Samuel Bodin
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The horreur film La Maison du mal, starring Lizzy Caplan, Antony Starr, Cleopatra Coleman, etc., directed by Samuel Bodin, was released on July 19, 2023 in États-Unis. It tells the story of L'horreur frappe lorsqu'un garçon de huit ans, Peter, tente d'enquêter sur les mystérieux bruits de coups qui proviennent de l'intérieur des murs de sa maison et sur un sombre secret que ses sinistres parents lui ont caché. This is a Horreur, Thriller film with a runtime of 88 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.0/10 from 24,343 viewers.
Samuel Bodin
dans le rôle de Director
Lizzy Caplan
dans le rôle de Carol
Antony Starr
dans le rôle de Mark
Cleopatra Coleman
dans le rôle de Miss Devine
Woody Norman
dans le rôle de Peter
Luke Busey
dans le rôle de Brian
Aleksandra Dragova
dans le rôle de The Girl (Sarah)
Jay Rincon
dans le rôle de Principal
Anton Kottas
dans le rôle de Timothy
Steffanie Sampson
dans le rôle de Brian's Mom
Jivko Mihaylov
dans le rôle de Kevin (Bunny Mask)
Iliyan Nikolov
dans le rôle de Lucious (Cat Mask)
Aleksander Asparuhov
dans le rôle de Sean (Pig Mask)
Victoria Velikova
dans le rôle de Princess
Kate Nichols
dans le rôle de Princess' Mom
Leah-Felicity Bay
dans le rôle de Katie D.
James Robinson
dans le rôle de Ryan G.
Olivia Sussman
dans le rôle de Young Sarah
Debra Wilson
dans le rôle de Monster Sarah
Chris Thomas Devlin
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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in my opinion I love the movie but leaving your 8 year old kid in a basement like that as his grounding is just absolutely absurd his an 8 year old child 😭that ruined my whole mood for the movie and saying:"We are doing this because we love you",now that just very wrong and bad parenting 😭but lowky it isn't really but still😭✋🏻
partie 2 ?
Bon film !
Bon film !
Imagine being Eight years old, and hearing voices in your bedroom, that's the scenario for poor Peter, who can't even rely on his parents. Once again, I was hooked by a trailer, but unlike the last few horrors I've seen, which have all been disappointing, Cobweb was actually a pretty good movie. Let's be honest, it's far from perfect, but then again, what is, at times it was a little too dark, and I wish they hadn't shown the figure, I would have preferred the ambiguity. I didn't care for some of The CGI, had they toned her down a bit, I think it would have worked better. The ending felt a bit rushed, I wonder if they'd cut a number of scenes out, that said it was nice to watch a movie that didn't run for three hours. The plus points, quite a few of them, first of all, pound for pound, this had more jump scares than I've seen for quite a while, and when they came, they were really good, the moment with the mother coming down the corridor was excellent, plenty of tension and unease. I thought the acting was terrific, Lizzy Caplan, Antony Starr and young Woody Norman were all on point. Better than expected, I enjoyed it. 7/10.
amazing
I really enjoyed the movie right up to the final act, when it became something completely different from what it was set up to be. Everything that happened in the final fifteen minutes bordered from laughable to moronic, and none of it made any sense. Why would bullies expect the boy to be home alone? What was their plan? If parents were home, wouldn't they just call the police? How come the monster was easily able to tear everyone else limb from limb but could just barely scratch the teacher and was easily overpowered by the child? And what's with that ending? Does it imply that the boy and the teacher aren't going to tell anyone? And the boy is going to live at the house alone? What? Are they also going to hide all those bodies? Why would they? Wouldn't they just call the police? I heard these inconsistencies being explained by the movie being from a child's perspective, but I find it really hard to suspend my disbelief when the rest of it is so grounded in reality. To me, it just comes off as them not knowing how to finish the movie in a way that would make at least a tiny bit of sense.
source: Cobweb
Eight year old Peter begins having terrible dreams, nightmares caused by a voice behind his bedroom wall, and the strange behaviour of his cruel and abusive parents Carol and Mark. Peter has only one source of help, his teacher, Miss Devine. Once again, I was hooked by a trailer, but unlike the last few horrors I've seen, which have all been disappointing, Cobweb was actually a pretty good movie. Let's be honest, it's far from perfect, but then again, what is, at times it was a little too dark, and I wish they hadn't shown the figure, I would have preferred the ambiguity. I didn't care for some of The CGI, had they toned her down a bit, I think it would have worked better. The ending felt a bit rushed, I wonder if they'd cut a number of scenes out, that said it was nice to watch a movie that didn't run for three hours. The plus points, quite a few of them, first of all, pound for pound, this had more jump scares than I've seen for quite a while, and when they came, they were really good, the moment with the mother coming down the corridor was excellent, plenty of tension and unease. I thought the acting was terrific, Lizzy Caplan, Antony Starr and young Woody Norman were all on point. Better than expected, I enjoyed it. 7/10.
💋💋💋
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.