of a couple miles by an inexperienced crew The US military must be incapable of sinking a single vintage battleship before it destroys the US government The Civil War era tunnel, untrod for 150 years, must still be intact over its entire 250+ mile length The secret tunnel, a well known local legend in the small North Carolina town, must be unknown to the White House (and not plugged up with cement long ago) The president needs to be at home (and not out golfing or attending a campaign rally) when the commandos show up The Secret Service must be ineffective at protecting the president from a small group of commandos who appear to be mostly over 50 and have just traveled 250+ miles in an underground tunnel I can't say any of this film was legitimately enjoyable but here are my two favorite moments: During the battle on the battleship, the roided-up good guy spots the roided-up bad guy and tacitly they both put down their guns and fight barehanded. This is an overused plot device usually played out between longtime antagonists but here the two guys have never even seen each other before. The message seems to be when muscleboys meet they're swept up in a homoerotic frenzy and set aside the mission at hand (saving America or destroying America, respectively) to spend ten minutes mashed up against each other. During the final battle, the bleached blond, big-breasted truckstop-looking good girl fights the bleached blond, big-breasted truckstop-looking bad girl, and the shaved-head, bearded good guy fights the shaved-head, bearded bad guy (I wondered why they hired so many shaved-head, bearded/goateed actors until I got a look at the writer/director - those guys must have a club or something). They might have taken a cue from the old Westerns and put white hats on the good guys and black hats on the bad, just so we could tell them apart! Bottom line: if I was a high school creative writing teacher I would flunk any kid who couldn't come up with a more believable plot.
First off, I love movies, all kinds of movies. Good, OK, Awesome, I like to watch action flicks. HOWEVER, this is way over the top. William Forsyth was good, but the rest of the cast was just blah. And by the time you reach the final scene of the movie, your head should start to spin. SPOILER ALERT: So you are a renegade group of soldiers fighting off a group of Army soldiers - that were delivered by civilian helicopter, but anyway - you're being over run, and using an M72 LAW, you fire at, and shoot down, A FLAG POLE!...Really?! There are ways to make an artistic point in a movie. This one missed by a mile...smh.
I was in the local Walmart looking for something to watch this weekend. I am a fan of action flicks. When I saw the lineup for this entry in the genre I said hey let me check this out. I watch big Hollywood movies with big stars and always get disappointed. With a cast including Mindy Robinson, Kenny Johnson, Bill Goldberg, Tyler Mane, William Forsythe, Kane Hodder, Michelle Lee, Fred Williamson, Stephen Geoforeys and of course Thomas J. Churchill. Perfectly executed action fight scenes a strong story make this enjoyable. Even the opening credits with a memorable track and sweeping drone shots is breathtaking. The sound is solid and the cinematography rivals that of a million dollar Hollywood flick. Kenny Johnson who I love in Bates Motel and Saving Grace really shines and convincing in his role. Tightly edited fight sequences really takes this flick above the rest. Steven Segal look out. We have a new entry in the action flicks here. This is the Expendables on a quarter of the budget and more rewarding. There are so many legends packed into 90 minutes this is worth repeat viewings to enjoy. I got the blu ray and watched and shared with friends. Thomas J. Churchill has been around for awhile and really knows what the fans want. Get some popcorn and beer and a few friends and pop this in and have a great time.
So the story line is good... I am always up for a military based movie... However the acting is a bit "B" rated....
After months and months of waiting the day finally came to watch Check Point. Written and Directed by B-Movie, Director and Actor Thomas J. Churchill, Check Point is based in the fictional town of Port City, North Carolina. The film stars B-Movie actors and actresses from all likes and they come together to "stop" a terrorist attack from happening on US soil. The summary of the film is that a former Marine, who is down on his luck, oversees some be-headings of local towns people in a local workshop, when he informs the town Sheriff, played by the always great William Forsythe, he is mocked and not believed. He tells his "best friend", played by Bill Goldberg, but he dismisses his claims because Johnson is known to have mental health problems. The story and relationship between those two characters doesn't make sense at all and I will dive into that further on in the review. It isn't until another local, a teacher, played by Mindy Robinson, finds herself in the back of the local restaurant, where she sees the trough that the be-headings took place and begins to see that something is off. At that point, she is confronted by the woman who owns the shop, played by Michelle Lee, and a fight ensues. There are twists and turns but overall the film needs a lot of work. Now, having watched this film I noticed many inconsistencies; 1) If the main character, Johnson, was best friends with Goldberg's character, why the hell is he living under a rock, literally, on the beach? 2) Why are there marines working at NSA headquarters? 3) How did one of those marines end up captured and beheaded? 4) Who gave Churchill the money to make this horrible movie? 5) How did the beheaded marine get his head back and end up at the end of the movie with Kane Hodder? There are so many problems with this movie that it was comical. I thought this may have been a parody type of movie where they were making fun of cheesy action flick, but nope I was wrong. They were dead serious about this film. This is the type of film I would expect 1st year film students to make or even high school AV Club. I do not expect this from seasoned filmmakers. After watching this film I researched a few of Churchill's other flicks, man this dude loves to put himself in his own films. I can see now why Check Point is so bad, the director. Thomas Churchill's directing, acting and writing is as bad if not worse the legendary horrible filmmaker Tommy Wiseau. Casting: The casting for this film is wrong in so many areas. You have type cast actresses like Mindy Robinson and Krista Grotte in it. All they have ever been in is films where they get to wear revealing clothing (I will get back to this) and low-grade horror/comedies. The film also stars legendary actor Kane Hodder, notably known for his portrayal as Jason Voorhees in several Friday the 13th films. His role is limited and I will let you watch to see why. Wardrobe: The wardrobe in the film is comical and impractical, no woman, let alone soldier, ever would wear what Mindy Robinson wore in this film to fight off attackers. Stupid wardrobe choice. The Sheriff looks like he just came from knocking on doors to talk about Christ. Poor Michelle Lee had to do a horrible Asian accent for some reason that never gets explained. Overall this film is bad. Just plain bad. Nothing special about it but if you like watching poorly edited, sub-par acting, adobe after effects added, non-exciting movies than this film is for you. Otherwise, avoid at all possible costs. I am giving this film 2/10 stars because William Forsythe was good but other than that nothing.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
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Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.