David Beton
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The action film Confession, starring Stephen Moyer, Colm Meaney, Clare-Hope Ashitey, etc., directed by David Beton, was released on January 21, 2022 in Royaume-Uni. It tells the story of Une église, un prêtre, un blessé et son arme chargée. Un thriller intense joué en temps réel pendant une nuit où une confession vengeresse doit avoir lieu. This is an Action, Crime, Drame film with a runtime of 80 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.8/10 from 353 viewers.
David Beton
dans le rôle de Director
Stephen Moyer
dans le rôle de Victor Strong
Colm Meaney
dans le rôle de Father Peter
Clare-Hope Ashitey
dans le rôle de Willow
Rachel Summers
dans le rôle de Jess
Kris Johnson
dans le rôle de Jude
Sadie Jean Shirley
dans le rôle de Madison
David Beton
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
The film does start relatively quickly, but its still slow getting to the point of it. I did feel though that the three main leads were strong together and individually but if they had been put in a better setting it might have been more interesting. Overall the film was still ok and the plot was interesting but there just was not enough substance for how long the film was.
I watched this because it starred Colm Meaney, but I was betrayed. This dreary one hour and twenty minutes piece concerns a hoodlum, or is he an undercover cop, a cop or is she an undercover hoodlum, and a priest, or is he an undercover soldier. There are no redeeming features, attractive personalities, in fact, no one to identify with at all. Not even the father - son and father - daughter dynamic is explored beyond a bland statement. There is tension in the "will the telephone work, and who will speak with whom when it does?" The conundrum of who holds the power is defeated by the equal possession of equal looking guns. This is an arty stage play, filmed in a single location, with no expense spent on elevating a chess endgame to the screen. Was it worth it? I think not.
This is more of a theater play script than a movie, basically two people philosophizing for two thirds of it and telling us a story we have no reason to care about. Really uninteresting despite good acting and production, and nothing new or imaginative.
Victor Strong is a wounded man (Stephen Moyer) who has taken Father Peter (Colm Meany, Star Trek: Deep Space Nine) hostage with the hopes of confessing to his sins before he dies. Director and writer David Beton (who also directed The Hatton Garden Job, Tower Block and I Am Soldier under the name Ronnie Thompson) has that great idea line at the top and then ratchets up the tension throughout, continually leaving the viewer guessing as to whether Strong is the hero or villain. But does keep it up the whole way through? Is Willow (Clare-Hope Ashitey, Children of Men) a good cop, here to arrest him? Or has she brought her gun and badge into the church with mad intentions? And is Strong telling the truth when he says that all he wants is for his daughter to know the truth about why her mother died? And even more to the point, does the priest have secrets of his own? The three leads are all solid, but after the set-up, it gets quite talky. And when you'd hope to see the point of view of each character given their own narrative shift, the story plays out in real time. This feels like a stage play - it isn't - with its solitary location and three leads. It works, but it feels like there was an opportunity to do more, to show more, but as it is, it's not the worst thing that you can find in the world of streaming.
Bon film !
The film does start relatively quickly, but its still slow getting to the point of it. I did feel though that the three main leads were strong together and individually but if they had been put in a better setting it might have been more interesting. Overall the film was still ok and the plot was interesting but there just was not enough substance for how long the film was.
If you like plays you will enjoy this. However for me I just found it really boring and I couldn't be bothered to work out the plot. I turned it off after 40 mins.
Pointless story line. It served no purpose to go on it could have been wrapped up in five minutes. Why she was hiding from Victor? Why didn't she just go put and get home? How did he find out about the sun??? None of ot made any sense. Love Colm but this was bad on a new scale.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.