Steven Luke
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The action film Come Out Fighting, starring Kellan Lutz, Hiram A. Murray, Dolph Lundgren, etc., directed by Steven Luke, was released on May 19, 2023 in États-Unis. It tells the story of Set during World War 2, a squad of American Army soldiers are sent on a mission behind lines to locate their missing commanding officer. This is an Action, Adventure, Drame film with a runtime of 86 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.6/10 from 1,985 viewers.
Steven Luke
dans le rôle de Director
Kellan Lutz
dans le rôle de Lieutenant Frank Ross
Hiram A. Murray
dans le rôle de Lieutenant Robert A. Hayes
Dolph Lundgren
dans le rôle de Major Chase Anderson
Michael Jai White
dans le rôle de Sergeant AJ 'Red' McCarron
Tyrese Gibson
dans le rôle de Sergeant Warran Crecy
Rich Lowe
dans le rôle de Pvt. Michael 'Salty' Buttons
Vicellous Shannon
dans le rôle de Sergeant Thomas
Aaron Courteau
dans le rôle de Captain Andrew Jackson
David Alvarado
dans le rôle de Captain Hans Schultz
Eric m. Johnson
dans le rôle de Corporal Ryan Barnes
Darrin Barber
dans le rôle de Private John Blake
Andrew Stecker
dans le rôle de Lieutenant Mike Rawlings
Justen Jones
dans le rôle de Lieutenant AJ Bronson
Brandon Farr
dans le rôle de Private Manny
Gary David Keast
dans le rôle de General Patton
Jeremy Michael Pereira
dans le rôle de Sergeant John Peppers
Mike Dittmer
dans le rôle de Burly German NCO
Dereius Armone Gaines
dans le rôle de Private Jackson
Steven Luke
dans le rôle de Writer
La disponibilité peut varier selon le pays, la langue et la fenêtre de sortie. Certains titres sont inclus dans les abonnements aux plateformes, tandis que d'autres peuvent nécessiter une location, un achat ou un accès via l'application. Les catalogues de streaming et les accords de licence étant régulièrement mis à jour, les options de lecture peuvent évoluer. Pour une expérience de visionnage optimale, consultez la fiche la plus récente sur le service choisi et vérifiez la prise en charge régionale, les sous-titres et la compatibilité de l'appareil avant de commencer.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
Téléchargez les derniers paquets MovieBox pour mobile, les versions FM et les APK compatibles TV. Choisissez le paquet adapté à votre appareil et à votre région, puis suivez le guide d'installation officiel pour une compatibilité et une sécurité optimales.
🔥 MOVIEBOX PREMIUM FOR JUST $5! 🔥 💎 Lifetime Access 🚫 No Ads 🎬 Full 1080P Quality 📂 Unlimited Downloads 🍿 Movies & Shows 💸 ONE-TIME PRICE: ONLY $5! (🪙 ONLY CRYPTO USDT PAYMENTS) 💬🚨 CONTACT US NOW ON WHATSAPP: 👉 WhatsApp: +9779763374905 👈 ☝️ ☝️ ☝️ ☝️ ☝️ ☝️ ☝️ ☝️ ☝️
I sell probank and opay+ for fake transfers with alerts dm 08061471337 Note:18+
this movie great actor but worst action poor epic
Ive seen bad WWII films, but this one takes the cake. Absolutely AWFUL, so bad in fact that all remaining copies should be binned. Starting off with dreadful CGI graphics including a non-existant ME-262 over the Channel in mid 1944, to P-51's strafing CGI railroad trains... The actual WWII vehicles used are nice to see, but the dreadful and corny acting, total lack of military discipline and paper thin plot lines make the vehicles and weapons superflous. As if it wasn't bad enough, the sub plot was taken straight out of the classic KELLY'S HEROS with the tank platoon commander using several of Oddball's (Donald Sutherland) lines and the mailroom sergeant mimicking Sergeant Crapgame (Don Rickles) Avoid seeing this film if you want to avoid putting your blood pressure through the roof seeing a WWII story utterly butchered by juvenile and childish writing, comical screenplays and dreadful acting. An absolute dog turd of a WWII film.... AVOID.
Bon film !
Bon film !
I will watch Micheal Jai White in anything. That can be a bad thing sometimes as movies like this show. The sound mixing is terrible, the music and sound effects are louder than the talking which makes it hard to hear what's being said. The special effects are very low budget. It looks like a made for tv movie. The acting isn't very good but that can mostly be put down to the poor script. The idea of an all black unit in the army being told they can't go after their lost black lieutenant as they "can't spear the man power" while actively trying to save a white lieutenant in the same area is actually a good premise for a movie. Sadly this doesn't live up to the concept.
It's no secret anymore that Hollywood constructs movies in a modular way. They write and shoot a bunch of scenes and then they try to combine them in random ways and show the results to test audiences. The combinations which make the best score are pushed forward to later iterations of editing and, eventually, to a "final" cut for theatrical release. The problem with this approach is that you get a disjointed set (not a sequence) of unrelated scenes rather than a wholesome story - in the best case scenario. Realistically, there will be cracks. For example, when a character references past events, it does not match what was actually shown (or, sometimes, what was later put into CGI - the actors don't know what they are talking about, those events never happened for them, they happened only inside GPUs of some server farm). That's not how storytelling works!
How did this get made? I wish I knew people that are okay seeing piles of their money set on fire. They spent a lot of money on some things. Not terrible CGI dog fighting, physical US and German tanks moving around a battle field, hundreds of small arms, uniforms, and a half dozen B actors. And spent zero dollars on other things, like writers, military advisors, directors, cinematographers, editors, etc...how? Like when a truly gifted film maker gets his hands on a microscopic budget, they can make something compelling. You give a child with zero self awareness a bucket of money, they have people throwing hand grenades at a mortar team 200 yards away. Or tanks that stop moving once they are fired upon. Where were the adults?
First of all, there is the basic premise: that there are two types of soldiers. One type of soldier is always competent and effective. The other type is not only always bumbling and incompetent, but arrogant, nasty and mean-spirited to boot. Then there is the glaring incorrect portrayals of military protocol and tactics. In this film, officers routinely salute non-coms and hold the salute until the non-coms return it, not the other way round which is reality. It depicts an Army without coordination of infantry, armor and artillery. In one scene, artillery and forward armor are both firing on the same position simultaneously while forward motorized infantry are engaging that target in close quarters battle. Insane. And then there is the decision to have German characters speaking English with German accents. Reminded me of Inspector Clouseau in the Pink Panther series. The acting is not terrible but the dialog is amateurish. It is just an all around bad movie.
Un décryptage détaillé des récents changements de prix, des raisons pour lesquelles les utilisateurs repensent leur installation et de la façon d'évaluer une solution alternative sans perdre vos habitudes de découverte.
Découvrez la bonne méthode pour installer l'APK Movie Box : d'abord les bases de version, puis des étapes d'installation propres, et enfin comment choisir entre TV, iOS, Web et application.
Une critique détaillée expliquant pourquoi Project Hail Mary se distingue en 2026 : qualité d'adaptation, narration scientifique, profondeur émotionnelle et réactions du public.
Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.