Charlie Vundla
dans le rôle de Director
The action film How to Steal 2 Million, starring Menzi Ngubane, Terry Pheto, Rapulana Seiphemo, etc., directed by Charlie Vundla, was released on September 2, 2011 in Afrique du Sud. It tells the story of It's a jungle out there. That's how we meet our lead character Jack. It's been five years since he's seen his partner and best friend Twala. Jack did five years for a robbery gone bad. Twala never got caught and Jack never talked. But Twala is as treacherous as Jack is honourable. He's married Jack's former fiancée. Jack wants to go legit but after being rejected for a loan he needs a new source of capital. Twala presents him with an opportunity a job with a R2 million take. The complication is that the mark is Twala's father. Jacks partner for the job is the tough and sexy Olive. Little does he know she will prove to be more devious then his old friend. This is an Action, Drame film with a runtime of 82 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.6/10 from 112 viewers.
Charlie Vundla
dans le rôle de Director
Menzi Ngubane
dans le rôle de Jack Ngubane
Terry Pheto
dans le rôle de Olive
Rapulana Seiphemo
dans le rôle de Julius Twala Jnr.
John Kani
dans le rôle de Julius Twala Snr.
Hlubi Mboya
dans le rôle de Kim Twala
Sello Motloung
dans le rôle de Tembe
Marcel van Heerden
dans le rôle de Lt. Du Toit
Carlo Radebe
dans le rôle de Vusi
Lucia Mthiyane
dans le rôle de Olive's mother
Tshepo Sefatsane
dans le rôle de Security guard
Alistair Moulton Black
dans le rôle de Angry driver
David Sherwood
dans le rôle de Pawnbroker
David Butler
dans le rôle de Banker
Dylan Wilson-Max
dans le rôle de Metro cop
Charlie Vundla
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Bon film !
i want this movie
Bon film !
There were some elements of this film that were really good but it ultimately fell shot in the 3rd act
This movie had lots of potential, only some of which has been exploited. Unlike most other South African movies, this movie is not dealing with some huge, serious issue, does not deal with Mandela and is also not filled with toilet humor. This is just your normal thriller / action movie which America churns out in a nauseating volume. Now its South Africa's turn and I think a good job was done. I thought the camera work was good (and haunting with the muted colors) and the acting was acceptable. No one is going to be winning any Oscars for the movie, but I don't feel like I wasted my time watching this. I loved the gritty feel and the moments of surprising violence at unexpected times (although budget clearly didn't allow for any special effects showing the detail of the more gruesome parts). If you have the time, take out the DVD, watch and enjoy.
I watched this movie with great anticipation albeit I reserved my skepticism. The movie is intriguing due to its star-studded local cast, though unknown internationally. It circulates around a man dubbed Jack, who's just done some time in prison & is now endeavouring to launch a construction firm to rid himself off crime. However, he receives a tempting offer from his old acquintance, Twala. Twala's father, Julius, has R2 million stuck in the safe of his house. Twala entices Jack to to organise a friend to rob the R2 million from his father. Jack then approaches some woman, Olive, and they prosperously manage to get the R2 million by holding Julius & his security at gunpoint. Julius then manages to recognise Jack as one of the two robbers & gets to confront him. Cut to the chase, in the end, Jack murders Julius & then a cat fight about the money commences. Jack then goes to dig a hole where he hid the money and gets killed by Twala, who was following just behind him. Twala himself gets killed by some untrustworthy police officer (or so I believe), who had an affiliation with Julius. Olive becomes the only survivor as it turned out that Twala reserved some money for her to maintain both her & the child & the movie ends. Olive then grabs her son & the cash & departs by a bus. Simply put, this is the worst movie I've seen in the drama/mystery/crime genre.The storyline is very cheesy with no complex issues that compel viewers to intruiguingly form their own perspectives (think of Ben Affleck's State Of Play), only to be surprised by mystery revelations in the end. Everything is laid bare from start to finish. Movies of this nature are often characterised by white actors in lead roles but surprisingly here, we got black actors in the lead. And how did Julius recognise Jack as one of the robbers? Could it be because they were wearing masks that didn't fully cover their identities with no device that criminals often utilise to disguise their voices? What stupid criminal would commit such a grave mistake? The end is too cliché, I've seen so many American movies end like that. It appears to have been adopted in one of those American movies. I guess they were endeavouring to incorporate the American mafia style into this movie as it is absolutely disloyal to South Africa's criminal style. This is also a cheap budget movie anyway, playing out like a TV crime drama. Enough said, my rating is 1/10 & it's lucky to even get that from me. Seka Samuel Gaula Cape Town, South Africa
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.