Emma Booth
dans le rôle de Evelyn White
English,Filipino,Français,Indonesian,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The crime film Love Hunters, starring Emma Booth, Ashleigh Cummings, Stephen Curry, etc., directed by an unlisted director, was released on May 12, 2017 in Australie. It tells the story of Vicki Maloney est enlevée au hasard dans une rue de la banlieue par un couple perturbé. En observant la dynamique existant entre ses ravisseurs, elle se rend vite compte quelle doit creuser un fossé entre eux si elle veut survivre. This is a Crime, Drame, Thriller film with a runtime of 108 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.5/10 from 14,378 viewers.
Emma Booth
dans le rôle de Evelyn White
Ashleigh Cummings
dans le rôle de Vicki Maloney
Stephen Curry
dans le rôle de John White
Susie Porter
dans le rôle de Maggie Maloney
Damian de Montemas
dans le rôle de Trevor Maloney
Harrison Gilbertson
dans le rôle de Jason Farris
Fletcher Humphrys
dans le rôle de Gary
Steve Turner
dans le rôle de Troy
Michael Muntz
dans le rôle de Sergeant Mathews
Marko Jovanovic
dans le rôle de Sergeant Henderson
Holly Jones
dans le rôle de Miss Martin
Eileen Colocott
dans le rôle de Elderly Neighbour
Lisa Bennet
dans le rôle de Gabby Donovan
Kingsley Judd
dans le rôle de Shop Attendant
Rachel Cazier
dans le rôle de Shop Customer
Bob Charteris
dans le rôle de Man with shopping
St John Cowcher
dans le rôle de Bogan in Car
Alla Malakhitova
dans le rôle de Girl in school class
La disponibilité peut varier selon le pays, la langue et la fenêtre de sortie. Certains titres sont inclus dans les abonnements aux plateformes, tandis que d'autres peuvent nécessiter une location, un achat ou un accès via l'application. Les catalogues de streaming et les accords de licence étant régulièrement mis à jour, les options de lecture peuvent évoluer. Pour une expérience de visionnage optimale, consultez la fiche la plus récente sur le service choisi et vérifiez la prise en charge régionale, les sous-titres et la compatibilité de l'appareil avant de commencer.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
Téléchargez les derniers paquets MovieBox pour mobile, les versions FM et les APK compatibles TV. Choisissez le paquet adapté à votre appareil et à votre région, puis suivez le guide d'installation officiel pour une compatibilité et une sécurité optimales.
Bon film !
Bon film !
Bon film !
I will confess to often finding Australia to be a haunting place. I have a strange fascination with it. It's hard to explain, but I really enjoy watching Australian films, because of that. Hounds Of Love is a well made psychological drama. It's harrowing, because of it's subject matter, but I also find it quite subtle, in the way it's handled. The central characters are all well played, but Emma Booth as tormented wife Evelyn White, I found pretty mesmerising. It was also refreshing to see the male protagonist (Stephen Curry) portrayed as a streak-of-piss coward, as I feel many of these types of individuals are, in real life. Class.
The positive reviews that is. The movie itself isn't poorly done. Its professional, the acting is solid, the film is quality, there are no aggregious mistakes that catch the eye... But it also really doesn't go anywhere. I'm not sure what the 'entertaining' part of this movie was supposed to be. There's no real suspense to speak of. I suppose if you stretched you could say there is some psychological intrigue but not even to make you think about anything worthwhile. I didn't develop any attachment to the characters, no real love for the victim nor overwhelming hatred of the scumbags... The movie just kinda tells this story in a pretty bland way and then ends. Waste of time, IMO.
I have been seeking out Australian films especially thrillers since I saw THE LOVED ONES. That film blew me away with its performances and suspense. HOUNDS OF LOVE is every bit as good as that film. In fact, it is in many ways more disturbing because there is more character development. The film is about a deranged couple named John and Evelyn that kidnaps young girls and takes them home to eventually kill them. One night they see a girl named Vicki that snuck out of her home to go to a party walking on the street and stop to offer her a ride. At first, Vicki refuses, but they convince her to come to their home for some drugs. They go to the house and have a drink Vicki starts feeling woozy. She tries to leave but is forcibly prevented to leave. The couple takes her into a room and chain her on a bed and gag her. The film at this point becomes a disturbing but riveting character study. The couple mentally and physically torture Vicki. But what is shown is that Evelyn is a very unstable woman that is totally controlled by John. Vicki begins to try to drive a wedge between the couple, telling Evelyn that John doesn't love her. Evelyn begins to have doubts. But eventually she becomes more willing to see Vicki die. Vicki's mother is desperately looking for her daughter. The tension is built up very well by a cast that is committed to their roles. But the film is so well acted that you become invested in what's going on. Grade: A-
Another grim and depressing slice of true crime from Australia, very similar to the bleak SNOWTOWN in look and tone. I didn't like this one at all, feeling it too much of a standard 'torture *' movie; plus, there's very little story here, just a girl chained in a house with a psycho and his wife. Inevitably the focus is on creepy 'male gaze' nudity and the degradation and humiliation of women with a bit of animal abuse on the side. Utterly nihilistic in terms of character and tone, it just serves as a reminder of man's inhumanity and misogyny and it's one I could have done without.
The crafting of the story is great, but the way it is shot makes it feel like a student film. There are at times where the camera man screws up the framing and movement. This film deserved better cinematography and the use of digital killed the period it was going for. Should've used 16mm cameras to have that 80s feel. The actors are fine, I would've liked the husband to be more bigger in size so it's a bit more realistic because he sure looked like a weak skinny bag of sticks. There are some disturbing imagery and it works. It's a good watch if you're into psychological thrillers. The film is quite a slow burn, so be patient. 7.0/10
NO spoilers This stripped to the bone, realist thriller is fantastic. It calls to mind other stripped down thrillers like Sun Don't Shine(2012) and Blue ruin(2013) both in its color scheme and intense violence. There was also a lot of elements, particularly the family dynamic and the cinematography that reminded me of the fantastic Animal Kingdom directed by David Michôd and that's always a good thing. I would recommend going into it knowing as little as possible. In summary Great direction from debuting director Ben Young, Well written, Fantastic performances from all the cast particularly Emma booth, Gorgeous cinematography and a Great score. All the violence is tastefully done for anyone who is worried. Definitely give it a watch if you like lean, mean thrillers.
This is a deeply unpleasant film, likely to appeal to psychopaths who dream of torturing women (they will get a kick from this film, and perhaps some "how to" tips) and Tarantino lovers. IMHO, films should be entertaining, or make us think, or ideally both. The entertaining aspects of this film are the strong acting of the three leads, the obvious competence of the direction and cinematography, gripping tension – and nothing else. Unless you find graphic violence against women entertaining. What message are we meant to draw from this film? That psychopathic men can control women and enlist them into their schemes? We have known that since the Moors Murders in the 1960s. That people can be duped into putting themselves in others' power? I'm sure no-one has ever thought of that before. That captives can play their captors off against each other? A cliché of hostage films. That mothers who leave their husbands are somehow culpable if their daughters go missing? This film lingers over the committing of violence against women, or its immediate after-effects. Lovers of "violence *" will like the scenes of the captive woman being chained to a bed, threatened with a knife to the throat (several times), raped or strangled. (Strangling a young woman is graphically shown, but kicking a dog to death is out of shot!). Throw in some bleeding mouths and noses and lots of bruises, for good measure. And all the working-class characters are portrayed as brutish, aggressive to each other and uninterested in helping others. Fortunately, the middle-class mother and (surgeon) father eventually come to the rescue. No excuses for the Director, who also wrote the film. The publicity leaflet at the cinema says that the film is "loosely based on real life events", but the director has been quoted as saying that it was inspired by his mother's crime novels. Get your stories straight! Graphic and very nasty.
Un décryptage détaillé des récents changements de prix, des raisons pour lesquelles les utilisateurs repensent leur installation et de la façon d'évaluer une solution alternative sans perdre vos habitudes de découverte.
Découvrez la bonne méthode pour installer l'APK Movie Box : d'abord les bases de version, puis des étapes d'installation propres, et enfin comment choisir entre TV, iOS, Web et application.
Une critique détaillée expliquant pourquoi Project Hail Mary se distingue en 2026 : qualité d'adaptation, narration scientifique, profondeur émotionnelle et réactions du public.
Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.