Michael Canzoniero
dans le rôle de Director
The comédie film Don Peyote, starring Dan Fogler, Kelly Hutchinson, Sarabeth Stroller, etc., directed by Michael Canzoniero, was released on May 9, 2014 in États-Unis. It tells the story of DON PEYOTE tells the story Warren Allman, an unemployed stoner who finally finds a purpose in life after an unpleasant encounter with a homeless man preaching the end is near. Fueled by vivid apocalyptic dreams, Warren becomes obs. This is a Comédie, Drame film with a runtime of 98 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.5/10 from 1,022 viewers.
Michael Canzoniero
dans le rôle de Director
Dan Fogler
dans le rôle de Director
Dan Fogler
dans le rôle de Warren Allmän
Kelly Hutchinson
dans le rôle de Karen
Sarabeth Stroller
dans le rôle de Party Goddess
Nicholas De Cegli
dans le rôle de Doomsday Man
Natasha King
dans le rôle de Horse Goddess
Ronnie Cutrone
dans le rôle de Tea Party Guest
Kate Jaggard
dans le rôle de Tea Party Guest
Kate Jurkiewicz
dans le rôle de Tea Party Guest
Randy Lebeau
dans le rôle de L'Rol
Matthew Shear
dans le rôle de Zebra Shaman
Anne Hathaway
dans le rôle de Dream Agent
Michael Buonomo
dans le rôle de News Reporter
Wen Yann Shih
dans le rôle de Newswoman
Devon Ogden
dans le rôle de Radio Reporter
Anthony Micari
dans le rôle de Bridal Salon Owner
Gianna Barone
dans le rôle de Bridal Store Salesperson
Yang Miller
dans le rôle de Balance
Daniel Pinchbeck
dans le rôle de Daniel Pinchbeck
Dan Fogler
dans le rôle de Writer
Michael Canzoniero
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Bon film !
These type of psychedelics mind trip, conspiracy theory type movies can be interesting and intriguing but Don Peyote doesn't possess those traits. The film starts off relatively interesting as where we are not sure where it is heading and things seem to pop up but further along the film just trenches off and becomes an unfunny and overly try- hard mess. Scenes become boring, characters come in and out and things don't blend or add up. The major theory surrounding the film was the 2012 "end of the world" theory and since we know how that happened, it seems relatively pointless and just not as engaging as they probably thought of. Don Peyote as a film just isn't nearly as funny as it should have been, and what we watched was an overconfusing mess. Another reviewer mentioned how it was similar to The Hangover plot wise and since we think of it, that is close to quite accurate (although the Hangover was far better, more funnier and concise). Also don't believe the 10 star reviews.
One thing you can say about "Don Peyote" is that it's interesting. The story is fairly dark, there are a lot of "tripped out" sequences -- unfortunately, the directing doesn't rise to the challenge, so you don't really feel immersed in the weirdness but rather like an unwelcome and unwilling spectator of it. The scenes, for example, where he's taken to an underground lair of homeless people or when he finds his fiancé having a sex party at their apartment, are supposed to feel like Fellini but they feel more like Andy Warhol on his worst day (and that is something terrible to behold). It's as if the director invited a bunch of his friends, told them to bring the sexiest date they possibly could and to wear an odd costume, and just shot the results. Weirdly, Anne Hathaway shows up halfway through this film in which almost every other actor is obviously non-union. Supposedly Topher Grace is in it too but I didn't spot him; perhaps he wore sunglasses or some fake hair to make his appearance here less embarrassing and noticeable. And yeah, when Topher Grace is embarrassed to be in your movie, you have a problem. I did make it to the end of the movie, because I wanted to see if anything interesting would happen: it doesn't. If you think about it, the plot is the same as the Hangover: guy's about to be married, goes on a wild drug experience wit his friends. But this guy Dan Fogler -- who's billed 7th despite the fact that his mug is in a close-up in nearly every shot of the entire film -- actually makes Zach whatshisname or Jack Black or any of those people look like Peter Sellers. He's not a horrible actor, but he can't sustain an entire film, and he's not very funny. Leave this one alone if you can. Unless one of your friends is in the movie, then it might be worth watching if you can spot them in the middle of this madness.
I feel like I was not in the right state of mind to really enjoy this movie. Then again, the three kids in the back of the theater where in the right state of mind, I could smell if from the front row, but even they left before the movie was over. The movie was real psychedelic in that 1960's sort of way, but rather than an acid trip the filmmakers get high on the chronic. A different experience that I feel makes the movie suffer. High on weed, the movie is more strange than funny. Too strange to really justify me sitting in that theater for 90mins. The jokes I more just got than found funny. The movie's value is increased by what I'm guessing is the filmmakers many friends making cameos. Topher Grace,and especially, Josh Duhamel who plays a wondering hobo were fantastic. Other stars made cameos but not as impressive. I went in wanting to enjoy this and I wish I did but I can't.
I read all the other user reviews and was afraid this might be a weird rehashing of fear and loathing or something. Not at all. This film is about exactly what it portraits in the film, no metaphors about coming of age or anything. This film is about a man who begins to see through the illusion of society, and loses his grip of what is both real and important. Our protagonist does ayahuasca during a bout of hallucinations, and ends up in a mental hospital. after escaping he does it again with a homeless couple and relinquishes his grasp on society. This is the first review I wrote, I signed up just to review this movie. If you have never partaken of ayahuasca or dmt, it may be very hard to relate to the main character, and this is how these other reviews struggle to find meaning g or lessons in the movie. Take it at face value: this is a story about how those who see through the veil of society are often rejected and cast aside as mentally ill or unstable, all for not following the school, work, buy, die mentality of our times. Extremely well executed bravo.
Dan Foglar. I enjoyed your film, but it made me sad. Sometimes I am not sure if this movie is real or not. because if not. it might actually be what is real, and this is a figment of my imagination. But how would you know, my dreams are never remembered. But in my dreams I'm never remembered. Who is telling me the truth My eyes which swear with every bit of their worth that they tell trues. My Brain which sits on the fence because logic has gone. My heart which sides with whoever treats it kindest. My body which moans one moment but can feel the polar next. Or My mind who looks at the two paths and takes both simultaneously but only to realize when they both reach summation that it was only a thought, that the mind was sitting at the fork and had wasted 2 lives only to collapse from fear of the unknown. It is a real invisible bridge of the last crusade?
If you watch alex jones too long, you will start to die inside. We're all dying inside. We don't understand that there is nothing to understand. We do not exist. The Piper's calling you to join him. Dear lady can you hear the wind blow, and did you know. Your stairway lies on the whispering wind. Follow the Pied Piper (reptilian entity) to your damnation. We all know who the reptilians are. They control the media, the lobby, the judicial system. The reptilians exist in the next density, occupying the bodies of their "chosen ones". They thrive off of hurt and pain, they bathe in pools of gold, sterling, and silver. They run the racket. They aren't a Model T. They are the bloodsucking ism. The lecherous mob of traveling swindlers, waiting with baited breath to infiltrate the next unsuspecting society they come across. They are the Pied Pipers casting spells with wands made of Holly.
Don Peyote is not a stoner comedy with apocalyptic undertones. As a matter of fact, it's actually a rather sweet, vulnerable, and personal film about life, maturity, and ultimately manhood. Now, when you first watch the film none of this may be clear, and maybe it was only so obvious to me because I had my own Don Peyote moment when my wife was pregnant for the first time, but I'll get to that later. The secret to the truth of Don Peyote is to not let your mind drift, simply listen and watch everything as it is laid out. Take the character of Balance. Balance, a childhood friend who is never there when you want him to be, but always when you need him to be. Now think back to your childhood and for most of us balance was there. Stress and drama didn't exist. Our lives revolved around playing baseball, watching Star Wars, and hoping to one day touch a boob. Then came responsibility and bills and jobs and relationships and roles that we are told we have to play. Like a tidal wave crushing us over and over and over every minute we think we have our head above water. Back to the film, Warren has been engaged for 3 years to a woman who desperately wants to have a child right away and wants Warren to finally gain direction and get a job. Don Peyote isn't a film about conspiracies and mind altering drugs, it's a manifestation of all the anxiety and fears that the Warren's of the world feel at times in their lives. I always wanted to have a child with my wife. In fact, I was the one who pushed for it the moment we got married. When my wife got pregnant I was over the moon excited, couldn't wait. Then one day my mother in law, my wife, and myself were at a Babies R Us getting some last minute things for my upcoming daughter. We stepped into the store and I don't remember what preceded it, but my mother in law said to me "You are going to be a dad after all." And like that, I went numb. They walked off to shop and I staggered over to the recliners, sat down, and had a full blown panic attack. I wasn't a father, I was going to ruin this child's life, I could barely go the day without stubbing my toe and this thing was coming into the world who's life and future depended on me. Now, I didn't go on a vagabond drug fueled walkabout, but had you peeked into my mind at that moment it was full blown Don P. This is what independent filmmaking is all about, artistic and fantastical representations of universal experiences. What is more apocalyptic and world altering than getting married, or having a child, or disappointing someone you love? There's a moment in the film, before Warren makes his full turn, where he realizes that all the chaos and anxiety in his life is tempered by Karen. She was the only thing in his life that was true and good and made sense. His biggest fear then, is the total destruction of her in that image, so the next scene we see is just that. Again, it's the manifestation of his biggest fears. And in the end, after dance numbers, mental wards, and tripping with Josh Duhamel, the final scene of the film damn near brought me to tears. A wordless exchange between Don Peyote (formerly Warren) and someone he didn't even know his life was missing. There's no telling how much, if any, of the film is really happening to Warren/Don and no real way to know what his future holds, but the peace and serenity in that scene make all the chaos he goes through worth it. Watch Don Peyote. Whatever your expectations or preconceived notions are going in, just chuck them aside and take a glimpse into the mind of a man processing life's crossroads.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.