Samantha Wan
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The comédie film Rendez-vous au mariage!, starring Natalie Hall, Corey Sevier, Julia Borsellino, etc., directed by Samantha Wan, was released on May 14, 2022 in Canada. It tells the story of An escalating series of unfortunate events keeps delaying a young woman's journey to her sister's wedding--a trip she must now take with her biggest rival from high school. This is a Comédie, Romance film with a runtime of 83 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.2/10 from 812 viewers.
Samantha Wan
dans le rôle de Director
Natalie Hall
dans le rôle de Margo Miller
Corey Sevier
dans le rôle de Alden Brown
Julia Borsellino
dans le rôle de Blair Miller
Elana Dunkelman
dans le rôle de Della Simmons
Wendy German
dans le rôle de Edie Miller
Tim Progosh
dans le rôle de Charlie
Danielle Bourgon
dans le rôle de Zadie
George Krissa
dans le rôle de Franklyn
Colton Royce
dans le rôle de Jack Evans
Derick Agyemang
dans le rôle de Will
Tracy Rankin
dans le rôle de Leanne O'Riley
Jesse Reynolds
dans le rôle de Receptionist
Kate MacLellan
dans le rôle de Stella
Dave Rose
dans le rôle de Cabbie
J.B. White
dans le rôle de Writer
Steve N. White
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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source: Road Trip Romance
I have nothing positive to say about this movie. It was truly awful and should never air again. Ever. The plot, storyline, acting, everything was a disaster.
I used to tune into every single Hallmark Channel movie when new ones premiered, but this one...nope. The whole festival was way too drawn out and long. The Hallmark writing department must be scraping the bottom of the barrel trying to find a decent script. This was unwatchable. I suffered through it though because I like the two leading actors a lot. The two didn't have any chemistry whatsoever and I felt like they were over acting during certain parts. I hardly paid attention to this one. Definitely a one time watch for me.
This is actually really good. I love the story, and all the details adding to it. I don't know why people are saying why it's bad, I love how there is challenges and they actually do it. I love this so much!!!!!! OMG THE END WAS MY FAVORITE PART BECAUSE OF WHAT HAPPENED , TONGUE TWISTER!!!
As far as road trip romances go, this one came across like a 1970s AAA road map. Once you open it up, it's almost impossible to fold it back the right way and you end up shoving it into the glove box a jumbled mess. This one lured you in with the premise of road trip hijinx, but in the end it just comes across as flat and the hijinx mostly forced. I like Natalie Hall, but her character was rude to a lot of people (and the backstory with Corey was just a little overdone). The Renaissance Faire added some entertainment, but also went on for way too long. The subplot with the conniving wallflower bridesmaid got way too much screen time, and the ending was just ridiculous. And for the second time this year, Hallmark allows the maid of honor to turn her toast to the bride into a soliloquy about herself. It had its moments, but not enough to merit watching again.
The movie starts out like many other Hallmark movies. After 30 minutes or so, you find yourself watching something so ludicrous that you can't believe the actors kept straight faces when making it. I don't think this is worth having on, even in the background while doing other things.
She's one of my favorites but didn't care for this movie. Something didn't mesh. Not sure if it was the dialogue or the chemistry but I was disappointed.
This is pretty much what you'd expect. There are no great highs or lows or any surprises. Like so many movies about being stranded or a bad road trip, the only tension was if Megan would get to the wedding. It doesn't really matter what the obstacles were but there were definitely a flight cancellation and a car break down. The tone and style of the movie reminded me so much of Cross Country Christmas. The silliness was a little too much at times. The sequence where everyone added "eth" to the end of every verb got annoying. But otherwise the Renaissance Fair was a highlight. I tend to enjoy Natalie Hall, but not always. I did not like the character Megan in the early stages. I thought she was unnecessarily mean to Alden. But she and Corey Sevier had modest chemistry.
I usually love Hallmark movies, but this is incredibly bad in every way: the plot is juvenile; the acting exaggerated; the directing uses the same gimmicks repetitively during the festival; the dialogue is immature. I've been wishing it would get better or be over since the first couple of minutes. I'm an hour and a half in, and the first one isn't happening. Thank goodness the second will.
The HM road trip movies are pretty much all the same. This was not one of the best... I have liked Natalie Hall in other HM movies, not so much in this one. She was not likeable at the beginning of the movie, and the romance just never seemed to develop. No chemistry. The Renaissance Fair was not bad, but the awful dialect of the participants was just annoying. And HM continues to go WOKE, interracial couples that add nothing to the movie, I'm going to be turning off these movies from now on as soon as the WOKE elements are presented. Older HM much better.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.