Geoff Browne
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The action film Firequake, starring Alexandra Paul, Zoe Barker, Nigel Barber, etc., directed by Geoff Browne, was released on February 14, 2015 in Canada. It tells the story of Une nouvelle forme étonnante de charbon enrichi semble combler tous les problèmes dénergie de la Terre. Mais laccélérateur de cet énergie, appelé Hélios, se met à fuir et provoque la fonte des plaques tectoniques de lhémisphère. This is an Action, Adventure, Drame film with a runtime of 90 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.1/10 from 579 viewers.
Geoff Browne
dans le rôle de Director
Alexandra Paul
dans le rôle de Dr. Eve Carter
Zoe Barker
dans le rôle de Nikki Carter
Nigel Barber
dans le rôle de Declan Glas
James Weber Brown
dans le rôle de Killian
Kicker Robinson
dans le rôle de Copper
Kirsty Mitchell
dans le rôle de Slater Cappilla
Luke Cousins
dans le rôle de Goldman
Derek Morse
dans le rôle de Captain Hill
Terry Randall
dans le rôle de Henrich
Mariana Stansheva
dans le rôle de Olivia
Amy Dincuff
dans le rôle de Host
Gergana Stoyanova
dans le rôle de Marta
Valentin Ganev
dans le rôle de Zeleny
Hristo Balabanov
dans le rôle de Dam Operator
Jonas Talkington
dans le rôle de Reporter
Barack Obama
dans le rôle de Self - President of the United States
Denise Poole
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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A new clean energy source called Helios has unfortunate side effects: After it seeps into the earth's core, it causes seriously destructive fires and earthquakes. It's up to Helios creator Eve Carter (a fine performance by Alexandra Paul) to figure out a way to resolve the situation before it's too late. Director Geoff Browne relates the engrossing story at a constant pace, takes time to develop the characters, generates a good deal of tension, and stages the exciting action with aplomb. The solid acting from the capable cast keeps this movie humming: Zoe Barker as Eve's bitter estranged teenage daughter Nikki, Nigel Barber as evil and greedy corporate executive Declan Glas, James Weber Brown as the dutiful Killian, Kicker Robinson as the panic-stricken Copper, Kirsty Mitchell as the perky Slater Cappilla, and Derek Morse as the helpful Captain Hill. A cool little flick.
Not often have I been compelled to write a review, until now! It's not enough to say the acting is poor, but it is. The story and script is insane! None of the scenes make any sense. Where does this take place? Czech Republic? Ukraine? US? One minute it's the Czech Republic and then there is reference to how this disaster gives the US access to the Ukraine and then within, let's say an hour, they are surrounded by seemingly US troops already set up with a huge camp! It's as coherent as a 3 year old's story. I have so much difficulty that anyone involved in this, from the producers to the actors, read this before getting involved? What about the director? It's just so horrible.
I am a lover of B-Movies and usually the worse the better. I say this because usually the writer, director, and actors will generally try to give us something entertaining - and I thank them for that, a lot of my happiest times have been in front of B-Movies. However, there are times, such as this, when it appears that nobody really gave a damn about the film. Which is a shame as the concept isn't too bad for an ecological disaster flick. As we are running out of fuel we need to find new ways to generate power and Dr Eve Carter, played by Alexandra Paul, has come up with a way to use the sustainable energy from magma to create clean and free energy. The trouble is that this is where the writer ran out of good ideas and hit the cliche book for inspiration. Everything from here on out is so "By The Book" it's risible and ridiculous... and very boring as we've seen it all before. I have to give credit to Paul and her co-star Browne who played Killian, as these obviously didn't get the memo and decided to actually try and give a decent acting job with the script and direction they were given. Sorry to say that this just wasn't enough. The worst actress, by far, was Barker who played Dr Carter's daughter, Nikki. Though she was supposed to be sixteen she looked to be more in her thirties and delivered her lines with the force of a sledgehammer. As for the rest of the actors, well they ranged from dire to wooden. The direction of the film didn't help any as the director was very poor at creating an atmosphere of tension and excitement. He just plods the audience along with the story. Instead of sitting on the edge of my seat I was twiddling my fingers in an effort to stay awake. Even the special effects that were on offer were substandard - they didn't even rise to the dizzying heights of poor. The one thing that made me smile was that all the roads in Prague appear to lead to the same intersection. When Dr Carter and her daughter are searching the town for a pharmacist and insulin, they seem to get stuck in a temporal location warp. Which doesn't allow them to leave one particularly badly staged intersection. It's also amazing that in all of Prague the bad guy can home in on them amazingly fast. There's an awful lot wrong with this motion picture and very little that's right... and nothing to recommend anybody to watch. Stay well clear of this film.
There's something to be said for sitting back and enjoying a B movie once in awhile. If you aren't already into B movies, then don't bother, because this is definitely in that category. A SyFy style movie, only lower budget. It has every. single. -CLICHE- in the book - the snotty, angst-riddled teenage daughter, the smart, dorky super-brainy scientist mom who doesn't have a clue how to be a good parent, the evil manipulative scheming b***ard who makes trouble and then blames it all on the protagonist, the ex-hippies, the love-interest in peril - everything. I was enjoying it as much as I usually do until about 50 minutes in, when the main teenage character began experiencing a diabetic crisis. Her blood sugar was going low. So naturally, her mother began frantically doing everything in her power to find some insulin for the girl. Sugary drinks wouldn't do it, "...she must have insulin, NOW!" :-| That basically ruined any semblance of enjoyment I -had- been getting from the movie. My tolerance for scientific illiteracy is pretty high when it comes to these types of movies, but -this-? I was so, so, so, so, SOOOOOOooo disappointed. I mean, the scientific stuff was already garbage (which I didn't mind, as it's par for the course), but you'd thought they could have at least gotten that one very, very simple, excruciatingly well-known fact right - that if your blood sugar's going low, the LAST thing you want to get for it is insulin. Unless perhaps the mother was secretly trying to murder her own daughter amidst the crisis? Now -that- could've made for an interesting plot device. ;-) But alas, that wasn't their intent. Am I really all that much more brainy than the average actor, script-writer and studio exec that I possess the esoteric knowledge of how diabetes works? :-? Other than that, like I said, it's typical SyFy-esque B-movie fair. If ignorance about diabetes doesn't bother you, and you usually like B-movies, you might enjoy this. Otherwise, if you don't like clichés or cheese, avoid it like the plague.
Woahhhh - got this great idea for a film, dude - superbrainy woman who is the brains behind this new energy system which is going to save the world - you can probably already see where this is going - walks away just as things start going wrong so she can be with her horrible stroppy teenage daughter who she hasn't seen for years - cretin boss decides he cant be bothered with safety systems and sets it going at full power where it breaks down immediately and threatens global civilisation - boss goes on TV to say it is all the fault of stupid woman who is the brains etc - what a total crock - YOU WILL NEVER GET THESE TWO HOURS BACK, Don't WASTE YOUR TIME
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.