Aagadu

Bon film !

Bon film !

Bon film !

Bon film !

Few Movies irrespective of box office success they earn a place in audience heart . This is one such movie .

I know there's some mistake in this film but i think it's quite good. Even it is better than Mahesh babu latest film Sarileru neekavvaru. So,you can watch this film one time

Hey!I am a fan of Mahesh.Today I saw Aagadu and after watching it I felt like why did i spend 300 bucks on this movie though there is my favorite hero in it.yes,most of people especially abroad like him because of his story selection and action.Mahesh blindly believed in Srinuvaitla as earlier he believed in Gunasekhar.Sruthi Hassan was better than Tamanna in the movie.There is forced comedy everywhere.Even dialogs are not up-to the mark.cinematography is good.The main flaw is story and screenplay.The director was close to this result at the time of Baadshah where he had to realize but he dint.on the whole if there is any fan like me then i suggest them not to see this movie.you will feel like why an actor like Mahesh selected aagadu.in the film they show attitude+gratitude =Aagadu.But I felt like gratitude =aagadu that thing which Mahesh has towards Srinuvaitla because of Dookudu.

Mahesh Babu's performance has won accolades with critics citing that the actor has carried the film on his shoulders. Tamannaah looks beautiful as a village girl, while Shruti Haasan charms the audience with her dance moves in a special song. Brahmanandam's comedy evokes laughs in parts, while the other actors including Sonu Sood, Nassar, Vennela Kishore, Posani Krishna Murali, Rajendra Prasad and Ashish Vidhyarthi have done their parts well. Mahesh gets into the skin of his character and does his job phenomenally. He doesn't go over the board in expressing his character's attitude. He strikes an instant rapport with almost everyone. His pairing with Tamannah was awaited with expectations but one feels Tamannah was not properly portrayed. She has got not many dialogues and everywhere, she is seen jiving with Mahesh," according to Indiaglitz. "Rajendra Prasad plays a cameo. One wishes he had more screen space. Brahmi as 'Delhi' Suri is used as an instrument and the template is old. MS Narayana and Vennela Kishore entertain," the website stated.

Director Srinu Vytla, like most Tollywood directors, is excessively fond of excess, dipping into his own box of formula cookies (Dhee, Ready, Dookudu), and finding the so-called plot for this latest venture, which, some say, should've been called Dookudutu (Dookudu 2, get it?). Now, I'm not a fan of Dookudu, preferring instead to re-watch the entertaining portions of his earlier flicks, which are, by far, decent Tollywood fare, and hear me out now, for this is pure gospel for those uninitiated in the Tollywood ways - one can achieve this feat, provided one has set their expectations to digesting the piles of superhero-crap that's dished out by the screenplay at regular intervals, something that's a staple in almost all of Tollywood cinema, regardless of who they choose to cast - unexplained, irrelevant heroics that have naught to do with any law of physics or logic or coherence. I always reset my expectations to said level before trying to sit thru one of these escapist fares, so bear with me if you do decide to watch this one, or any other one of its ilk after reading this piece. Now, for the flick. As I mentioned once above, I am NOT a fan of 'Dookudu'. So, how did I think this one compared against that, which almost had a template for this one to fill in? This one, by far, in my opinion, far outdoes former, esp. since it gives the protagonist so much more to say and do, and that responsibility rests easy on the hero's not- so-young(anymore) shoulders. He's in every frame, and laps up the attention, gets greedy for more, and says and does everything to ensure he keeps that position, and stays in frame while doing so. His dialogue- delivery and diction are the tools he's set to making his goal on this one, and boy do they rise up to his challenge admirably. That element was sorely needed in 'Dookudu', but wasn't present in the least (though another underrated flick, 'Khaleja', had it in spades). Now, bear with me once again, since I'm going to ignore all that's wrong with this flick, since those variables are the ones gone permanently wrong in every Tollywood flick anyway. The sequences where the main lead monologues incessantly (thee title should've given everyone a clue, but apparently not to few), the quirk that sets each of the other support characters apart (one being a database of human profiles, another being offensively of a particular character type that's a gross insult to their entire community, esp. since its played for cruel laughs, yet another being a power broker of sorts who apparently can't get it when he's being played, yet another being so completely corrupt that he has his colleagues and reportees kowtow to his every weird/personal whim - the list doesn't quite end there) and the route taken to reach the final denouement make this one hell of an entertainer, though it takes twice as long to reach that goal. On a side note, the producers, after making this and 'Dookudu', should really think about their name, since nothing ever gets completed in 14 reels. Also, in a movie of this sort, it seems as though the editor was not allowed to trim the material to ensure shorter run-time. Plus, in a movie of this length, what is the need for song-and-dance-routines? I'll never 'get' that, but then I'm in a minority over here. For what it's worth, this is a decent watch, provided one (re)sets their expectations as advised earlier, and prepares to enjoy the lead's monologuing almost all of the way.

Dicky balisinaa HEN in front of chicken shop filmed cinema that's why it's attar flop indhi... im mahesh babu fan but dis was d back log for mahesh babu dis year The successful combination of Mahesh Babu and Sreenu Vaitla is back ​ once again to entertain the audience with Aagadu. Tamannah is cast as the female lead, and 14 Reels are the producers. After a huge round of promotions, the film has opened in over 2000 screens today. Let's now see how the film is. Story:- ​​Encounter ​specialist ​Shankar (Mahesh Babu) is posted to a small town called Bukkapattanam. The entire area is dominated by a ​dreaded don called Damodar (Sonu Sood),​ who runs illegal businesses by threatening the poor. Shankar decides to take ​things in his hands, and starts ​planning ​Damodar's decline. ​Midway through, he comes to know about a shocking truth about Damodar, which relates back to his family. What is that truth ? How does Shankar manage to destroy Damodar​ and his empire ? and Where does Saroja(Tamannah) and Delhi Suri(Brahmanandam) fit in this entire set up ?. To know answers to all these questions, you need to watch the film on big screen. Plus Points:- Aagadu is an out and out Mahesh Babu film. Right from the word go, it ​i​s ​Mahesh's histrionics which dominate the show completely. As usual, Mahesh looks extremely dashing, and carries out his role of ​a cop supremely well. The way he goes about his character, and blends himself into the script​,​ is quite amazing. Interesting factor to watch out for is the fun element that he brings in his character, which is filled with punch dialogues and satires. Tamannah looks gorgeous as the village belle, and is a perfect Jodi for Mahesh Babu. First half of the film is highly entertaining, and brings in a lot of fun. Shruthi Haasan's song is a special bonus to the masses as she oozes ​sensuous charm and glamour. Brahmanandam brings in decent laughs in the second half, and his dance episode in particular is quite hilarious. ​ ​ ​ Nasser ​is superb as the police constable​,​​ and his scenes with Mahesh and Vennela Kishore have come out quite well. ​S​ongs ​are entertaining and ​have also been shot well​. Rajendra Prasad, Posani and Ashish Vidhyardhi are decent in their respective roles. ​M​inus Points:- As expected, even Aagadu has the same trademark Sreenu Vaitla set up and comedy. The entire second half has been spoofed on his earlier films like Dookudu. Once the so called twists are unleashed, the film becomes predictable.