Atsushi Takahashi
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The animés film Eiga Doraemon Nobita no Nankyoku Kachikochi Dai Bôken, starring Mai Asada, Chiaki, Aya Endô, etc., directed by Atsushi Takahashi, was released on March 4, 2017 in Japon. It tells the story of Unable to endure the midsummer heat, Doraemon transports Nobita and his friends to a huge iceberg floating in the South Pacific. While creating an amusement parks with the secret tool "Ice-working Iron" the group finds a mysterious golden ring in the ice. Upon closer examination, they determine that the ring was buried in Antarctica 100,000 years ago - before people could have lived there. Doraemon and friends head to Antarctica looking for the owner of the ring and come across the ruins of a huge city buried in the ice. Using Doraemon's Time Belt, the group travels back 100,000 years ago and meets the young girl Kara who is connected to the mysterious ring. But now the group must fight for survival as Doraemon faces the crisis of the entire Earth freezing. This is an Animés, Adventure, Comédie film with a runtime of 101 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.7/10 from 1,614 viewers.
Atsushi Takahashi
dans le rôle de Director
Mai Asada
dans le rôle de Pao-Pao
Chiaki
dans le rôle de Dorami
Aya Endô
dans le rôle de Mofusuke
Ayaka Hirahara
dans le rôle de Brizaga
Qi Inory
dans le rôle de Dorami
Yumi Kakazu
dans le rôle de Shizuka
Subaru Kimura
dans le rôle de Gian
Rie Kugimiya
dans le rôle de Kaara
Yasunori Matsumoto
dans le rôle de Nobita's Dad
Kotono Mitsuishi
dans le rôle de Nobita's Mom
Wasabi Mizuta
dans le rôle de Doraemon
Daisuke Namikawa
dans le rôle de Dr. Hyakkoi
Nobunari Oda
dans le rôle de Pao-Pao
Megumi Ohara
dans le rôle de Nobita
Tomokazu Seki
dans le rôle de Suneo
Shigeo Takahashi
dans le rôle de Yamitemu
Nao Tôyama
dans le rôle de Yuka-tan
Masumi Yagi
dans le rôle de Octogon
Fujio F. Fujiko
dans le rôle de Writer
Atsushi Takahashi
dans le rôle de Writer
Shôdô Kakuyama
dans le rôle de Writer
Natsue Yoguchi
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
The 2017 film Doraemon: Great Adventure in the Antarctic In keeping with the beloved Doraemon franchise, Kachi Kochi takes viewers on a fascinating voyage of friendship, discovery, and imagination. Under the direction of Atsushi Takahashi, the film tells the touching story of Doraemon and Nobita's voyage in the Antarctic through colorful animation. The film captivates both young audiences and those who are young at heart with its charming winter scenery and inventive devices that give a whimsical touch. Despite its focus on fanciful elements, the novel deftly incorporates important life lessons, making it a family-friendly read that has resonance on many levels.
In this movie, Nobita and Doraemon build an amusement park on an iceberg for their friends, but then discover a mysterious artifact from Antarctica. I have mixed feelings about this one. I found several story elements here to be odd: for example, Dorami makes a voiced cameo telling Doraemon that she's been fortune-telling and her readings indicate that he should stay away from ice, a prediction that Doraemon dismisses. Although intended as foreshadowing, I thought that this interaction was strange, because Dorami doesn't usually come across as the superstitious type. Even as a means of foreshadowing, the scene seemed unnecessary, because after all, the title of the movie already indicates that the protagonists will be visiting Antarctica, so ice being involved is a given. Then there's the imposter situation that occurs partway through the adventure, in which a shapeshifting robot pretends to be Doraemon while leading the other main characters into an obvious death trap. Why there is a shapeshifting robot guarding the particular abandoned tower they're exploring is never explained, so the whole thing felt as though it were inserted just for the sake of creating a mid-story conflict. The imposter conundrum isn't resolved in a particularly clever or heartfelt way either; instead, Nobita "just knows" which one is the real Doraemon without much supporting evidence. I get that it is supposed to show the close bond between Nobita and Doraemon, but I would have preferred if this had been represented in a more subtle way-perhaps Nobita could have picked up on some telltale body language from the real Doraemon, for example. At the very least, the main characters could have tried quizzing the imposter on some harder questions than just Gian and Suneo's names. On the bright side, some of the visuals in this film are really pretty. In addition, though most of the protagonists don't receive much characterization here, I thought that this was actually quite a good movie for Doraemon himself. Not only does he come up with a clever solution to help the others save himself when they get separated from each other in time (probably the best-executed subplot in this film), but he also plays a key role during the final battle. Furthermore, his gigantic, flying, ice-drilling vehicle might be one of the most impressive gadgets he's ever pulled straight from his pocket. I also appreciated that there are a fair few references to Earth science in this film: Snowball Earth, the Cambrian explosion, and the history of Antarctic glaciation are all mentioned. (Just don't write down the part about aliens being the cause of Snowball Earth if you're taking an Earth science exam...) Something I'm surprised that this movie does not explicitly address, however, is anthropogenic climate change. Considering that the film begins with reports of record high temperatures in Tokyo, I was fully expecting that climate change would play some role in the plot, especially given that environmentalism is a recurring theme in Doraemon. In fact, I even have to wonder whether this movie might give some young or impressionable viewers the wrong idea about ongoing climate change. The main threat in the story poses the risk of freezing the entire world, with similar entities having already frozen other planets, so when the protagonists' movie-exclusive allies are shown to have successfully melted the ice on their own home planet in the end, this is portrayed as a positive outcome (and in the context of the narrative, it certainly is one)... yet would this imply that the melting of polar ice in the real world is a good thing? Maybe I'm overthinking it, but it seems to me that a plot emphasizing the importance of ice caps to maintaining current Earth systems would have been a more appropriate use of the setting and premise of this movie.
This movie exllecten movie l'm like 2D animation. And movie story exllecten story and great mystery very awesome rellay movie is exllecten.
I was watching this at night when i saw this movie it was so good.. it had a wonderful story and I liked the adventure in which Nobita had gone to.. I would congrate the director for creating such a wonderful film... So I hope that there would be a movie just like this and I would definitely watch that movie :)
This movie is very ausume i am wating in 3 years of new movie of doraemon this movie climaxe sceane is very ausume i wish all new movies come in india.
I really enjoyed this movie. It has a very detailed and interesting story, in a setting that you don't often see in kids movies, or really any movie. It has a strong sense of adventure, so I highly recommend this film for fans of adventure stories. Animation and voice acting is excellent (I watched it with Japanese audio and English subs). Doraemon himself is a very interesting character which really appeals to the inner-kid in all of us. Highly recommended checking out this movie if you have the chance (riding a Japanese airline might be your best bet if you aren't living in Japan, that's how I saw it).
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"Doraemon the Movie 2017: Great Adventure in the Antarctic Kachi Kochi" is (according to me) an average Doraemon movie. It has a weak plot which makes very less sense. The slow pacing and lack of a good strong villain makes the movie boring. It lacks a lot in both world-building and character-development. The themes of the movie weren't explored properly. The pacing was almost the same degree of slow throughout. The only thing I liked about the movie was the small but important imposter Doraemon Arc which showed the depth of the friendship between Nobita and Doraemon.
"I really miss watching all of them, it's been 3 years since i stop watching Doraemon new movie, so nice to see them again, back to the movie, this one is very very enjoyable and pretty good, what i really amazed and not expecting is the film score, the film score is amazing, kinda little bit long and quite boring in the middle, but that's not taking so long, overall it's a fun and enjoyable movie"
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.