William Oldroyd
dans le rôle de Director
English,Español,Filipino,Français,Indonesian,Malay,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The drame film Eileen, starring Thomasin McKenzie, Shea Whigham, Sam Nivola, etc., directed by William Oldroyd, was released on December 8, 2023 in Royaume-Uni. It tells the story of L'amitié d'une femme avec un nouveau membre du personnel de la prison où elle travaille prend une tournure malsaine. This is a Drame, Mystère, Romance film with a runtime of 97 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.9/10 from 19,575 viewers.
William Oldroyd
dans le rôle de Director
Thomasin McKenzie
dans le rôle de Eileen Dunlop
Shea Whigham
dans le rôle de Jim Dunlop
Sam Nivola
dans le rôle de Lee Polk
Siobhan Fallon Hogan
dans le rôle de Mrs. Murray
Tonye Patano
dans le rôle de Mrs. Stevens
William Hill
dans le rôle de Intake Guard
Owen Teague
dans le rôle de Randy
Peter McRobbie
dans le rôle de Warden
Peter Von Berg
dans le rôle de Dr. Frye
Patrick Noonan
dans le rôle de Cop
Jefferson White
dans le rôle de Buck Warren
Anne Hathaway
dans le rôle de Rebecca
Alexander Jameson
dans le rôle de Actor 1
Patrick Ryan Wood
dans le rôle de Joseph
Gavin K. Barfield
dans le rôle de Mary
Spencer Barnes
dans le rôle de DeMarko
Mason Pettograsso
dans le rôle de DeLuca
Mark Havlis
dans le rôle de Prison Guard
Luke Goebel
dans le rôle de Writer
Ottessa Moshfegh
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
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Bon film !
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Sigh. I'm so frustrated. Eileen is an extremely slow movie filled with mostly nothing. The plot it bare and the first hour of the movie extinguished my patience reserves. I forced myself to finish it out of sheer curiosity about how it would end. But of course, there is no ending. It just stops. I understand that movies occasionally succeed with leaving it up to the viewer to decide what happens. But most of the time, it just feels lazy. They spend all this time and effort making a movie and cut bait during the most important part. A professional writer coming up with a great ending will be better than anything I can imagine myself. The positives? Thomasin McKenzie is amazing. Anne Hathaway is amazing. Certain story elements later in the movie are intriguing. But it's too little, too late. I don't recommend this movie to anyone. (1 viewing, 1/8/2024)
No character development. Hardly able to make out what Eileen is saying a lot of the time.... poor accent and sound. There is a slight revelation near the final 3rd but the way this is handled is awful. The film essentially finishes just when it starts to get better and ends with nothing resolved. Shame because the 2 lead actresses are much better than this drvel. A very poor film that was a total waste of time. Cleaning mould from my sons bedroom the following day held more interest than this nonsense. I accidentally stood on a nail that went through my foot..... I realised although painful it was not as horrific as this stinker of a film.
Everything about it is a tease. There is no follow through of anything. No actual sex. No love story. No real relationships. No mind bending mystery. When it finally starts to pick up and give you something. It just ends. There's very little plot. It's pretty much a coming of age film. A women finding herself. The story is brutally slow for three quarters of the film. The movie needed to give more. It felt like I watched half of a movie. There were so many filler scenes to slowly bring you to something that had so much potential for a fulfilling film, but instead of continuing with it, the movie ends. It was like they randomly ran out of money and said "hey lets just end it here because we got nothing left in the bank" The focus and story is all over the place hinting at something that could be, but no real plot to dig your teeth into. The film needed to keep going. It finally reached an exciting idea and twist at the end, but that shouldn't have been the end. It should have been another hour and a half of finally giving us something interesting, to go with the events that take place. If they would have continued into a deep hot love story with the two women as they kept exploring the bounds of how to play with peoples minds that would have been interesting... but no. Anne Hathaway was amazing. She stood out like a rose in a field of dead grass. But her role/script was very incomplete and there wasn't enough of her. We never really got to see who she was. And her part in the entire thing really didn't make sense with how little they had her in the movie. There wasn't a firm story for her. She was more of a tease than anything. A quick glimpse of what Eileen hoped she could be. A role model and nothing more.
I wish I hadn't watched this movie back-to-back with Saltburn; I would have liked more time between viewings before seeing so many similar character traits and situations. Eileen kept me interested throughout the runtime, mostly thanks to Thomasin McKenzie. A less interesting performer could have rendered this completely skippable. The movie spends a lot of time establishing what Eileen's life is like, and those details drew me in to the story. Then, Anne Hathaway's character is introduced, and the plot begins to take off. As the action continued to build, I really wanted to see where everything would end up. However, I was disappointed by the resolution; I felt like most of what we had learned about the characters became unimportant as a result of their final choices. It was hard not to feel like I had wasted my time when the credits came up because it was such an unsatisfying way to end things. It prevents me from being able to recommend this movie to anyone. I don't regret watching it, but I was definitely let down.
Bon film !
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Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.