Atom Egoyan
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The drame film Chloé, starring Julianne Moore, Amanda Seyfried, Liam Neeson, etc., directed by Atom Egoyan, was released on October 1, 2025 in Canada. It tells the story of Suspectant son mari d'infidélité, la gynécologue Catherine Stewart engage une escorte appelée Chloé afin de vérifier sa fidélité. Bientôt, les relations entre les trois s'intensifient. This is a Drame, Mystère, Thriller film with a runtime of 96 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.2/10 from 82,172 viewers.
Atom Egoyan
dans le rôle de Director
Julianne Moore
dans le rôle de Catherine Stewart
Amanda Seyfried
dans le rôle de Chloe
Liam Neeson
dans le rôle de David Stewart
Max Thieriot
dans le rôle de Michael Stewart
R.H. Thomson
dans le rôle de Frank
Nina Dobrev
dans le rôle de Anna
Mishu Vellani
dans le rôle de Receptionist
Julie Khaner
dans le rôle de Bimsy
Laura de Carteret
dans le rôle de Alicia
Natalie Lisinska
dans le rôle de Eliza
Tiffany Lyndall-Knight
dans le rôle de Trina
Meghan Heffern
dans le rôle de Miranda
Tamsen McDonough
dans le rôle de Waitress
Kathryn Kriitmaa
dans le rôle de Waitress 2
Arlene Duncan
dans le rôle de Party Guest
Adam Waxman
dans le rôle de Bartender
Krysta Carter
dans le rôle de Young Co-Ed
Severn Thompson
dans le rôle de Nurse
Erin Cressida Wilson
dans le rôle de Writer
Anne Fontaine
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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oa koi romantic movie hi batta do
so technically Chloe f the whole family 😭
Bon film !
👍👍👍
Bon film !
Bon film !
Bon film !
CHLOE is the most risible film I've seen since, well, WHERE THE TRUTH LIES. The story is totally whacked and one wonders who in their right mind thought this story made any sense: a spoiled rich gynecologist believes her husband is cheating on her. She suddenly feels invisible: her husband is having sex with one of his young students. Friends are dating young chicks. Her son his sleeping with a hot chick in his bedroom. People all around are boinking chicks. The wife suddenly realizes "Heck, I'm missing on all of the hot action" so she decides to hire a hooker, with the idea of seducing her husband to see if he'll sleep with her, but it's all a ruse really because she's the one who ends up having sex with Chloe the Hooker. Chloe invents all these "hot" stories of her sleeping with the husband, to dupe the silly wife; these stories are so hot the wife decides to have sex with the hooker, because the wife feels she's invisible and by having sex with Chloe it's like some transference thingy going on and part of the passion the husband is sharing with the hooker the wife thinks she'll feel it too. Got that? The logic in the story is so whacked, it had me rolling on the floor. First of all, I can't sympathize/empathize with the wife's pain/grief. She's a wealthy spoiled woman who hires a young woman to trap her husband. Nice character. Second, the couple is a corny couple. Who cares if they don't make it or anything about their happiness. Third, the two women, the silly wife and the hooker, are shown as being total nut jobs: the wife is gullible and accepts every little detail the hooker tells her without any proof of what she's claiming is real and the hooker is shown as being mentally unstable in the SINGLE WHITE FEMALE kind of way. So basically the degrading screenplay portrays these two neurotic women as crazy, conniving, manipulating, narcissistic and out of control with their emotions. They both end-up coning each other while object of the initial target, the boring husband, doesn't even figure in the story. The two scheming women end up looking like two monkeys fellating each other at the zoo. I wanted to throw peanuts at them to make them stop. The ending elevates the level of degradation when Chloe the Hooker sleeps with the son in the parents' bedroom and when they're found out Chloe the Hooker then tries to seduce the wife again, which is seen by her son. The wife, embarrassed, literally pushes Chloe away to her death. Nice. Though the story hints at Pasolini's brilliant TEOREMA, the storyline is straight out of the 1970s Black Emanuelle trash epics. Well, I would rather watch any Laura Gemser flick than this risible piece of "serious" filmmaking. The sex scenes in CHLOE were not hot for one second. Just unconvincing. When the wife suddenly realizes the truth with those fake encounters Chloe has been telling her, she tells the clueless husband what she did: that she hired a hooker to entrap him and that she also ended up having sex with her (and in turn became the cheater here), the husband shrugs it off as if it was normal and OK. Again, this is me on the floor laughing my butt off. If I was the husband, I'd ask the wife to seek professional psychiatric help. I mean, the money she spent on the hooker could have been spent on something more important, ya know, like a brand new flat screen TV for that ridiculously overly designed house of theirs. Even though it's a remake of a French film CHLOE reminded me more of the trashy Italian film called DELERIUM starring Mickey Hargitay. Same insane logic in the storyline with the women being completely crazy and degraded. The excellent Julianne Moore needs to get better projects than this laughable & embarrassing stuff.
This film is about a doctor who suspects her husband to be cheating. She hires a prostitute to test her suspicion, which spirals out of control beyond anyone's imagination. If there is a sub-genre called sexual thriller, "Chloe" would be the prototype. The plot works very well, it's very engaging. The sexual mystery and tension are captivating, and the copious nudity does not even come across as over the top or contrived. Just as you thought you guessed the whole plot, it twists in the most dramatic way. There is so much suspense, excitement and mystery to the story. "Chloe" is a very good film with a wow factor, that keeps me glued to the screen.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.