Michael Hoffman
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The comédie film Gambit: Arnaque à l'anglaise, starring Colin Firth, Cameron Diaz, Alan Rickman, etc., directed by Michael Hoffman, was released on November 21, 2012 in États-Unis. It tells the story of Un conservateur d'art décide de se venger de son patron abusif en le poussant à acheter un faux Monet. Touefois, son plan nécessite l'aide d'une reine de rodéo texane excentrique et imprévisible. This is a Comédie, Crime film with a runtime of 89 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.7/10 from 26,743 viewers.
Michael Hoffman
dans le rôle de Director
Colin Firth
dans le rôle de Harry Deane
Cameron Diaz
dans le rôle de PJ Puznowski
Alan Rickman
dans le rôle de Lionel Shabandar
Tom Courtenay
dans le rôle de The Major
Brodie Ross
dans le rôle de Shabandar's Shoot Servant
Alex Macqueen
dans le rôle de Mr. Dunlop
Joe Berryman
dans le rôle de Gas Station Cashier
Ralph Alderman
dans le rôle de Rodeo PA Man
Mike Noble
dans le rôle de Gunboy
Terry Dale Parks
dans le rôle de Cowboy 1 (Merle)
Russ Dillen
dans le rôle de Cowboy 2
Cloris Leachman
dans le rôle de Grandma Merle
Sarah Goldberg
dans le rôle de Executive Wilson
Obi Abili
dans le rôle de Executive Slazenger
Anna Skellern
dans le rôle de Fiona (Secretary)
David Danson
dans le rôle de Monet
Ross Gurney-Randall
dans le rôle de Georing
Spencer Cummins
dans le rôle de Sgt Puznowski
Joel Coen
dans le rôle de Writer
Ethan Coen
dans le rôle de Writer
Sidney Carroll
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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source: Gambit
Just ease and look. When you are in the mood. It is a very lovely movie. The Coen brothers must have enjoyed it, just relax with a beer......................................................................................................................................................................
So much potential. The storyline and cast look so promising - and manage fulfil their promise fleetingly. But fart humour? Punching a guy's lights out repeatedly? Who's this aimed at? Not your average Colin Firth fan. There are some genuinely funny moments. I so wanted to be entertained and managed to find a little sporadic fun. But overall this is bad enough that I feel compelled to write this. What a disappointing shame.
Literally the worst movie I've ever seen. Godawful.
Perhaps I am mistaken but I thought the basic idea of a comedy was for it to be funny, and in this regard this film failed miserably. Actors going through the motions, (rescued slightly by the performance of Alan Rickman, who was without doubt the best of the bad bunch). The time you spend watching this film you can never have back, my only recommendation would be not to start watching it, and if you have already started to do so then stop immediately. Dull, dull, dull Stereotypical characters, staid 'jokes' and a predicable story. A director and actors may have got away with such a film in the 70s but such a tired formula doesn't need trotting out now. We almost smiled once hence a score better than 3. Avoid.
It works best in that time period and Maclain is her most glamorous given the height of that era. There was no need to remake this underrated classic. This offering actually mocks the brilliant script it steals from, uses freak plastic faced actors, and turns a sophisticated plot into a tacky mess, so juvenile one feels like puking the second Alan Rickman appears naked enough on screen. The original character was very proper, not a clown for super cheap childish giggles. The beauty from "The Mask" 's face has melted, so some of the scenes may make you wince, which may spoil your ability to suspend disbelief! The Coens' first huge flop... oh well... that sort of remote hick theme doesn't work every time, and is becoming as repetitive as the line "you just don't don't get it, do ya???? Charade and How to Steal a Million, are a gazillion times better too, if you appreciate the genre!
Yes, some scenes were meant to be embarassing and maybe so more embarassing than it should be for a heist movie - like losing the pants scenes. I really liked Colin Firth as the educated loser who wanted to get back on his rich and mean boss, who collects paintings. It is a nice touch to show how he images the heist to go and how it ends up. Cameron Diaz fits the bill as the loud, but fun lady. Alan Rickman does his role just ok. I am writing just ok, as he seems to be a bit on auto-pilot in this movie.
A protagnist was a insensitive connoisseur of paintings. He tried to swindle his arrogant employer's money for a revenge. It was a slapstick comedy of his plan to sell the copy painting of Monet. I felt like I had never laughed any jokes. At first, I felt bad the * body of Mr. Snape. I liked the way to talk of hotel concierges! They talked so elegantly.
no i did like this movie, the first 30 minutes were boring (realy boring) besides that... the story is kinda weird, it doesn't make sense at all and it isn't enjoyable at all, my girlfriend fell a sleep and i did the best i can watching the whole movie.there were some jokes, not the jokes i was hoping on. the acting wasn't bad at all. Cameron diaz is a pretty good actor but its just the script that doesn't do it. if you like what happens and Vegas and bad teacher and you are hoping on a comedy like that... your wrong. I'm just going to try save you some time here and if I'm not a negative person I'm just realistic and it isn't a good movie at all. you can better go to bar and get drunk then spending your money at this. cheers
Don't bother watching it Period. I was mortally embarrassed for Firth and Rickman. Why they took this film on God only knows. It is bumbling, badly scripted and corny. The faltering attempts at slap stick and physical comedy by Firth brought tears of embarrassment to my eyes. Even the 60's type credits were badly executed and amateur. Cameron played her part well, given the genre and her comedic timing as usual was spot on However, she was bound up by a lack lustre script. The only other 'high light' in this very low mood lit film was the Japanese media representative Do yourself a favour, go for a penny farthing bike ride in 45C heat or organise a flash mob in North Korea. ANYTHING rather than watch this film.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.