Walter Hill
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The thriller film Dead for a Dollar, starring Christoph Waltz, Willem Dafoe, Rachel Brosnahan, etc., directed by Walter Hill, was released on September 30, 2022 in Canada. It tells the story of Un célèbre chasseur de primes rencontre son ennemi juré, un joueur professionnel et un hors-la-loi qu'il avait envoyé en prison des années auparavant. This is a Thriller, Western film with a runtime of 107 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.4/10 from 5,721 viewers.
Walter Hill
dans le rôle de Director
Christoph Waltz
dans le rôle de Max Borlund
Willem Dafoe
dans le rôle de Joe Cribbens
Rachel Brosnahan
dans le rôle de Rachel Kidd
Warren Burke
dans le rôle de Sgt. Alonzo Poe
Brandon Scott
dans le rôle de Pvt. Elijah Jones
Benjamin Bratt
dans le rôle de Tiberio Vargas
Luis Chávez
dans le rôle de Esteban Romero
Hamish Linklater
dans le rôle de Martin Kidd
Fidel Gomez
dans le rôle de Captain Aragon
Guy Burnet
dans le rôle de William 'English Bill' Palmer
Alfredo Quiroz
dans le rôle de Deputy Enrique Bustamante
Scott Peat
dans le rôle de Jack Tyree
Diane Villegas
dans le rôle de Esperanza Hinajosa
J.D. Garfield
dans le rôle de Luis Andrade
Jackamoe Buzzell
dans le rôle de Jack Hannon
James Espinoza
dans le rôle de El Viejo
Jeremiah Core
dans le rôle de Sergeant
Shawn-Caulin Young
dans le rôle de Luke Schoonover
Walter Hill
dans le rôle de Writer
Matt Harris
dans le rôle de Writer
La disponibilité peut varier selon le pays, la langue et la fenêtre de sortie. Certains titres sont inclus dans les abonnements aux plateformes, tandis que d'autres peuvent nécessiter une location, un achat ou un accès via l'application. Les catalogues de streaming et les accords de licence étant régulièrement mis à jour, les options de lecture peuvent évoluer. Pour une expérience de visionnage optimale, consultez la fiche la plus récente sur le service choisi et vérifiez la prise en charge régionale, les sous-titres et la compatibilité de l'appareil avant de commencer.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
Téléchargez les derniers paquets MovieBox pour mobile, les versions FM et les APK compatibles TV. Choisissez le paquet adapté à votre appareil et à votre région, puis suivez le guide d'installation officiel pour une compatibilité et une sécurité optimales.
..
Bon film !
source: Dead for a Dollar
Giving it 9 stars as good basic old western style entertainment. If this had come out 40 years ago it would likely have been considered a classic. Obviously some are judging the movie harshly based on some kind of modern film school doctrines. The movie is classical low budget fare and that's just fine. It delivers what is expected with strong performances across the board. Perhaps I would feel differently had I paid fifteen bucks at a theater...but as a streaming film on Showtime, Dead for a Dollar is golden bargain to be appreciated if not treasured...and yes, it's something of a morality tale in which some degree of justice is realized, along with strongly implicit anti-racist and anti-sexist messaging.
This movie has a great cast, for the most part. The cinematography is shaky and doesn't go with the background music. The overuse of cheesy dialogue made this movie almost put me to sleep, as well as the weak dressing. No bounty Hunter is out in the sun with a hat like that. This movie would've done better with cinematography of the old western films, more grit, and way better dialogue. Next time this production company wants to make a film, I'd offer my services to make them a film that looks at every aspect. Might make us a winner with such a budget. I've made film my entire life, and watching this film, with this cast come up short almost breaks my heart.
This film is a love letter to the iconic Westerns of the past. Little nuggets of framing and composition sprinkled throughout made me hungry for spaghetti. Judicious and sparse scoring creates a sort of uneasy isolation as dry as the Sante Fe desert. There are some departures from Western tropes; the good guys here are flawed....and murderous. Of course, the bad guys are too. Luis Chavez is sooo good. Somebody please tell him. His role is easy to overlook, but if there is a sequel.....that's the story to tell, for sure; his origin story.....or maybe a sort of 1890s "Better Call Saul". There is a bit of a misstep in the script balancing the abominable racism and sexism of the period with today's sensibilities. You'll know it when it happens. And the brief nudity seemed intrusive...it pulled me out of the action bit. I expect there was something there that I missed. Rachel Brosnahan is terrific in a character we haven't seen much before: a woman as hard as the times, and up to the task. Not to spoil anything...but I think this film may bump bullwhip sales. I haven't seen THAT fight before! This is for sure on my "watch again more closely" list.
I can't believe this came from Walter Hill. Has he had a stroke? Every aspect of this is unbelievably bland and unexciting. I'd expect from a veteran filmmaker that you'd know better than to have 20 million dissolves between scenes, even parts of dialogue - also at least have some knowledge of how to build tension, character and draw the audience in. None of that is present here. The sound and cinematography are second rate at best, almost as if their contribution was phoned in by assistants. But the most disappointing are the performances from Christoph Waltz and Willem Dafoe. They seem uninspired, uninterested. If you paid to see this I am sorry you wasted your money, because that is exactly what it is in every respect. Avoid at all costs.
Walter Hill making a Western with Christoph Waltz and Willem Dafoe? Count me in! At least that's what I was thinking before I saw the trailer, which was already a little underwhelming, to say the least. Unfortunately, the first impression didn't deceive: Everything here feels amateurish almost beyond belief. From the "color grading", which is really just a sepia filter reminiscent of FROM DUSK TILL DAWN 3, to the cinematography, the most obvious CGI blood and smoke as well as the editing with its constant and obnoxious fade-outs. If anyone would have told me that this is an amateur production made for YouTube, I would have believed them in an instant. The story is as generic as they come, the writing especially in the first act extremely uninspired, accompanied by wooden acting. If Christoph Waltz playing a bounty hunter sounds promising and somewhat exciting to you, make no mistake: He is the blandest I have ever seen him here. Always a joy to watch though and probably the only bright spot in this mess is Willem Dafoe - although his character ultimately surves no purpose for the main narrative. It's always baffling to witness former great directors reaching late-career lows - Brian De Palma would come to mind here. The problem isn't that Hill tried to make a B movie, as he successfully did before. DEAD FOR A DOLLAR is unfortunately just bad.
I'd start by saying Waltz, Dafoe, Bratt and the others are great actors. All did a great job with what they had here. Problem is, not sure what they had here. The scenes were a bit choppy and kept waiting for a tv commercial to play between them. Pretty sure I nodded off at one point and missed some, but it made no difference. This was a western, I think, but not one I'd recommend for western movie watchers. The actors are top notch but just couldn't save it. I would have tried for a spaghetti western vibe over this 50s American tv series type. The scenes with Waltz and Dafoe were good but the writing, no sir, I didn't like it. It was simply too elementary. Ah well, better luck next time.
I have been waiting for this movie for 2 or 3 months, maybe because i wanted to see another western role of Chriatoph Waltz, and maybe because the name of the movie attracted me, it reminded me of the Dollars triology First, i think 105 minutes are not enough for a western movie 2nd, the story of the film is not attractive, something happened a lot in other movies 3rd, please don't involve women in western movies, they are really not suitable for that role 4th, western movies should be more violent and brutal. 5th, expected end, and the plot twist is actually not surprising 6th, the role of Willem Dafoe should have had more effect on the scenario 7th, we were expecting to see more of Christoph Waltz cunning Sorry i wanted to like this movie, but it didn't help me.
Un décryptage détaillé des récents changements de prix, des raisons pour lesquelles les utilisateurs repensent leur installation et de la façon d'évaluer une solution alternative sans perdre vos habitudes de découverte.
Découvrez la bonne méthode pour installer l'APK Movie Box : d'abord les bases de version, puis des étapes d'installation propres, et enfin comment choisir entre TV, iOS, Web et application.
Une critique détaillée expliquant pourquoi Project Hail Mary se distingue en 2026 : qualité d'adaptation, narration scientifique, profondeur émotionnelle et réactions du public.
Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.