Stacey Gregg
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The drame film Here Before, starring Andrea Riseborough, Jonjo O'Neill, Niamh Dornan, etc., directed by Stacey Gregg, was released on February 11, 2022 in Royaume-Uni. It tells the story of Un thriller psychologique tendu et sophistiqué se déroulant en Irlande du Nord. This is a Drame, Mystère, Thriller film with a runtime of 83 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.7/10 from 1,906 viewers.
Stacey Gregg
dans le rôle de Director
Andrea Riseborough
dans le rôle de Laura
Jonjo O'Neill
dans le rôle de Brendan
Niamh Dornan
dans le rôle de Megan
Eileen O'Higgins
dans le rôle de Marie
Martin McCann
dans le rôle de Chris
Lewis McAskie
dans le rôle de Tadhg
Grace O'Dwyer
dans le rôle de Josie
Gina Moxley
dans le rôle de Paula
Chrissy Hindley
dans le rôle de Roxanne
Jesse Frazer
dans le rôle de Ian
Terence Keeley
dans le rôle de Mr. O'Riordan
Tony Flynn
dans le rôle de Secretary
Louise Mathews
dans le rôle de Police Officer
Remi Shore
dans le rôle de Police Officer 2
Stacey Gregg
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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I love Andrea Riseborough and I love movies in this genre, but this such a total letdown I can't believe I fell for all the good critic reviews. Are there any good critics anymore? Do these people actually watch these movies or just write something to get paid? In a nutshell, the little 9 year old girl is gaslighting Andrea's character. Why? Who the hell knows?? Her actions made no sense at all considering she was the child of Andrea's husband and the next door neighbor, which she somehow found out about without the father knowing who she is either, so hey let's gaslight his wife next door into thinking she is the reincarnation of her dead daughter, for no apparent reason other than the script says so, and never mind that she is 9 years old and how the hell does a 9 year old child manage to pull this whole scheme off anyway.. I already saw the same ridiculously implausible plot, albeit in a more conventional and overall better horror film, in The Lodge, where again two children go to exceptional lengths to gaslight their stepmother. At least in that one, she got the last laugh. In this mess, Andrea what, dies? Lives? Who knows? Who cares?
From the onset this movie drags and bumbles around trying to find a direction to go. Tons of small clips interspersed throughout along with children singing or humming. This is supposed to give the movie tension and a feeling of foreboding. However, it just takes so long for anything interesting to happen, almost a full hour and the entire film is only 1 hour 20 minutes. So after dragging and back story they have to wrap it up quickly. Not really anything of a pay off ending for having to endure frequent flash scenes and basically a film stitched together like a quilt. I kept waiting for the interesting part, a big reveal or something to make all the waiting worth it, and there is none. This film falls into the artsy bin, where film makers attempt to conceal all their mistakes with the excuse, it's just art. Therefore not having to have an intriguing story, a decent plot or thoughtful dialogue. In summary, the director just throws everything together into a big pot on slow cook and hopes everyone will like it.
If you read the synopsis, you know what this is about. There is a twist here but i didn't like it, it came out of nowhere. Therefore, i didn't like the ending. Up until the twist, it's watchable but still slow & dragging. And for a 83 minutes movie, this doesn't look good. It is not a bad movie, the actors are good, and maybe some people will like the ending. If you are in the mood for a slow mystery/drama (With emphasis on "drama"), maybe you will like it more than me.
Great to see good films being made in Northern Ireland these days. Days of the troubles are gone. Superb acting and different kinda story. I enjoyed it. The ending is rushed, needed more room to unravel and breath.
A heartwarming story of broken hearts and fateful twists. Good acting and soothing visuals. Unique plot and an interesting conclusion. Great realistic performance by the cast.
Twist ending worth to score higher from my perspective. When the story end in a surprising way, make no matter how boring the beginning is makes me feel worth it. Of course it need to make sense.
Let's just say I have insomnia and it put me to sleep. Bad storyline. Bad acting. Bad music. Don't waste your time. Sadly, I couldn't give it a zero.
I don't understand the low ratings. This is one of the best slow psychological thrillers I've seen in a while. Great cinematography, grief, dysfunctional family dynamics, and good sounds.
A mother who lost her daughter starts believing that her daughter may have come back to life thru the little girl that lives next door with her parents. Throughout their exhange, the girl reminds the mother of things her and her daughter have done together when she was alive in certain places and the mother is becoming more convinced that her daughter has come back from the dead and now living thru her neighbors daughter. The process of the big reveal does drag a bit but the revelation off all things become very clear and in the end without any spoilers, the mother is left devastated and I'll leave it right there. A solid one time (only) watch. Slow but definitely meaningful.
Slow with the use of too many 'flashbacks'. Not sure if it was the soundtrack or the Northern Irish accents, but difficult to follow what was being said at times. Unexpected but improbable twist at the end.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.