Autumn de Wilde
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The comédie film Emma., starring Anya Taylor-Joy, Johnny Flynn, Mia Goth, etc., directed by Autumn de Wilde, was released on March 6, 2020 in Royaume-Uni. It tells the story of Dans l'Angleterre des années 1800, une jeune femme bien intentionnée mais égoïste se mêle de la vie amoureuse de ses amis. This is a Comédie, Drame, Romance film with a runtime of 124 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.7/10 from 70,442 viewers.
Autumn de Wilde
dans le rôle de Director
Anya Taylor-Joy
dans le rôle de Emma Woodhouse
Johnny Flynn
dans le rôle de Mr. Knightley
Mia Goth
dans le rôle de Harriet Smith
Josh O'Connor
dans le rôle de Mr. Elton
Callum Turner
dans le rôle de Frank Churchhill
Miranda Hart
dans le rôle de Miss Bates
Bill Nighy
dans le rôle de Mr. Woodhouse
Rupert Graves
dans le rôle de Mr. Weston
Gemma Whelan
dans le rôle de Miss Taylor
Gemma Whelan
dans le rôle de Mrs. Weston
Amber Anderson
dans le rôle de Jane Fairfax
Angus Imrie
dans le rôle de Bartholomew
Letty Thomas
dans le rôle de Biddy
Aidan White
dans le rôle de Hartfield Butler
Edward Davis
dans le rôle de Charles
Chris White
dans le rôle de James, Hartfield Coachman
Myra McFadyen
dans le rôle de Mrs. Bates
Esther Coles
dans le rôle de Mrs. Cox
Suzy Bloom
dans le rôle de Miss Gilbert
Eleanor Catton
dans le rôle de Writer
Jane Austen
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
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Bon film !
Bon film !
Bon film !
Bon film !
source: Emma.
As a Jane Austen enthusiast, an avid reader and an obsessive film watcher, I was anxious to watch it as soon as it came out in cinemas. After watching the trailer, I was a little bit off put, with the sickly overdose of pastels coming from all directions, but the presence of the wonderful Miranda Hart amongst the cast made it seem a bit brighter. Nevertheless, I walked into the cinema excited. The glowing reviews on the sides of buses were enough to convince me it would be a great film. That is 2 hours and 12 minutes of my fleeting life I will never get back. To start with the positives, the costumes were historically accurate, which seemed to justify the film for some folks, but apart from that, it was downright unenjoyable. To start, I did not like the scene of Mr Knightley at the beginning where we all experienced the misfortune at looking upon the actors bare butt. For me, it felt very out of character for Mr Knightley, and certainly not something I would associate with an Austen novel. Perhaps it was supposed to showcase vulnerability? But surely there are more clearer ways of doing that than putting his rear on show. I found the character of Emma to be someone completely different from the book. Instead of a girl who has good intentions, but has her flaws, she is portrayed as nothing less of a sulky brat. I wasn't fond of Mr Knightley or Frank Churchill, the both seemed shallow and deprived of any liveliness, or any signs of life. The film is slow paced, and I like long films, I've happily sat through films over three hours long, but this one had me wishing it would end. Its pointless shots of scenery, and the immaculate detail of shops and homes were pretty, but I felt like I was watching the same thing over and over, and over again. I was not fond of the dialogue, it was drawn out, I assume we were supposed to take note of the characters facial expressions, but I ended up daydreaming and forgetting I was in a cinema and supposed to be watching a film. And the comedy. If you can even call it that, was something else. It seemed to be veering towards almost a slapstick, with the running "joke" of Mr Woodhouse's "do you feel a breeze" boring and unfunny. Not to mention the questionable facial expressions that were intended for our "entertainment"???? My heart completely sunk to the floor when they decided to have Emma's nose begin to bleed throughout one of the most important scenes. Some have interpreted this as presenting her as imperfect, or a sign of vulnerability or whatever, but to me this ruined the charm and beauty of the scene. What really caused me to roll my eyes was the passionate kiss between the protagonist and Mr Knightley. What I love about Austen, and many of the adaptions (not this one) is the way that social standards are clear for us to see, and the central couple do not rely on physicality to show us their affections (as in the book it is not talked of) but we see their affections in the way they speak, the way they look at each other, they way they interact. In this adaption however, there is no chemistry between Emma and Knightley. In my opinion, it is overrated. If you want to watch an enchanting adaption of Emma with all the charm of the book, I would suggest the 2009 version.
This movie is beautiful to look at. The shots of the English countryside, the beautiful homes, the costumes. Some of the actors are even even easy on the eyes, especially Anya Taylor-Joy, the Emma, who is also a fine actress, and really creates a character. And then there is the plot, such as it is, and the dialogue, which may come directly from Austin's novel. I don't know. Nor do I care. It's supposed to be clever. To me, it was just flat. Perhaps it was the dialogue itself, perhaps it was the way it was delivered. Go back and watch the Pride and Prejudice from 1940, with Greer Garson et al., directed by Robert Z. Leonard, with a script by Aldous Huxley. That's brilliant. I've watched it I don't know how many times, and it still holds me. This movie, on the other hand, had me begging for it to be over. I just did not care about any of the characters. Except the husband of the other daughter, Emma's brother-in-law. He suffered mightily, so I understood him.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.