Christopher Soren Kelly
dans le rôle de Frank
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The science-fiction film Infinity Chamber, starring Christopher Soren Kelly, Cassandra Clark, Cajardo Lindsey, etc., directed by an unlisted director, was released on September 15, 2017 in États-Unis. It tells the story of Un homme enfermé dans une prison automatisée doit déjouer un ordinateur pour s'échapper. This is a Science-Fiction, Thriller film with a runtime of 103 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.2/10 from 12,635 viewers.
Christopher Soren Kelly
dans le rôle de Frank
Cassandra Clark
dans le rôle de Gabby
Cajardo Lindsey
dans le rôle de Fletcher
Jesse D. Arrow
dans le rôle de Howard
Jesse D. Arrow
dans le rôle de Patron
Chuck Klein
dans le rôle de Father
Brandon Loomis
dans le rôle de Gunman #1
Garrett Behnke
dans le rôle de Gunman #2
Paul Milloy
dans le rôle de Hiker #1
Bode Kirchner
dans le rôle de Hiker #2
Brian Ragovin
dans le rôle de Patron
Harley Flores
dans le rôle de Young Frank
Andrea Annie Owens
dans le rôle de Patron
Susan Belkin
dans le rôle de Patron
Louis Klotz
dans le rôle de Patron
Amanda Lau
dans le rôle de Patron
Arturo Gonzalez
dans le rôle de Patron
Vanessa Gonzalez
dans le rôle de Barista
Rufus
dans le rôle de Rufus the Dog
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Poor acting, amateur actors. I don't know what to say more. I guess good reviews are from director's friends. Seems like it was funded on Kickstarter My gf told me, can you please check if at the end he is still in that room talking to a webcam, yep, he was
source: Infinity Chamber
1h40m of the same 3 scenes in a round robin sounds boring, and in this case it is. The story is not original, very cheap production, my advise is skip it.
"The Infinity Chamber" is a Kafkaesque mashup that borrows heavily from "The Trial," "Groundhog Day," "Edge of Tomorrow" and "2001: A Space Odyssey" in a not entirely coherent tale set partially in a dystopian future and partially in a coffee shop from the 1970s, then abruptly changes its premise regarding the innocence of a main character and the nature of society and devolves into an sophomoric allegory to Gitmo, or possibly an existential phenomenological statement on the nature of reality. Along the way, it explores two B-stories, one concerning a romantic interest, the other some sort of guilt over the death of a parent, neither of which seems particularly compelling or relevant, although the love story provides some sort of anchor to an ever-shifting external reality. The production was obviously accomplished on a limited budget, although they managed to use their resources effectively. There are only three main characters, one of whom is only heard. But the acting is capable and the dialogue is clever. Cinematography and production design are more than adequate, with a refreshing lack of the distracting jiggly-cam shots seen in many films. The main character has a monochromatic B&W wardrobe, which reflects the white of his memories and the black of his cell, although it would take a greater measure of perspicacity than I possess to understand why he wears one color or the other or layers them. The 1970s décor of the coffee shop seems calculated to reinforce the notion that he is somehow travelling back in time, possibly within some sort of alternative reality, as if rebooting a computer. The proprietor is a rather ordinary earth-mother stereotype, seemingly chosen to reinforce the notion that she represents reality, as contrasted to the surreal chamber. In some regards, there seems to be a lot of thought given to the symbolism and underlying theme, but it all seems to have been abandoned in the last act. After a somewhat ponderous and often repetitive first and second act, all pretense at a loftier cerebral message seems to have been discarded in a last-ditch effort to reach closure and pick up the pace. Despite a promising beginning, it ends seeming sophomoric and pretentious. As a student film school production, it would undoubtedly receive top marks. As a commercial production, it seems disappointing.
Movies that basically have 1 character are very hard to pull off. This film does it. The story was interesting and the acting is good. Kept me intrigued right to the end. Would definitely recommend this film.
My first review - I don't do reviews, but this was worth watching. I nearly didn't because, like many I guess, I'm often influenced by the average overall IMDb score. It's low budget I understand now, but didn't notice when watching. Well acted and a good storyline that keeps your interest. Recommended from me!
I know your movies have a low budget, both this and Pandorum needed a bigger budgets but your imagination and the scifi worlds you create both with this movie and Pandorum fascinate me. Both movies for some reason completely immersed me into that dark scifi reality, the feeling reminds me of a Dark Mirror episode. The movie keeps you hooked up from start to finish, fun fact I watched superhero movie #343456 called Spiderman Homecoming today and I had to pause and do something more interesting at least 5 times. With this one I didn't even blink. The movie has a couple of small mistakes (----SPOILER---- The escape route is the same both in the "dream" state and in reality, which doesn't make sense but could be due to budget issues and thankfully the outside environment changed ----END OF SPOILER----) but damn that was one tightly written script. The actors did a pretty great job too with their characters although dubbing was kind of weird sometimes. Thank you for this movie, I'll be stalking you from now on for any new movies, you deserve bigger budgets. Please keep on making scifi films. Greetings from Greece.
I was really excited about this. I thought it was going to be a very clever science fiction movie. It turns out it's low budget, the acting is bad, the script is bad, the story is bad and nearly non-existent and the locations are bad. I would advise you to watch something else if you can.
This movie is probably one of the best movies I have watched all year! Just when you think you know what's going on you get hit with another twist. The movie takes place in 3 different places and that's all they really needed. At first it takes a minute to see what's going on but when it finally clicks the movie gets so good. Pay attention to the details and the movie is ten times better. Also ask yourself why things are happening. It help! Great movie! Deserves 10/10
There's more philosophical and romantic aspects in this movie than the IMDb official genre states when it classifies it as a sci-fi thriller... But in all cases, it's quite a treat! At times while watching this film, it made me really depressed & frustrated, but it's also filled with positive feelings... I guarantee that no matter what your taste is, you'll like this one (if not even love it) A 10/10 from me, for an all-in-all great work.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.