Paul Krüger
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The romance film French Toast, starring Lika Berning, Thierry Ballarin, Deon Lotz, etc., directed by Paul Krüger, was released on April 24, 2015 in Afrique du Sud. It tells the story of Lisa lives with her father, Izak on a wine farm in Franschoek. Her mother died some time ago, and left a french toast recipe that only a few people know. One day she finds her mothers diary and to her astonishment finds out that she has a brother or sister in France somewhere. She decides to go and find her sibling. Her boyfriend, Theo, is on the verge of asking her to marry him, but understands that she has to go. In France she meets a chef, Jean-Pierre, who works in the Alexandre cafe shop. He is looking for a photographer for his cook book. Because she cant speak French, she decides to help him but then he must help her find her sister or brother. They have fun looking for her sibling but then something happens that makes Jean-Pierre disappear and he asks her not to look for him. Why does he do this? Does she find her sibling? Is Jean-Pierre her sibling? Does Liza go home and marry Theo. This is a Romance film with a runtime of 87 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.7/10 from 275 viewers.
Paul Krüger
dans le rôle de Director
Anél Stolp
dans le rôle de Director
Lika Berning
dans le rôle de Lisa le Roux
Thierry Ballarin
dans le rôle de Jean-Pierre Baptiste
Deon Lotz
dans le rôle de Izak le Roux
Heléne Lombard
dans le rôle de Ellen van der Merwe
Paul du Toit
dans le rôle de Theo Human
Roberta Fox
dans le rôle de Anna Baptiste
Trudi Conradie
dans le rôle de Babette Baptiste
Rod Alexander
dans le rôle de Paul Baptiste
Lochner de Kock
dans le rôle de Alexandre du Bois
Tony Caprari
dans le rôle de Jeweller
Willemien Rust
dans le rôle de Aimée
Diani Gernandt
dans le rôle de Marion
Anel van der Merwe
dans le rôle de Mia-Marie
Gustav Gerdener
dans le rôle de Young Alexandre du Bois
Nathanya van Zyl
dans le rôle de Young Anna Baptiste
Jacques Bessenger
dans le rôle de Young Paul Baptiste
Gustav Germishuizen
dans le rôle de Jean
Liezl Gryffenberg
dans le rôle de Marieta
Tina Kruger
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Once you get past the fact that the main character is a manipulative busy body and that the dad could have saved himself the grief of the lie by tossing the diary, then you're good to go. Beautiful scenery. Extremely grateful for all attempts to be clever rather than crude.
This is a complicated, different, tri-lingual love story.( Sort of!) It is set, oddly enough, in both South Africa and Paris and the dialogue is in Afrikaans, French and English. (Even though major segments are set in South Africa, there are no black actors/characters. That seemed odd.) The camera work in Paris has captured the essence and character of that beautiful city. Although there is a brief glimpse of Capetown's stunnig Table Mountain, the South African portions are not as wide-ranging as those in Paris. Pity! Because Capetown is also a very beautiful city. The story is a rather involved, unlikely sort of tale yet intriguing, compelling, suspenseful, entertaining and beautiful. The characters are well drawn and believable. There is romance without graphic sex. There is humour, tension and beauty. And the whole thing is beautifully filmed. But the story gets rather puzzling and complicated at the end. But no matter! It's still a unique and intriguing story. I would have voted it a ten except for the limp and misleading title. But it is one of the my top notch films so far this year.
This is like a really bad soap opera with terrible acting. Also full of stupid French clichés and sappy music. Dialogues are insipid. Really nothing to save it. Avoid wasting your time!
Great movie but the ending was a bit of a disappointment!
Romantic comedies aren't supposed to be stellar narratives or strong on character development, but sometimes, they are superb on all fronts. Not French Toast, despite some decent acting, cinematography, and direction. The trouble lay in the writing, especially the climactic scene, which left us confused. The music was frequently intrusive and one or two of the characters were really too cliched to care about. Interestingly, for a film set in 1980s South Africa, there was not a single person of colour in the cast. All that said, I appreciated being able to hear Afrikaans in a film--a comparatively very rare experience.
Hmmm... there are some real strengths in this caper; mostly a good storyline, scenery of south africa and of paris. some fun moments, as Lisa and JeanPierre romp around town. there are also some large plot holes... the odds of the huge coincidences that occur. i don't want to get too specific to spoil any surprises, but by the end, its a little much. people in the film fall for each other very quickly. this feels like the basic premise of real family secrets and having unknown siblings in other countries really is someone's own story. but then they embellished on the details. and there are some very confusing moments. I had to turn on subtitles, since they speak afrikaans, english, and french. Lots of krugers in the credits.... seems to be a family project. writer, director, cast, even the producers. on netflix, so i also used rewind a couple times. it's mostly good, but has some weaknesses. like any film, i guess.
I was a bit skeptical when I heard the Afrikaner but I plowed through... The main actress was pretty and made me want to watch further. I hoped that her journey would be interesting. I ignored the quality of the acting which is... uneven...? Or is that too generous? I also ignored the bad music... small budget movies usually cannot afford good soundtracks... ...the scenes shot in South Africa are set on the family farm so... ok... no black people. But then she gets to Paris and no brown or black people in the streets or in the subway? Really? That's when I decided to stop the movie. The chemistry wasn't there & white washing killed it for me. Don't get me wrong I skipped around to the end because I am a sucker for happy endings (no matter how bleached out the movie is) but there was just too much bad to make up for the good... in my humble opinion.
Apart from lack of storyline the dialogue is mostly in French and Africanne so unless you can understand either it's very hard to follow.. Very disappointing.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.