Jessica Dimmock
dans le rôle de Director
Indonesian,Português,اَلْعَرَبِيَّةُ
The TV series Scène de crime: Les champs macabres du Texas, created by an unlisted creator and produced by an unlisted studio, first premiered on November 29, 2022 in États-Unis. The series spans 1 season with 3 episodes, featuring the voices of Richard Rennison, Skip Hollandsworth, Aedin Waldorf, and Jenn Wright. It follows the story of Un tronçon d'autoroute relie une série de meurtres macabres commis sur plusieurs décennies, alors que des familles en deuil cherchent des réponses. This is a Documentaire, Crime, Histoire series and has received a rating of 6.6/10 from 5,634 viewers.
Jessica Dimmock
dans le rôle de Director
Richard Rennison
dans le rôle de Self - Supervisory Senior Resident Agent, FBI
Skip Hollandsworth
dans le rôle de Self - Journalist, Texas Monthly Magazine
Aedin Waldorf
dans le rôle de 70's Girl
Jenn Wright
dans le rôle de Deborah Darling
Jason Kyle Johnson
dans le rôle de Clyde Hedrick
Juliana Harling
dans le rôle de Heide Fye
Gabriella Adickes
dans le rôle de Gay Smither
Allie Morgan
dans le rôle de Young Marla
Allie Morgan
dans le rôle de Laura Miller
Taye Cannon
dans le rôle de Tim Miller
Hannah Bittick
dans le rôle de 70's Girl
Kelsey Summers
dans le rôle de Kelli Cox
Lise Olsen
dans le rôle de Self - Investigative Journalist
Tim Miller
dans le rôle de Self - Father of Laura Miller
Tim Miller
dans le rôle de Self - Founder, Texas Equusearch
Kathryn Casey
dans le rôle de Self - Author, Deliver Us
Kevin Petroff
dans le rôle de Self - Assistant District Attorney, Galveston County
Nina Edwards
dans le rôle de Self - Niece of Heide Fye
Marla
dans le rôle de Self - Abuse Survivor
Marla
dans le rôle de Self - Galveston County Resident
Audrey Lee Cook
dans le rôle de Self - Murder Victim
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Bon film !
After three episodes each nearly an hour long they finally get to a conviction and just roll it as text at the end of the series. It was about victims and a suspect we hadn't heard about since previous episodes. I was waiting for 3 hours for closure and I barely got it. Anyways, they do a good job of showing the perspective of some of the family members, but it's mainly the same few people talking about the same few victims for three hours. There were dozens of bodies found and they only focused on a few. Overall it would have been much better if it was half the length and they did a better job with the ending.
Split across 3 episodes, this docu-series tackles a spate of mysterious deaths arising in Texas and, more specifically, along the I-45 highway in Houston. In the mid 1980's, the bodies of three women are found in the Calder Road field. Fast forward to 1991 and another body is found, with the area eventually dubbed as "The Texas Killing Fields." As more victims are found - all the while showing bad police work, suspicious culprits and shocking revelations - it soon becomes apparent that this case is much bigger than it initially appears. But who is responsible? Is it a serial killer? Are there multiple killers? Or is there a conspiracy with law enforcement? All of this is investigated in more detail, although those looking for all the answers may find themselves a little dismayed by the ending.
Crime Scene: The Texas Killing Fields (2022) is a series I watched over the weekend on Netflix. The storyline follows a series of bodies buried on the same stretch of highway. The first set of bodies is found in the early 80s, another set of bodies is found is the late 90s and some additional kills may have taken place in the early 2000s. The police and a parent of one of the victims track down the serial killer(s) and try to determine if it's one killer or just a coincidence multiple bodies are buried on the same land. Will they ever discover whom is responsible? This series was created by Jessica Dimmock (Unsolved Mysteries) and does have an Unsolved Mystery feel to it. The series does a great job of showing the details, how they unfold over time and the feel within the community and family members impacted. There's a lot of questions throughout on why and where the victims made the various decisions that led to the attacker(s) finding them and what happened to them before being murdered. There's always a question on if they will catch the killer(s) until the credits role. Overall, this isn't as good as the recent Dahmer docuseries or the last Crime Scene on The Vanishing at the Cecil Hotel, but it's still entertaining and worth a watch. I would score this a 7-7.5/10 and recommend seeing it once.
I don't feel like the filmmakers did a very good job at keeping the series of events clear. People kept popping up, victims, bodies, suspects. And by the end of the series when 3 bodies were found I had no idea who they were, I barely remembered the person who confessed to it. This could've been a solid 35 minute short, but instead it was the ridiculous Netflix style of dragging everything out for hours unnecessarily. Probably not the filmmakers fault. I'm just unsure why Netflix thinks this style works. Not everyone watches Netflix while texting or having a separate conversation. I wish they treated the audience as intelligent.
This three episode "series" was well produced and executed, which many times makes up for a lot. I didn't know the story, so I was surprised at how the ending diverged. The production followed the victims and families respectfully and thoroughly. And even when it sometimes became a bit stuck on minutae, the details came back and proved necessary later on. Editing, camera work, audio all contributed in this story. Also, whoever first broke out the story in the manner they did--without following one person exclusively, but making the one dad a touchstone--did a great job of balancing all the moving parts.
I love series like this and only 3 episodes means a small commitment. Sold! Started off well and then hit a wall. So poorly put together overall and left us all hanging. The last episode is almost comically bad with how poor they explain how a forensic person in 1984 couldn't see any trauma to a skull that is now supposedly evident and then some random law in Texas can't hold a captive for more than 8 years? Like I said, poorly put together and just a sad portrayal of some horrible murders that I knew nothing about. Move on and watch another. This will just annoy the hell out of you how bad it is.
Women can not escape the violence perpetrated on them by 98% men, from cradle to grave women have been getting assaulted and murdered by men, including reproductive rights are attacked mainly by men. 1 man can kill over a time period up to 80 women of their same race, and now men are forcing women to carry dead babies in red states, and 10yo girls to carry the man that raped her baby. The attack never ends and comes from several levels. Women who prostitute tend to be victims of being raped by their fathers, then a seriel killers finishes them off or a pimp. Just think about if it were all mainly white males being murdered 90% of the time by women, men forced to only have sex to procreate, to make babies they have to start financial support at 6 weeks gestation. If found masturbating based on the bible sentence to death? These movies and documentaries about men hunting women & girls down like animals are the most horrific films no little girl should know exist but they have no choice to be told that a man like their daddy is the only type of human she needs to be afraid of. Please men, stop!
Un décryptage détaillé des récents changements de prix, des raisons pour lesquelles les utilisateurs repensent leur installation et de la façon d'évaluer une solution alternative sans perdre vos habitudes de découverte.
Découvrez la bonne méthode pour installer l'APK Movie Box : d'abord les bases de version, puis des étapes d'installation propres, et enfin comment choisir entre TV, iOS, Web et application.
Une critique détaillée expliquant pourquoi Project Hail Mary se distingue en 2026 : qualité d'adaptation, narration scientifique, profondeur émotionnelle et réactions du public.
Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.