Tushar Jalota
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,हिन्दी,বাংলা,ਪੰਜਾਬੀ,中文
The comédie film Dasvi, starring Abhishek Bachchan, Nimrat Kaur, Yami Gautam, etc., directed by Tushar Jalota, was released on April 7, 2022 in Inde. It tells the story of Emprisonné par un flic coriace, un politicien sans instruction décide de passer son temps à étudier pour le lycée, tandis que sa femme intrigante a ses propres projets. This is a Comédie, Drame film with a runtime of 125 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.3/10 from 62,549 viewers.
Tushar Jalota
dans le rôle de Director
Abhishek Bachchan
dans le rôle de Ganga Ram Chaudhary
Nimrat Kaur
dans le rôle de Bimla Devi
Yami Gautam
dans le rôle de Jyoti Deswal
Manu Rishi Chadha
dans le rôle de Satpal Tomar
Chittaranjan Tripathy
dans le rôle de Tandon
Danish Husain
dans le rôle de Rai Bareli
Arun Kushwah
dans le rôle de Ghanti
Shivankit Singh Parihar
dans le rôle de Kavish
Rohit Tiwari
dans le rôle de Imaandar
Dhanveer Singh
dans le rôle de Atul
Sachin Shroff
dans le rôle de Sandeep Sangwan
Aditi Vats
dans le rôle de Bimla Devi's Manager
Lokesh Mittal
dans le rôle de Sherawat
Shrikant Verma
dans le rôle de Doctor
Prem Jhangiani
dans le rôle de Judge Tripathi
Gulzaar Ali
dans le rôle de Sarpanch 3
Jitesh Asiwal
dans le rôle de Prisoner 6
Ashwini Bhardwaj
dans le rôle de Constable 3
Sandeep Leyzell
dans le rôle de Writer
Suresh Nair
dans le rôle de Writer
Ritesh Shah
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
later
"Dasvi", a Maddock films movie Released on Netflix today starring Abhishek Bachchan, Nimrat Kaur & Yami Gautam in lead role.. Story is about a Chief Minister who is sentenced to jail for a scam and during his tenure at prison he realises that person needs education more than a power as a man with an education is more powerful than a person sitting on a powerful chair with no education.. Maddock films always impresses me as they come with the subjects which we might have heard or observed but the way its executed is always inspiring.. Abhishek Bachchan playing as a Chief Minister who always knows when it comes to politics he is indomitable but when it comes to education he can be domitable.. He is such kind of a artist who shows thate he is not the usual stero type heroic image but he has his unique style & when scripts like Guru, Dasvi, Big Bull are being passed on him he just creates a strong vibe to the audience... Nimart Kaur as his wife performed well as when she realised that from a housewife she has to be the CM, what notion she kept of being a leader is very well displayed. Yami Gautam as a strict police officer also performed well. A story somewhere reflecting the other side of the politics displayed in a comic way but at the same time giving reminder to the society "THE POWER OF EDUCATION"
DASVI had a very interesting script,but at 2hrs 5 minutes long the movie became very tedious and dreary and actually,it was a struggle to complete. Everyone's acting was competent except Nimrat Kaur who was excellent and Yami Gupta who never achieved anything more besides looking pretty. Why all of a sudden would a jailor who was totally against her prisoner,suddenly decide to forget her main duties and focus on personally training that very same prisoner for him to pass his 10th board exams? If the film was edited more tightly by cutting off about 25 minutes at least,it would have been a much better film. 3/10.
Dasvi (2022) : Movie Review - "Education is the most powerful weapon you can use to change the world." Who doesn't know this legendary quote by Nelson Mandela? And who doesn't agree? Almost everyone does, I suppose. Well, Dasvi is actually based on a theme which is entirely dedicated to Mandela's thoughts, but fails to provoke those thoughts in good manners. Tushar Jalota's political * family * competitive * educational drama stays out of context most of the time, and when it comes to the point, it's just pointless. Dasvi is about an uneducated politician, Ganga Ram Chaudhary (Abhishek Bachchan), who is jailed under a tough cop, Jyoti Desval (Yami Gautam Dhar). Under the circumstances, he passes his reign to his wife, Bimla Devi (Nimrat Kaur), who soon starts taking over his territory. First as a trick, but then, after being humiliated for his low education (8th standard), he decides to spend his time studying for high school while his scheming wife has plans of her own. The basic idea was to mix the educational theme with dramatic elements, but as it goes ahead, it forgets the main context. When it comes back to its senses, it's too late to recover from a flop show. Not just that, but even the rest of the additional factors like comedy, political conspiracies, muted feminism, equality and self-realisation haven't got anything that can be called perfect. The humour is somewhat pleasant, but only on a few occasions. The same subject could have been handled smartly, with altered conflicts and exaggerated drama. That, however, is too lengthy to make sense and grab your attention. Dasvi isn't about just one exam, but multiple at the same time, and maybe that's why it fails to score passing marks. Even the technical chapters like music, cinematography, editing, and set designing add up to nothing materialistic. Speaking of performances, it seems that Dasvi has scored respectable grades here. Abhishek Bachchan as CM Chaudhary is everything. He's smart, dumb, tricky, diplomatic and cunning. I only wish that all those things were balanced in the right order. Nevertheless, Abhishek Bachchan still delivers an honest act which can't be hated. The female lead, Nimrat Kaur, goes through a transformation that isn't easy to digest. From a cowardly home cat to a screwy CM, Nimrat shows different and truer colours of her acting talent. Yami Gautam Dhar plays a tough cop, and She is indeed tough. Quite possibly, this is her most hard-boiled role to date, and she is surprisingly lovable in it. What makes this exam difficult for Dasvi is the director's ordinary vision of a high-scope storyline. Naturally, he can't be blamed for the writers' mistakes, but his storytelling wasn't all that great in the first place. You don't see any reason why those spoofy scenes are scheduled after some really good ones. Was that historical spoof made for KG students or what? And what was the outcome? Even the board members of SSC/CBSE would know no answer to that. Whatever exiguous scenes there are, I mean those studying techniques of Chaudhary sahab and his dialoguebaazi on Indian politics, are indeed enjoyable. Apart from that, there is nothing like a study material for cine viewers. Overall, it's a skippable flick, and it's good that it came on OTT. As a honest movie lover, it is your fundamental right to skip this film. RATING - 4/10*
Bon film !
Bon film !
Bon film !
best movie
The Acting Level of Abhishek Bachchan is Actually Below Dasvi Standard Who hires him to act forget about Nepotism Amitabh Bachchan would also be thinking Parenting main Kahan Kami reh gayi Seriously Every Now End Then Abhishek Bachchan with his Sub Standard acting would come with a Movies Like BIG BULL, DASVI aur pata nahi kya kya I could feel during his dialogue Delivery Literally trying to remember his line Learn something from Your CO-ACTOR Yami / Heroine.
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Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.