Christian Papierniak
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The comédie film Izzy Gets the Fuck Across Town, starring Mackenzie Davis, Dolly Wells, Alex Russell, etc., directed by Christian Papierniak, was released on June 22, 2018 in États-Unis. It tells the story of A woman at rock bottom must find her way across Los Angeles in order to crash her ex-boyfriend's engagement party. This is a Comédie, Drame, Musique film with a runtime of 86 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.6/10 from 2,208 viewers.
Christian Papierniak
dans le rôle de Director
Mackenzie Davis
dans le rôle de Izzy
Dolly Wells
dans le rôle de The Woman in the Field
Alex Russell
dans le rôle de Roger
LaKeith Stanfield
dans le rôle de George
Robyn S. Clark
dans le rôle de Jogger
Brandon T. Jackson
dans le rôle de Dick
Salme Geransar
dans le rôle de The Gypsy
Meghan Lennox
dans le rôle de Casey
Sheldon Bailey
dans le rôle de Tom
Haley Joel Osment
dans le rôle de Walt
Alia Shawkat
dans le rôle de Agatha Benson
Kyle Kinane
dans le rôle de Rabbit
Annie Potts
dans le rôle de Mary
Jim Lennox
dans le rôle de Ethan
Ryan Simpkins
dans le rôle de Young Izzy
Marcia Ann Burrs
dans le rôle de Hawaiian Lady
Carrie Coon
dans le rôle de Virginia
Luka Jones
dans le rôle de Leo
Christian Papierniak
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
source: Izzy Gets the Fuck Across Town
There are some good moments with dialogue and interactions. The scene with her sister was definitely a highlight. They don't really say anything to each other, but you can imagine what the conversation would be like. Sadly, the whole movie is like this. When it's not some dumb content made for drunken teenagers, there might be something deeper than the movie doesn't tell you.. It just doesn't seem to work. While I can concoct some imaginary reasons or feelings for it all, I'd rather have the writer / director tell me (in some way) what they think, or the meaning of this little photoplay they have created. At least try to hide it in some visible way that we can find in a first viewing (because I doubt people would ever rewatch this) for those paying attention. What was it that made them make it? It's almost like I wanted more.. but that would be a compliment, and it isn't. The camera work is awful, even for a cheap-looking movie like this one. It moves too much, and I started thinking I needed to distance myself from it because it zoomed-in too much on the characters. I feel empty and bored. It's like I wasted my time.
Besides the last act, this movie is like a slice of nostalgia pie from the mid to late 2ks. The golden era of everything 'indie'. From music to film and before social media ran the world. Before all the buzzwords especially'hipster', when 'hipster' was still attached to it's original meaning more than that of a certain look or type of smug person. I was happy to be of that time. Now I am nearly 30 and life a whole ocean away in Japan where I live 'my dream'. A great little flick that took me back to the feeling of the hustle and bustle to living that dream. As far as performances. I will stick to Mackenzie her being the only good part to me of the latest Terminator installment made me dig into her catalogue. I hope she continues to get more and more roles. She is badass, beautiful, and groovy. Kanpai! -Malizilla
The way this film's described makes it sound like some utter tosh such as Dude Where's My Car but it's actually nothing like that. It reminds me of The Odyssey in its pinball motion from character scene to character scene. I found it hard to get invested in the actual plot or the conclusion; they felt unconvincing and a little like they fizzled out but the characters and situations along the way made it easy and entertaining to watch.
I shouldn't be surprised by the reaction to this film, in a time when indie films have to be brutally realistic, or feature decayed characters, or have scenery gnashing performances to make a mark. There can't just be chaotic, sweet little movies made about someone's ordinary life, someone's annoying, trashed, tender youth - if they don't make a profound statement about life. But these little movies always seem to have startlingly true moments, stunningly real feelings. They're not throbbingly stylish or cinematic, so they let their characters come through, sometimes with painful honesty - Izzy manages to be a crashing fail, and at the same time, her experience of the pain of first, and long-lasting love is like a honeycomb crushed in a fist. She's dirty, wild, funny, lazy - but look at how she folds down onto the bathroom floor and doesn't cry, but lets out this half scream, half moan as the person she's built so much of herself in has just walked away. Watch how she looks at her embittered sister who she used to be so close to, while they sing a song they put so much of their youth and essence into. There's love, there's fear, shame, longing - but there's still that dazzle of hope in her eyes. She's still young, and she hasn't been crushed into uniformity yet. How can you not feel the truth of this? The fine line between hope and fantasy is a tightrope she walks the entire time. Is what she wants beautiful from afar, but up close, when it opens its mouth, is it just ridiculous? What is the fate she's going to make, if she decides to let go of the one she's been hitching her heart to half of her life? I wish I could've stayed with her longer to find out.
Izzy Gets the Fuck Across Town
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.