Philipp Stölzl
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The action film The Expatriate, starring Aaron Eckhart, Nick Alachiotis, Liana Liberato, etc., directed by Philipp Stölzl, was released on September 26, 2012 in États-Unis. It tells the story of Un ancien agent de la CIA et sa fille, dont il est séparé, sont contraints de fuir lorsque ses employeurs effacent toutes les traces de son existence et les désignent tous deux pour être licenciés dans le cadre d'une vaste conspiration. This is an Action, Thriller film with a runtime of 100 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.0/10 from 34,201 viewers.
Philipp Stölzl
dans le rôle de Director
Aaron Eckhart
dans le rôle de Ben Logan
Nick Alachiotis
dans le rôle de Walter
Liana Liberato
dans le rôle de Amy Logan
Olga Kurylenko
dans le rôle de Anna Brandt
Garrick Hagon
dans le rôle de James Halgate
Eric Godon
dans le rôle de Maitland
Yassine Fadel
dans le rôle de Nabil
Neil Napier
dans le rôle de Derek Kohler
David Bark-Jones
dans le rôle de Marty Braymer
Alexander Fehling
dans le rôle de Floyd
Ronnie Commissaris
dans le rôle de Karl Van Doorn
Fabrice Boutique
dans le rôle de Karim
Debbie Wong
dans le rôle de Mei Ling
Ron White
dans le rôle de Dick Rhodes
Katelijne Verbeke
dans le rôle de Sophie Pieters
Alexandre von Sivers
dans le rôle de Hans Pieters
Hassaba Halibi
dans le rôle de Fatima
John Dobrynine
dans le rôle de Pieter's Attorney
Arash Amel
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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I'm not quite sure why this movie has such low rating (6 at the time of my writing). It's true, this is a Bourne knock-off with some clichéd characters but I found the movie quite entertaining. It's not as good as the Bourne movies (the original 3) but it's still pretty decent - the acting is good, the story feels thought out and mostly believable. I couldn't immediately find any plot holes (there may be several, but at least they're not so obvious as they are with some very high-rated movies). The soundtrack went well with the movie, keeping up the tense feeling through the story. The visual effects are nice and toned down (no constant explosions, no kung-fu fighting flying through the air, etc.) - this was a welcome change after absurd and over-done visual effects in most current (action) movies. While this is not a masterpiece, I enjoyed watching it and I'd certainly recommend it, especially to fans of the Bourne series. 8 out of 10.
A quite good thriller with Aaron Eckhart playing a retired CIA operative looking after his daughter in Brussels when all hell breaks loose. The acting is pretty good all round and it has a decent plot. My one main negative is the characterisation of the daughter, a nasty little brat that I would quite happily have seen shot. A decent flick to pass the time.
There is nothing special about this movie. There is an exciting mystery which doesn't really meet its full potential. The actors playing Ben and Amy do a pretty good job and having her around makes the movie more enjoyable. Amy shows some intelligence in helping her father solve the big mystery, but she isn't used as much as she could be. Ben is quite intelligent and adds a lot. There just isn't anything special here beyond him and his daughter. The only other actor showing real talent is Garrick Hagon as the CEO of Halgate. He happens to be in Belgium because of a ship accident that killed a number of people. I won't say this movie is excessively violent, but in a few scenes a lot of people get killed, including the first scene. Many more are killed behind the scenes and we only hear about it. You start to wonder if anyone we know will be left alive. It's an okay mystery.
OK, the story line is good but not great, good actors involved but here is the good part. It was the worst written screen play, dialogue was terrible, some of the acting was just as bad but I blame that on the Director who should do us viewers a big favor and never direct another film again and do something he may be good at, maybe collecting garbage. Too bad the movie was so poorly done and edited. Fugazzi
In the Bourne Identity mould plus a bit from the theme of Taken. Good acting. Very violent in parts. One criticism. Too many innocent members of the public get bumped off for my taste.
Erased was a halfway decent movie but it failed to deliver on many accounts. For one, the plot was incredibly weak, and this was a surprise because the premise had so much potential. The concept of an ex-CIA agent turned blue-collar guy trying to make a living but getting duped by a shell company and having to fight for the survival of he and his daughter seemed very interesting. However, the failed execution due to poor writing where the only way the plot either progresses or reaches conflict is through character stupidity is a let down. The acting was solid by the entire cast, though I think Olga Kurylenko was underutilized. The action sequences were pretty legit as well. All in all, it's worth a free watch but if I would've paid money to see it, I would've been pretty disappointed.
I would've rated this movie higher if they had done their research. As a Belgian born in Antwerp and living in Brussels the mistakes were cringe worthy! I was so annoyed with all the mistakes that the acting couldn't save the movie... This is why research is so important!
Don't waste your time. Boring story. Too slow and crap acting. B Movie is giving to much credit.
It's a mediocre film at best. It's typical for the genre but the daughter is so damn annoying it's nearly unwatchable. However if you're desperate, then you could do worse.
Good movie If the daughter wasn't so stupid and annoying. Every scene with her was cringy drama
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.