Dutch Marich
dans le rôle de Director
English,Filipino,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The drame film Horror in the High Desert 2: Minerva, starring Laurie Felix Bass, Suziey Block, Brooke Bradshaw, etc., directed by Dutch Marich, was released on March 8, 2023 in États-Unis. It tells the story of In 2018 a string of tragedies unfolded in Northeastern Nevada. A woman was found dead and another would vanish along the same stretch of remote highway. Could these events be linked to the 2017 disappearance of outdoorsman Gary Hinge. This is a Drame, Horreur, Mystère film with a runtime of 74 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.3/10 from 2,203 viewers.
Dutch Marich
dans le rôle de Director
Laurie Felix Bass
dans le rôle de Dolly Broadbent
Suziey Block
dans le rôle de Gal Roberts
Brooke Bradshaw
dans le rôle de Ameliana Brasher
C.R. Brough
dans le rôle de Lenny Douglas
Trisha Goulter
dans le rôle de Charity Henderson
Solveig Helene
dans le rôle de Minerva Sound
Christine Martin
dans le rôle de Patricia Brasher
Brian McPherson
dans le rôle de Joseph Sinclair
Eric Mencis
dans le rôle de Gary Hinge
David Morales
dans le rôle de William 'Bill' Salerno
David Nichols Jr.
dans le rôle de Luke Wells
Marco Antonio Parra
dans le rôle de Oscar Mendoza
Sami Sallaway
dans le rôle de Cathy Wald
Dutch Marich
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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u gone like it
Bon film !
Bon film !
Bon film !
Bon film !
Decided to write this because I saw part one of this fine little found footage horror movie and immediately rented the sequel without much expectation but I am pleasantly surprised. It's creepy, keeps you watching and expecting what would happen on the edge of your seat. Smartly made and it gives you just enough creepy dread horror bit by bit to keep you interested and scared. Yes, scared. I don't get scared watching 99% of horror movies but this one had me anxious and not wanting to see what comes out of the shadow of the infrared camera - because I was just plain scared. It leaves room for another sequel so hoping for the same soon. Good job.
This film takes place one year after the disappearance of Gary Hinge (Eric Mencis) in the high desert of northeast Nevada near Cypress. The film uses interviews, cell phone films, and dash cams to tell a story I am told was the same as the first film, but with a woman and not as good. Minerva (Solveig Helene) lives out east and goes to Cypress to take a course in geology as they study the open pit mine that operated there. I thought that might have been connected to the events. Minerva lives in a remote trailer and has one weird guy as a neighbor (Brian McPherson). Minerva films things. She was something in her walls bumping. She does film some figures in the night that look like folks in masks. Ameliana is the next person to go missing. It jumps from one to the other. Her car broke down along the road and something happened to her on dark cam. For some reason they look for her at night. The film was a complete bore. I had to stop it once to watch another film. I got zero enjoyment or entertainment from the production. Guide: F-word. No sex or nudity.
I am a hard core horror fan but this movie is something different you do not find with the typical slasher film. Much like Hitchcock, the director brings you into the pov of both the victim as well as the mysterious abductor which makes Blair Witch look like a children's book. The actors are A+++ and they all deserve an academy award! This scared the s#%t out of me so much I will have nightmares thinking about what I would do on that stretch of lonely highway 50 if I was in their shoes! I'm re-watching it during the day because at 2:00am in the morning it was too much! This is true writing, Directing and acting at its best! Please do more like this!
I enjoyed the first 'Horror in the high Desert'. It was a little slow but the ending sequence was well done and made the wait worth it. 'Horror in the High Desert 2: Minerva' however didn't work for me. It was equally slow but I never felt like the pay-off justified it. Found footage is always a tricky genre to get right, because it's so crucial that the audience buys in. I try and make the effort to always buy in, however it can sometimes be harder than other times. The interviews in this movie felt very fake. Camera angles and candid shots that would never be filmed or used are in almost every scene. It can be quite distracting. I was disappointed I didn't enjoy this one. Others seem to be thoroughly enjoying it, so I can't help but wonder whether a second watch would be worth a try. It looks like there will be more sequels in the future too so I will still check those out when they come along. This one wasn't for me though. 3/10.
I love it when a film can weaponize anticipation. There may not even be a big moment payoff. No jumpscare. However, the anticipation of something potentially happening is utterly terrifying. Minerva had me squirming. The first film was a masterclass in tension. Minerva amps that up without falling into the "bigger is better" sequel trap. It still manages to make simplicity work with a deft hand for creating a truly unsettling story. Not much unsettles me, but watching these films back to back made for a very tense, but enjoyable night. There had better be more to the story in the near future. Tiptoe Through Hell on Twitter @HellTiptoe.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.