Derek Talib
dans le rôle de Director
The science-fiction film Dark Iris, starring KateLynn E. Newberry, Marylee Osborne, Rebekah Hart Franklin, etc., directed by Derek Talib, was released on January 1, 2018 in États-Unis. It tells the story of Iris is haunted by a mysterious stalker and her own dreams. FBI agents surround Iris while bodies stack up around her. A modern day Dr. Jekyll and Ms. Hyde, Iris tries to survive as she is hunted by the very agency that created her. This is a Science-Fiction, Thriller film with a runtime of 105 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.1/10 from 244 viewers.
Derek Talib
dans le rôle de Director
KateLynn E. Newberry
dans le rôle de Iris Black
Marylee Osborne
dans le rôle de Agent Fry
Rebekah Hart Franklin
dans le rôle de Tara Black
Jesi Jensen
dans le rôle de Lina Petrov
Kyle Hotz
dans le rôle de Damion Crow
Jose W. Byers
dans le rôle de Agent Roman
Thomas Basso
dans le rôle de Agent Dillon
Derek Talib
dans le rôle de Harper Steele
Gina Ferraro
dans le rôle de Simone
Brian Bowman
dans le rôle de Dr. Bowman
Alex Clark
dans le rôle de Johnny Wild
Amy Kay Clark
dans le rôle de Forensic Agent
Brian Ellis
dans le rôle de Reverend Jenkins
Michael Evanichko
dans le rôle de Agent Adams
Pakob Jarernpone
dans le rôle de Agent Lance
Marrett Laney
dans le rôle de Belinda
Jammie Miller
dans le rôle de Agent Lee
Tim Novotny
dans le rôle de Michael Duton
David Gwinn
dans le rôle de Writer
Derek Talib
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Very low budget movie. Lots of violence and gore, sexual situations and lots of confusion as the FBI tries to make heads or tails of a strange amount of killings around a young barista named iris. Had a lot of wasted potential here and could have been far more interesting if it was written better. Too many obvious clues are overlooked and many dumb choices are made. Nothing questionable, no full nudity, not a lot of foul language. Nothing special and very slow building plot. Actresses are cute but not very good at acting. Kind of all over the place and didn't keep me interested much at all. Watch at your own risk or if nothing else to do.
...that doesn't hit its mark. Sadly the story has been done before. It was decent for the small budget but you have to rate it against other mainstream films.
A modern day Dr Jekyll and Mr Hyde sort of story is hardly a new idea, and a lot of the story elements have been done before a lot and better, but regardless it's hardly an uninteresting one. Executed decently, 'Dark Iris' could have been atmospheric and with enough to keep one engaged. Actually wanted it to be both those things, certainly did not want it to fail (have never done that for anything watched and reviewed and never will). Sadly, 'Dark Iris' is neither atmospheric or engaging, not doing anything with its potential which is just infuriating. Have definitely seen far worse films, at least 'Dark Iris' started off decently and my intelligence wasn't insulted. This is something that has happened before in film or television but not an awful lot and it takes a lot for me to feel that way, despite how some of my previous reviews sound. My lowest possible rating is reserved only for films that show no effort with no redeeming merits, and a relatively rare rating given out recently by me. 'Dark Iris' struck me as a film that actually did try, if anything it was a sign of somebody with a good deal of ambition running before walking, something that will be mentioned later. 'Dark Iris', as aforementioned, doesn't start off too badly. It is a shame that it quickly goes downhill and never recovers. One of 'Dark Iris' biggest problem is its over ambition. Meaning that although it's commendable that somebody, in this case Derek Talib, takes on more than one job (nearly everything), and there are successful examples of that, this came over to me that it was somebody who lacked the experience to take on all these jobs and even seemed taxed by them individually too. There is a constant sense of over-ambition and inexperience, hence what was meant earlier by running before walking. 'Dark Iris' looks worse than a failed student film project (especially in the shoddy last minute-looking effects that would look out of date 50 years ago, while even for the concept the film's look is far too grim), and am actually feeling rather sad saying that. The direction seems ill at ease with the material and loses control of it, it comes through loud and clear that it was directed by a novice. The writing is constantly awkward, sophomoric is a very good way of describing it, and another example of struggling to keep a straight face. The story is confused and dull, too many things left vague, and there is no tension, suspense or unsettlement at all, thrills and surprises are none too. Basically non-stop blandness and actually thought it never did pick up and that it was the second half where it was especially dull and lacking in clarity. None of the characters were worth caring about, was endlessly annoyed by their dumb decision making, their repetitive actions and how the types of characters were a weird mishmash. The Agent Fry character was especially irritating, am not talking slightly here, we are talking throughout to an insultingly large degree. The acting is also indicative of inexperience and like they did the film for a favour or an experiment, the leads have no presence at all and the supporting cast try too hard. Marylee Osborne is especially bad. The chemistry is non-existent meaning any drama is interminably static. In conclusion, have seen worse but an over-ambitious mess done by a crew, and a person in particular, that lacked the experience and expertise, as well as budget, to carry all these components individually and together off. 2/10, as it at least tried. Bethany Cox
I had high hopes- not sure why. As others have said, I would agree that acting, sfx and direction are pretty average. Not the worst I've seen either, but it could have been more
DARK IRIS is an indie thriller shot in Ohio. It's listed here as a science fiction movie but it really isn't as the budget is way too low for that. Instead it seems heavily influenced by the TV series ALIAS as a young ordinary woman discovers dark secrets about herself, secrets which set her on an odyssey of adventure. The film is grim and gloomy looking and goes down the old 'government conspiracy' route. Half the running time is made up with actors running around pretending to be FBI agents.
A very interesting film. The lead actors needed to be traded with the supporting roles. It would've been more liked. The two russians should have been swapped with the detectives. Other than that... Well done
source: Dark Iris
I thought this film was great once it picked up in the second half. The acting was much better than I expected. I loved that the women were the strong characters. Good dialogue, but again a bit slow at the beginning then it picks up nicely.
The current 6 star rating for this movie is fraudulent. The one positive review comes from someone who has reviewed nothing else, so I can safely assume it's a shill for the director. The special effects (what few exist) are on par with films from the 1940s. I think I can safely say I could have done a better job with After Effects than we see in this movie. The acting is -- at best -- on par with stage drama at a mid-sized college. Throughout the entire Agent Fry acts precisely like an annoying 13 year old girl. (Imagine the stink-eye scene from "Juno" or Jennifer Grey's character as this sister in "Ferris Beuler's Day Off") making snarky faces and juvenile remarks. In fact, the entire script was sophomoric. The writer (director AND producer... this is generally the sign that it's going to be bad) didn't even bother trying to figure out police procedures to work with the story. Included in the story were two MI6 agents, neither of which was British. One was Russian. My guess for the casting is that the actors were friends of the director. The only reason I didn't give this 1 star is that there are actually worse films (like "Manos").
Here we have a film created, produced, written, directed, edited and cast by novice Derek Talib. As you can imagine, when a seasoned film-maker takes on all these roles, the film is usually a fail as it's too much ambition to wear that many hats. In this case, when an inexperienced novice actor wears that many hats, then you know it's going to be a mess, and a mess it was. Not sure if the budget was a few thousand dollars, but this was very low budget - almost like a high school drama project. The SFX was outdated, the acting was stale and poor and lacked direction, the writing was very loose and had pacing issues. I'm guessing this film was made just to add credits to Derek Talib's resume. Too bad they don't give credits for fake reviews as well, because Derock-29340's 9/10 (Derek=Derock lol) would have garnered him another bonus point for his resume. It's pathetic when you have to write your own review to try and fool viewers. It's a generous 2/10 from me.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.