Nidhi Sethia
dans le rôle de Director
The TV series Dr. Arora, created by Arif Ali and produced by an unlisted studio, first premiered on July 22, 2022 in Inde. The series spans 1 season with 1 episode, featuring the voices of Kumud Mishra, Gaurav Parajuli, Shruti Das, and Manoj Karotia. It follows the story of L'expertise du Dr Arora est recherchée par les hommes et les femmes en difficulté dans leur vie sexuelle. This is a Comédie, Drame series and has received a rating of 7.1/10 from 1,991 viewers.
Nidhi Sethia
dans le rôle de Director
Sajid Ali
dans le rôle de Director
Archit Kumar
dans le rôle de Director
Kumud Mishra
dans le rôle de Dr. Arora
Gaurav Parajuli
dans le rôle de Devender Thakur
Shruti Das
dans le rôle de Putul Chandel
Manoj Karotia
dans le rôle de Tea Vandor
Saabir Shaikh
dans le rôle de Friend
Vivek Mushran
dans le rôle de Dinkar Bagla
Aakash Pandey
dans le rôle de Shankar Panwala
Pitobash
dans le rôle de Singhada
Vidya Malvade
dans le rôle de Vaishali
Raj Arjun
dans le rôle de Firangi Baba
Garima Agarwal
dans le rôle de Kusum
Sam Mohan
dans le rôle de Akhil Nair
Shakti Kumar
dans le rôle de MLA Goyal
Sandeepa Dhar
dans le rôle de Mithu Tomar
Aditya Pandey
dans le rôle de Young Dr. Arora
Siya Mahajan
dans le rôle de Young Vaishali
Shriidhar Dubey
dans le rôle de Manoj Agarwal
Shriidhar Dubey
dans le rôle de Manoj Dubey
Arif Ali
dans le rôle de Writer
Sajid Ali
dans le rôle de Writer
Divya Prakash Dubey
dans le rôle de Writer
Sudeep Nigam
dans le rôle de Writer
Nidhi Sethia
dans le rôle de Writer
Imtiaz Ali
dans le rôle de Writer
Divya Johry
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Wow, wow. Indian cinema reaching top height's. Thanks for making this beautiful piece of Art. A1 cast, A1 writing, A1 on the sex education my government never gave me during my schooling time in the most delightful way possible. Definitely a kill on the stereotype made by modern world media on connecting with a gynac for help. The world, set design and character's feel so so lively. Real good to see and explore geographical locations of my country. It really brings me back to a non digital space time period with such beautiful human interactions which we the people had amongst us on a regular basis. Before Mr. Zuckerberg took over !!! I'd say this is definitely a must see with such brilliant concept, description, application and education.
Performances by actors are great but the screenplay just drags on. Too many flashbacks, editing could have been better. The topic is interesting and had scope if characters were fleshed out more. And finally there is no resolution of many plot lines by the end of episode 8. What happened with the sex worker? What was the result of new mahila shakti morcha? Why did Baba disappear from plot? And nothing was shown about how vaishali deals with her own family. So much of wastage of time and yet climax was so open ended.
We are living in an era where web series tend to be intense but Dr Arora might be underwhelming, other aspects are fair I believe. But the best part is the evolution of characters. Dr Arora showed his ability to reform himself and others including his ex-wife. Devender Thakur became more considerate than earlier as a stalker, Editor's father-son relationship became more mature. Eventually proving that life always gives a second chance. It also digs down into fake news and serves as an eye-opener. Kumud Mishra did amazing! S2 would be interesting to see since his favorable terms with Devender Thakur and Baba would draw the MLA's favour towards him locking horns with the Police, Shekhar and his editor friend on the other side. How this will play will be interesting.
People who are mature should only watch it. Those who think its about sexuality and this and that they shouldn't watch it. Good comedy acting also is good. Its not only about gupt rog it also contains best comedy. I dont know from which area people are coming who r giving such less rating to this series. Seriously if one could watch altbalaji series one can also watch this.
Useless story telling and direction . Actors are good .. mostly Kumud .. But such bad story and direction . No link between stories , with this topic more funny story can be made DONT WATCH 3* ONLY.
Another comforting story.. So good to watch.. Kumud Mishra ji is so so wonderful in his portrayal of Dr. Arora.. And thank you sir for Dr Arora on Sony Liv. Quite enjoyed the show, quite liked what it's trying to do, in spite of certain issues, like a couple of subplots I didn't quite care for. Kumud Mishra is fantastic, as are Vivek Mushran, Anushkaa Luhar and Sandeepa Dhar. Worth a shot!
Worst web series i have seen. Through 8 episodes it does not come to point and is very stretched. Was looking for this web series but i am thoroughly disappointed.
Was curious how doctor arora would turnout because during childhood i have seen so many dr arora painted banner hoardings on wall ! Neber understood then ! So curiosity was natural ! But the blend of drama and dr arora and the screenplay and storyline it was so smooth ! I mean it is one of the best drama series ever. No extravgent Bakwas ! Just on the point with intresting characters ! 💛 more power to you looking forward to season 2 guys !
Given that the trailer set high expectations, and one was actually waiting for this to release on the 22nd of July, the letdown hurt twice as much. But the review is being written after a cooling off period, so the emotions are subdued, and I have tried to write a regular review. (yes, my regular reviews are this detailed) What was this? I am a little confused about the genre of this series. This is not an awareness series (unless you count the name of the condition mentioned briefly on the screen). This is not a love story. It is not a mystery series of why his wife left him in the first place. Because that mystery never gets solved. This is not a story of relationships, because all characters are so poorly sketched and even more shallowly presented. If the idea was to showcase that Indians are not as open to their problems in bed as our woke metro brethren, that also flops, because, as the director already knows, sexologists are found only in small town India. And they make enough moneys to put large scale full wall ads from where the makers have shamelessly picked the name of the series. (I hope they sent a small royalty cheque to the original Dr. Arora, whose name also they have blatantly just picked up). I am not sure, honestly, what this is. The short answer is, it really isn't anything. Its just that random mishmash that amounts to absolutely nothing. Why this series should not have seen the light of day/night/OTT I don't know any baba that gives private meetings of a certain kind to all female devotees. I also don't know any SP who walks as comically as the character of SP Tomar. I don't know any three time MLA who gets so publicly humiliated by his bedridden father at all times. Women do not randomly invite male neighbours home, nor scream to them at night. That is not how colonies in small town India operate. But most offensive of all, was the stalking of his ex-wife by Dr. Vishesh Arora. By the fourth episode, it is perfectly easy to start despising the character and wondering why he is stalking someone who so completely rejected him more than 17 years ago. What kind of content is being sold with the background music of a romantic song? A random romantic song playing in the background, a middle aged man looking wistfully into the distance, does not make stalking ok. I can't remember when I was that angry about the way women are projected on screen. (hence, the cooling off period before the review) There is no storyline. The characters, like I mentioned already, are shallow and poorly sketched. Make that not sketched at all. Its like a series of random caricatures that one forcibly fits into a room and then tries to build something around them. The dialogues are so forgettable that i can't remember a single representative one, and I usually write a couple of representative dialogues in the review. The art direction is as cliched as it gets. Neither authentic nor intriguing. The other technical aspects - lighting, sound, cinematography, research, well, lets just say they are being omitted for a reason. The director omitted them from his work too. Only one thing they did well - the casting. A script so laughable, so wrong at so many levels, needed superb acting. And the cast - lead and ensemble, does just that. Each actor is well chosen. What their writer forgot to do in the script, the casting director has done in the auditions - and that is doubly laudable because s/he had so little to go on. One line review: This is the work of a woke director sitting in some metro who does not know his/her characters, their stories, their life beliefs, even their mannerisms, but insists on telling a story about them.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.