Jon Dabach
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The comédie film I'd Like to Be Alone Now, starring Vanessa Lengies, David Fynn, Mindy Sterling, etc., directed by Jon Dabach, was released on January 8, 2019 in États-Unis. It tells the story of after losing his wife and three kids, all Kyle wants is to mourn in peace, but he must deal with his overbearing family, who insists on helping him. This is a Comédie, Drame film with a runtime of 110 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.5/10 from 355 viewers.
Jon Dabach
dans le rôle de Director
Vanessa Lengies
dans le rôle de Lisa
David Fynn
dans le rôle de Sam
Mindy Sterling
dans le rôle de Suzie
Jack McGee
dans le rôle de Hank
Samm Levine
dans le rôle de Kyle
Spencer Grammer
dans le rôle de Anna
Christopher Masterson
dans le rôle de Eddie
Maria Conchita Alonso
dans le rôle de Matti
Michael Piper-Younie
dans le rôle de Glenn
Carl McDowell
dans le rôle de Tony
Stephanie Andrea Barron
dans le rôle de Esperanza
Judy Toma
dans le rôle de Marcy
Cassandra Seidenfeld
dans le rôle de Tammy
Stuart G Murphy
dans le rôle de Gary
Gloria Laino
dans le rôle de Hortensia
Patrick Greene
dans le rôle de Brady
Melanie Booth
dans le rôle de Shea
Jon Dabach
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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source: I'd Like to Be Alone Now
Most people would be able to relate to this family satire, and probably enjoy it more than I did. Family issues surface after a funeral. There's a lot of bickering, and not much grief. Every member of the family, including the maid, is selfishly dealing with their own issues, rather than support the grieving member. One couple complains about having to "live out of their suitcase" while contractors are building their closet, the parents are in the midst of separation because the mother is loud and overbearing, another couple has commitment issues, and so on - you get the picture. They all seem incapable to consider others, although in the end they care for each other, at least a little bit. There are a few "hehe" moments of humor, but not enough to make this movie worth watching. When the member of the family who lost both his wife and baby in an accident comes out of his room, where he retreated for some quiet from his bickering family, he seems right as rain. Apparently, he needed only a couple of weeks to get over the death of his loved ones, and talks about them very matter-of-factly. Then all the problems abruptly disappear for everyone, and they proceed to celebrate an engagement. The mourning for the wife and baby is glossed over, and too soon forgotten by the "caring" husband and his family. I was put off by the tip given in the movie for illegal immigrants to lie to the immigration officials if they are caught. As someone who went through immigration LEGALLY, I have little sympathy for those who cross the border illegally (and thus jumping the line), and then act as victims, WHINING about how difficult it is to break the law.
I understand that the contrast between the grieving husband and father and the family and friends superficiality is part of what makes the movie compelling. I do feel that some of the dialogue was flat and the dark comedy might have been better if the extent of the loss was not so huge. Perhaps if only the wife had died? So in the end it felt as if the supporting family and friends were way too self centred given the heaviness of the grief that should have been there.
Bon film !
source: I'd Like to Be Alone Now
Most people would be able to relate to this family satire, and probably enjoy it more than I did. Family issues surface after a funeral. There's a lot of bickering, and not much grief. Every member of the family, including the maid, is selfishly dealing with their own issues, rather than support the grieving member. One couple complains about having to "live out of their suitcase" while contractors are building their closet, the parents are in the midst of separation because the mother is loud and overbearing, another couple has commitment issues, and so on - you get the picture. They all seem incapable to consider others, although in the end they care for each other, at least a little bit. There are a few "hehe" moments of humor, but not enough to make this movie worth watching. When the member of the family who lost both his wife and baby in an accident comes out of his room, where he retreated for some quiet from his bickering family, he seems right as rain. Apparently, he needed only a couple of weeks to get over the death of his loved ones, and talks about them very matter-of-factly. Then all the problems abruptly disappear for everyone, and they proceed to celebrate an engagement. The mourning for the wife and baby is glossed over, and too soon forgotten by the "caring" husband and his family. I was put off by the tip given in the movie for illegal immigrants to lie to the immigration officials if they are caught. As someone who went through immigration LEGALLY, I have little sympathy for those who cross the border illegally (and thus jumping the line), and then act as victims, WHINING about how difficult it is to break the law.
I understand that the contrast between the grieving husband and father and the family and friends superficiality is part of what makes the movie compelling. I do feel that some of the dialogue was flat and the dark comedy might have been better if the extent of the loss was not so huge. Perhaps if only the wife had died? So in the end it felt as if the supporting family and friends were way too self centred given the heaviness of the grief that should have been there.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.