Ozan Açiktan
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The drame film Largué, starring Burak Deniz, Dilan Çiçek Deniz, Ceyda Düvenci, etc., directed by Ozan Açiktan, was released on November 11, 2022 in Turquie. It tells the story of La petite amie de Semih le quitte soudainement. En quête de réponses sur leur relation, il doit bientôt affronter ce qu'il a longtemps ignoré. This is a Drame, Romance film with a runtime of 107 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.2/10 from 2,154 viewers.
Ozan Açiktan
dans le rôle de Director
Burak Deniz
dans le rôle de Semih
Dilan Çiçek Deniz
dans le rôle de Defne
Ceyda Düvenci
dans le rôle de Ceyda
Berrak Tüzünataç
dans le rôle de Beril
Sükran Ovali
dans le rôle de Özge
Ersin Arici
dans le rôle de Nazim
Dolunay Soysert
dans le rôle de Hande
Yusuf Özkoç
dans le rôle de Ares
Ilyas Özçakir
dans le rôle de Barinak Adam
Eylül Askin
dans le rôle de Hostes
Mehmet Sinan Karabuga
dans le rôle de Uçakta Oturan Adam
Bahattin Sahiner
dans le rôle de Ev Sahibi
Erdem Adilce
dans le rôle de Arkadas
Ece Erdal
dans le rôle de Arkadas
Selin Elmas Fistikçi
dans le rôle de Arkadas
Fahrettin Avci
dans le rôle de Arkadas
Zeynep Dölay
dans le rôle de Arkadas
Cansu Boz
dans le rôle de Arkadas
Sami Berat Marçali
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Bon film !
Bon film !
"Don't Leave" is a deeply evocative film that masterfully explores the intricate dynamics of love, loss, and emotional detachment. At the heart of this narrative is Semih, a character whose struggle with emotional expression forms the crux of the story. His profound love for his girlfriend, juxtaposed with his inability to actively fight for the relationship, paints a poignant picture of a man wrestling with the ghosts of his past. Semih's detachment is not just a personal battle; it's a reflection of his deeper unresolved feelings about his father's departure from his life. The film brilliantly uses this parallel to delve into the complexities of how past traumas can shape our present relationships. The departure of his girlfriend mirrors the abandonment he felt as a child, further intensifying his emotional turmoil. The storytelling is subtle yet powerful, weaving a narrative that's both intimate and relatable. Semih's character resonates with anyone who has ever struggled with the challenge of expressing their deepest emotions. His journey through the film is a poignant reminder of the invisible burdens of past experiences. In essence, "Don't Leave" is more than just a story about a failed romance. It's an introspective look at how our past can hold sway over our present, affecting our relationships in ways we might not fully understand. The film is a compelling exploration of the human psyche, inviting viewers to reflect on their own emotional journeys and the unseen impacts of their histories.
This one should be rated far higher than it is. It is not really a romance movie or a love story, it's a sad and poignant film about people who have outgrown each other in a relationship, or at least one of them has and the other is left to wonder. Love is not always enough for a relationship to work, people move on even from being seemingly happy. I think it manages to show the feeling of void one feels after being broken up with and that period right afterward one inevitable spends in agony recalling all the things he did wrong and looking for answers he already knows in the back of his mind I think it is beautifully written and filmed, the mixed timeline worked really well story-wise, actors did a great job, I have no idea what people want from a movie these days tbh.
This is one of the few things i watched without looking at the rating first and tbh I would've not watch it with rating like this but im very glad i did For me this movie gives perspective to what goes into a relationship and how complicated and beautiful it is. I was actually surprised it wasn't a cliche romance and unrealistic drama,it touched me I rewatched a couple of scenes from how good it was the actress did a phenomenal job and I appreciate how the time line is filmed you have to pay attention though you never know when its flash back or not sometimes. You have to give it a shot it is worth it.
source: Don't Leave
Don´t Leave (original tittle in Turkish is Kal) gives us a short but sometimes deeply image about modern relationship in your 30's and how you give it an "expiration day" when it starts o maybe extend it with easy steps. This movie is an invitation to rethink our love behavior through a masculine vision (personaly I appreciate that) and how Semih remembered his relation with Defne, specially goods times in flash-backs and moments when they were loosing each other trying to be goods partners to the "other" but not for her/himself across behaviors to indulge, avoid fears or expose your insecurities. If you are in a relation or perhaps you are losing it this movie gives some clues to move away from the background thinking in your feelings and how you can be a better person for yourself.
Too dark as in I can't see what's going on. The darkness of imaging made it unwatchable (on Netflix!). I gave it a few stars for the actors' effort, but the camera man dropped the ball. Have tried to focus so I can distinguish the movements but got tired in the first 15 minutes. I had read the remarks and really made an effort. Then had looked forward to see how the subject matter played. Looked forward to the dialogues and the story in itself. Had watched the main actor recently and also wanted to check out the range of his acting, as the reviews indicated he's worth the watch. But what the heck?!
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.