Katherine Heigl
dans le rôle de Mona Champagne
English,Filipino,Français,Indonesian,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The comédie film Dangerous Housewife, starring Katherine Heigl, Patrick Wilson, Madison Wolfe, etc., directed by an unlisted director, was released on February 3, 2015 in États-Unis. It tells the story of Tout va bien pour Don Champagne, mais lorsque sa femme, Mona, apprend qu'il a une liaison avec une jolie vendeuse, elle ne reculera devant rien pour maintenir l'illusion d'une vie parfaite. This is a Comédie, Crime, Horreur film with a runtime of 98 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.5/10 from 17,661 viewers.
Katherine Heigl
dans le rôle de Mona Champagne
Patrick Wilson
dans le rôle de Don Champagne
Madison Wolfe
dans le rôle de Allison Champagne
Aiden Flowers
dans le rôle de Andrew Champagne
Jim Belushi
dans le rôle de Les
Jordana Brewster
dans le rôle de Dusty
Heath Freeman
dans le rôle de Benji
A.J. Buckley
dans le rôle de Murphy
Kevin McKidd
dans le rôle de Freeman
Artie Baxter
dans le rôle de Mark
Johnny Hawkes
dans le rôle de Stu
Bryce Johnson
dans le rôle de Lanny Kelso
Yohance Myles
dans le rôle de Andre
Alyshia Ochse
dans le rôle de Kaysi
Brandi Nicole Wilson
dans le rôle de Abby
Owen Bourgeois
dans le rôle de AJ
Chi McBride
dans le rôle de Chief Malcom Brown
Catherine Ashton
dans le rôle de Lynn
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Bon film !
Bon film !
Katherine Heigl was , i mean still is cute , and her history of film making branches like producing and performing proves the aforesaid subject, but in a point of view she is finished , since Knocked Up and further roles she had after that , i think she accepted her ego as to be repeated times and times and her scheme of planning to have better roles is about to go into deep sh#t , now this crap Home Sweet whatever is rolling into deep Sh#t , no new story line is there and the performances are all abhorrent , still if you consider clichés and repetitions to make a movie , you have to put better ideas and give the picture some dinky visage , but u know ? it is all straight to hell in this movie ... its not even a picture , its one unintentional mokumentry , i don't know whether if one can call this one a movie or not , all the incidents are happening in one ridiculous mode and each could be categorized as a flop , i wanna know what the editors are doing ? shouldn't they make good form of shooting films ? well , fellas , and Katie hon , lets just pass the picture as a disaster , and make your times to watch better pictures ...
I have recently seen this film, and because I readily enter my comments on movies and television shows that I like, I felt that I should also say something about this noted exception. Possibly on an artistic scale, there were things that were of value to some. I will say that I did enjoy the acting - as acting. I started watching what I thought could be a sexual farce, and it was fairly good, however - for me, that ended about three quarters of the way through this - whatever. May I say, that others are very welcome to view the film, and enjoy it all you want. Like I said, about three quarters of the way through, it went from peaches and cream with a little lemon tossed in for flavor, but when it turned - it turned sour for me. Enjoy if you wish. I think it was a waste of time.
I had fun watching this movie, I didn't read anything about it so it was all a surprise to me. Being so unexpected it was interesting to watch and they twisted it quite a bit even though the plot was nearly the same as some thrillers I have seen like Derailed. It was funny but not side hurt funny, more like amusing in an interesting way. I think it is best to just watch it and not spend any time researching it, (something I admittedly do these days because I have high standards for movies), the movie isn't meant to be enlightening or Oscar worthy. Just fun and entertaining for a weeknight before bed. It sort of has an endless chaos to it like a slasher flick, although pretty tame. Just sit back and enjoy it and don't look for the next best movie to add to your all time favorites. It's just fun.
Life As We Know It is the last decent Katherine Heigl film I have seen. And Patrick Wilson's performance in this absurd production is a shame after his enjoyable yet unappreciated outing in Stretch. Home Sweet Hell could have been a hell of film had some semblance of realism been attached to the male lead. Heigl is a psycho domestic princess with a handsome husband who is a totally brow beaten and submissive to her wishes. He starts banging one of his employees who is really out to shake him down as a part of an extortion ring. She fakes a pregnancy to get money, but when the wife finds out, rather than having an illegitimate child on the scene, she pressures the husband to kill her. It gets better, or worse. The film is too painful to recount in full. But let me say it stinks as badly as the final scene which was thrown in via bad edit and seems to have been part of another movie.
I like a good dark comedy, in fact 'VERY BAD THINGS (1998)' and 'HEATHERS (1988)' are some of my favorite movies. Other dark comedy favorites include 'THE BIG WHITE (2005)', 'JUST BURIED (2007)' and 'THE LAST SUPPER (1995)', heck I even enjoyed Patrick Wilson's previous dark comedy 'LET'S KILL WARD'S WIFE (2014)'. But THIS 'HOME SWEET HELL (2015)' simply isn't very good... In fact it's pretty poor. Starts out reasonable enough but once things start getting 'dark' it simply lacks bite and just pile on with clichés. There's really not a whole lot more to say about it, I guess it's cool that Katherine Heigl plays a different role than usual but she really got nothing on Cameron Diaz when it comes to playing the crazy wife role. Nice to see A.J. Buckley in a movie though, too bad it wasn't a particularly good one. I like Patrick Wilson but he can't save this, and Don Champagne has got to be one of the worst character-names in recent years.
Katherine Heigl takes her knifes again, but this time not for curing a patient - like she did in Grey's anatomy few years ago - but for a totally different reason. This movie is a black comedy with a little bit of a drama, soft (very soft) * and crime. To be honest I didn't like none of the characters that's why I didn't care about how they end up. Overall Home Sweet Hell is the perfect choice for Katherine's Heigl fans, because her performance as a psycho wife is perfect. As for the deeper meanings of this movie (superficial happiness, infidelity, childhood trauma, repressed desires, etc.) don't expect to find any answer.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.