Olivia Rodrigo
dans le rôle de Grace Thomas
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The comédie film Grace, la meilleure pâtissière, starring Olivia Rodrigo, Virginia Madsen, Eloise Webb, etc., directed by an unlisted director, was released on June 9, 2015 in États-Unis. It tells the story of Grace veut démarrer une entreprise avec ses amis, mais les choses changent lorsque sa mère lui annonce un voyage à Paris. Là, Grace doit s'entendre avec sa cousine française, Sylvie, et elle trouve une inspiration pour son entreprise. This is a Comédie, Famille, Comédie musicale film with a runtime of 102 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.8/10 from 746 viewers.
Olivia Rodrigo
dans le rôle de Grace Thomas
Virginia Madsen
dans le rôle de Mrs. Thomas
Eloise Webb
dans le rôle de Sylvie
Caitlin Carmichael
dans le rôle de Maddy
Notlim Taylor
dans le rôle de Ella
Rafael Edholm
dans le rôle de Mr. Thomas
Krisztina Peremartoni
dans le rôle de Grandma
András Bálint
dans le rôle de Grandpa
Fabrice Michel
dans le rôle de Uncle Bernard
Lili Bordán
dans le rôle de Aunt Sophie
Roxane Bret
dans le rôle de Colette
Thierry Harcourt
dans le rôle de Jean Luc Pernaud
Joe Bastianich
dans le rôle de Self
Tom Doherty
dans le rôle de Josh
Maxime Leigh-Wood
dans le rôle de Carter
János Füzi
dans le rôle de Snooty Clerk
Philip Waley
dans le rôle de Judge Two
Alexis Latham
dans le rôle de Judge Three
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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source: Grace Stirs Up Success
The good things - the stories about friendship , the grandparents and the love of grnddaughter, the crumbs of Paris, Virginia Madsen presence and, not last, Bonbon. Bad - maybe too much. Sure, it is a film for girls and for kids. But , really, can be macaroons the key for succes in the case of Masterchef Junior ? A French restaurant is saved by American cuisine. Really ? The capital of France is reduced at food. Correct is it ? Sure, superficial can sound reasonable about this film. But, with high generosity, can define it as pretty.
Grace stirs up success was a good movie and the type you can watch again. The only complain is that Grace is supposed to be 9 and she bakes like an adult and looks like a teenager more then 9. Another thing is if there family is wealthy enough to go to Paris how come Grace's parents don't buy Grace's grandparents a new oven. They don't seem poor not to go to Paris and have that rich house. In all the movie was good and it would be most interesting for girls
I love it!! This is an amazing movie. Grace is my role model. Grace is excited for summer until her mother announces that the family is going on a trip to Paris. Grace has to learn to get along with her French cousin and try to figure out a way to help keep her grandparents' bakery open.
Grace Stirs Up Success was a simple movie at it's heart, a cute story of a girl who discovers that her hobby can become a dream come true. For Grace, baking is second only to her family, and even with some relations living overseas and basically strangers, she can still find, and be, herself. I just wish they'd cut out all that giggling. It was sorta unrealistic and got on my nerves. And my sister's nerves; she had to go bake some cookies to feel better. From its cool pastels to warm smiles, this movie served up a delicious array of charming characters and a story with a surprising amount of heart. That just wouldn't have been there without Uncle Bernard. And a certain little je ne sais quoi...
As if it wasn't bad enough already - then they introduced Master Chef Junior into the mix. What a complete joke.
This movie teaches the sort of moral lessons modern children's movies are expected to teach, and that's fine. The trip to Paris is a waste, though, because Grace learns nothing there that she could not have learned here at home. From this adult's perspective, the movie, at 107 minutes, is also way too long.
The ninth film in the 'American Girl' series, in that, fourth straight film for the director. Honestly, I have not seen all the films in the series, but I enjoyed those I've watched. This is a decent movie for all, especially for the families with the kids to watch on the weekend. I was not expecting it to be a fantastic, because children's films have certain limits and I know that very well. Usually the filmmakers push for a G or a PG tag for their product, that's why a film like this always appears to be so cheerful, and at a time silly as well. A typical 'American Girl' movie, but only the theme was different. This time it is about the baking. A young girl Grace is passionate in baking who thinks one day she's going to take over her grandparents' bakery. In the summer holiday, she's forced to drop her all the plans with her two best friends, after an unexpected visit to aunt's in the Paris is decided. There she meets her cousin Sylvie who's not friendly and uncle who runs a small bakery with the quality foods. The cultural difference makes her to struggle to understand the French way of baking, but in the end she overcomes it and decides to take it back to the home to save her grandparents' troubled bakery. "Take risks. That's how you make amazing things happen." In the several occasions I had postponed watching this for no reasons, but finally I saw this now. To declare it is a good or a bad movie is a very tough decision, but I can say I enjoyed watching it. Not all the adults going to like it, because there are too many scenes that feels so stupid for the matured people like us, especially the dog parts that makes us to say 'whaaat?'. But that is usual and expected in 'American Girl' films, so you have to ignore it if you decide to try it. There won't be any similar issues with the children, especially the girls who are the ones going to enjoy it more than anybody of us. A simple movie about baking, that means it is not going to demonstrate how to bake bakery items for us, but still it inspires the kids. One thing is for sure, after watching this you will definitely feel you want to taste a delicious cupcake. Most of the cast was new to me, except Virginia Madsen. But everyone was good in their respective roles, especially the new face who played the title role. This is not an easy movie to suggest, but if you got a young girl in your house like a niece or a daughter, definitely worth it to show them and a reason for us to join them, especially to know how much they adore it. 6½/10
From an adult's perspective, this movie is wholly forgettable. Half the movie takes place in Paris, yet we see hardly anything of Paris or Parisian life (probably because it was filmed in Budapest, a cost-saving measure). The plot is not particularly believable - a 10 year old girl wants to start a business with her friends, but then has to go to Paris to visit her aunt and uncle where she wins over an unhappy cousin and absurdly wins over a snooty potential client with the help of macarons and a stray dog. She deals with feeling distanced from her friends, then competes on Master Chef Junior and (spoiler you saw coming 10 miles away: she wins and uses the prize money to save her grandparents' failing bakery). Interesting partnership for a company that is dedicated to empowering girls, as Master Chef Junior has been plagued with accusations of sexism and in reality, every winner of the competition has been a boy. But that's another discussion. The most irritating aspect of the movie to me was the manufactured conflict between Grace and her best friends. It seems the writers didn't want to spend much time actually giving them a reason to be upset at each other, so they just randomly get offended by things and then have to make up. Lazy writing, but then, it's a movie for 8 year olds, so... There is a very obvious difference in acting experience between the young actresses: Olivia Rodrigo, the lead actress, is adorable but clearly inexperienced and smiles constantly, while Eloise Webb, playing her cousin Sylvie, is far more subtle and believable. The actresses playing her best friends were also clearly cast on looks rather than talent. The most enjoyable performance is Fabrice Michel as Grace's pastry chef uncle. From the perspective of the target audience, however, they are clearly doing something right because my two daughters want to watch this movie constantly and have probably seen it close to 50 times at this point. The soundtrack is cute and bouncy with a French flair, the content is completely inoffensive so it's appropriate for even the youngest children (although they may not be able to follow the plot), and the messages are positive (helping others, following your dreams, etc. etc.). So in summary, it's a movie made for children and it's perfectly fine for them. Adults will probably not want to watch past a single viewing.
The first - and, so far, only other - review of this movie sounds as if it were written the the pr guy in charge of promoting this movie. Take it for what it's worth. I'm not going to try to guess how this movie will go over with its intended audience, young American girls who buy AG dolls. My reason for watching it was to see how it depicts Paris and French culture, and that's what I'll restrict my comments to here. Unlike *Passport to Paris*, for example, the awful Olson twins movie aimed for largely the same audience, this movie doesn't really do much with Paris or the Parisians. There is a quick - very quick - bicycle tour of the famous Parisian monuments 25 minutes into the picture. Other than that, most of what we see of the city is the inside of Grace's aunt's VERY luxurious apartment in Paris and her French husband's HUGE pastry shop on the rue de la Paix, one of the most expensive shopping districts in the French capital. This is the world of those who have money, lots of money. We don't see much of Parisians, so we don't deal with the stereotypes on which some American comedies set in Paris play. Grace's French half-cousin isn't "snooty," despite what the pr person wrote in the previous review. She's just unpleasant to Grace, until Grace wins her over. What I found more interesting is that, despite Grace's repeatedly proclaimed love of bakery and her desire to shine in her uncle's pastry shop, she makes NO effort to learn about French pastry while she's in Paris. This is shown in two ways. First: When Grace tries to interest the owner of a luxury hotel, the Palace de Paris, in her uncle's pastry, she presents him with macarons. As you may know, these have been chic here in the States for the last several years. There's nothing to macarons, however, and in France they are mostly for children, because of the bright colors and jam fillings. They aren't desserts, they're just a quick snack, like cookies. Nonetheless, when the hotel owner finally breaks down and agrees to hire Grace's uncle, it is his macarons that impress the (adult) patrons at the hotel's July 14th garden party. Second: when Grace returns to the U.S. and decides to save her French grandparents' French bakery, located somewhere in New England, she transforms it into a shop that specializes in cupcakes - not something you find in the average French bakery - and macarons. In other words, she turns a representative of French cuisine into a store that caters to American children's desires for sweets. She saves the French pastry shop by turning it into an American sweets shop. And when she competes in the junior pastry chef contest back in the States, her first idea is to make a pineapple upside-down cake, which she had learned how to make before she left for Paris. When she can't make that, she ends up winning with a tower of macarons, again something for children - though I suspect children might be put off by the lavender color. This movie teaches the sort of moral lessons modern children's movies are expected to teach, and that's fine. The trip to Paris is a waste, though, because Grace learns nothing there that she could not have learned here at home. From this adult's perspective, the movie, at 107 minutes, is also way too long.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.