Rodrigo García
dans le rôle de Director
English,Filipino,Français,Indonesian,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The drame film Four Good Days, starring Mila Kunis, Carla Gallo, Glenn Close, etc., directed by Rodrigo García, was released on May 21, 2021 in Canada. It tells the story of Une mère aide sa fille pendant quatre jours cruciaux de sa désintoxication. This is a Drame film with a runtime of 100 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.6/10 from 15,710 viewers.
Rodrigo García
dans le rôle de Director
Mila Kunis
dans le rôle de Molly
Carla Gallo
dans le rôle de Ashley
Glenn Close
dans le rôle de Deb
Stephen Root
dans le rôle de Chris
Gloria Garayua
dans le rôle de Detox Receptionist
Rebecca Tilney
dans le rôle de Spa Client
Carlos Lacamara
dans le rôle de Dr. Ortiz
Kim Delgado
dans le rôle de Dentist
Audrey Lynn
dans le rôle de Chloe
Nicholas Oteri
dans le rôle de Corey
Joshua Leonard
dans le rôle de Sean
Rebecca Field
dans le rôle de Coach Miller
Erica Burns
dans le rôle de Kendra Kirsebom
Pam Cook
dans le rôle de Waitress
Gabriela Flores
dans le rôle de Student
Emanuel Loarca
dans le rôle de Lookout #1
Chad Lindberg
dans le rôle de Eric
Violet Brinson
dans le rôle de Sammy
Eli Saslow
dans le rôle de Writer
Rodrigo García
dans le rôle de Writer
Amanda Wendler
dans le rôle de Writer
Libby Alexander
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
I have read a lot of these reviews and I just wanted to add my opinion. Not all addicts are the same. What works for one might not work for another. But as a former user of opioids, I want to say that Subutex (buprenorphine) is a life saver. If only it was more accessible to addicts, so many lives would be saved. One pill can keep you from getting high for 72 hours and it can also take away the unbelievable pain addicts experience when withdrawing from narcotics. It is also much safer than something like methadone. Unfortunately, it can be hard to find a doctor that is licensed to provide this medication and it can be expensive. But I have been on it now for quite some time and it has kept me from relapsing. I'm not saying I don't have cravings. But taking the Subutex every day makes it impossible to get high even if I did slip up. One more thing I wanted to add. Opioid addiction can cause bad teeth just like meth addiction can. When you're too high to take care of your oral hygiene, it doesn't really matter which drug made you that way.
Bon film !
This movie is great. It has great acting and a storyline. I don't understand people who rate movie like this one poorly. Give it a honest try.
I had tears in my eyes from the beginning of this movie. When it was over the flashes from my past were going through my head. My first thought " I have to have my mother watch this with me, she cannot see this without me there"! Now, it was not always that way, see I became clean from using literally EVERY I could get my hands on and our relationship suffered tremendously. My only true love from the first time ( I didn't know what it was) HEROIN. It was everything! My love, soul, heartbreak, emotional blanket, my lover, my kiss, my pain, I mean it was EVERYTHING! This story isn't about her getting clean in my eyes, it's about all the pain that happens when you are the parent or the child and have seen this first hand or been there. I got sober at 18...almost 19. My mother and I today are so amazing but I still sometimes look at her and have to stop myself from tearing up. I put her into actual living hell. I'm 40 years old now. I haven't touched heroin once since the day I woke up and decided that was it. This movie moved me in so many ways.....the end.
Greetings again from the darkness. Drug addiction provides bountiful harvesting for emotional message movies, though I'll admit to some difficulty in relating to the subject matter. Writer-director Rodrigo Garcia (ALBERT NOBBS, 2011) has worked with co-writer Eli Saslow to adapt Saslow's 2016 Washington Post article, "How's Amanda: A story of truth, lies and American Addiction". It's an all-too-common tale of how addiction ruins lives and tears families apart. If not for two strong lead performances, Garcia's latest movie would be just 'another log on the fire'. The filmmaker has re-teamed with his ALBERT NOBBS star, Glenn Close, who plays Deb, mother to Molly (Mila Kunis), a 10 year drug addict who shows up at mom's house asking for help "getting clean". Of course, mom has heard this too many times over the years. See, Molly has not only stolen from her mother and lied to her frequently, but she's also been through detox/rehab 14 times over those 10 years. Deb initially refuses to let Molly in the house, but relents the next morning and drives her straight to the detox center. The doctor tells her she qualifies for a new magic shot that will block the drug cravings and effects if she can stay clean for four days (hence the film's title). Any drugs in the system will cause complications, and likely prove fatal. So Deb babysits Molly, who we learn has two kids by her ex-husband, Sean (Joshua Leonard). Turns out, he's not such a great guy either. I'm certainly no expert, but it appears to me that Ms. Kunis goes all-in as an addict, replete with rotted teeth, damaged skin, and an attitude that warrants a swift kick. Ms. Kunis was excellent in BLACK SWAN (2010), but it seems she spends most of her time in comedies. She proves again that she has some dramatic chops, and hopefully will continue to pursue more serious roles. Ms. Close, who recently set the record for futility by becoming the first actor with 8 Oscar nominations and no wins, dons yet another terrible wig (ala HILLBILLY ELEGY, 2020) and works very hard to create a full-fledged mother from an underwritten character. The film briefly dabbles with the mother-daughter history of abandonment, but never digs deep enough for real meaning. Stephen Root is given little to do as Deb's second husband, and Sam Hemmings has one good scene as Molly's dad who is confronted by Deb. Clichés abound in the story, yet the underlying message of a parent who refuses to give up on their kid, even when every time the result is disappointment, is grounded in reality. It's certainly no TRAINSPOTTING (1996) as far as depressing drug addiction stories, but the two leads make it watchable. In theaters April 30, 2021.
I found this movie misinformed and lacking real meaning regarding recovery and beyond.
This movie is so bad that is insulting. Mila Kunis is a very bad actress, Glen Close had way too many plastic surgeries that she cannot have an expression on her face anymore. But the most important is the bull they try to portray in this crap movie. An addict but with a home and super resources to get in and out of expensive rehabs. Some 2-3 minutes of withdrawals and more and more bad acting based on a terrible script and idea. Shame on you for insulting the people that have real problems.
This is a great attempt and Kunis , Close, and Root are magnificent. BUT, it still does not go far enough in depicting the true horrors of detoxing. All the sweat, emesis and excreta are missing. All that crap that addicts families go through..This film just isn't ugly enough to frighten and shock everyone as they should be.
This film is really touching. It tells the horrible struggles of both the addict and the family members. The story is raw and real. I think it's really worth watching.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.