Jessica Hausner
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The drame film Little Joe, starring Emily Beecham, Ben Whishaw, Kerry Fox, etc., directed by Jessica Hausner, was released on December 6, 2019 in Austria. It tells the story of Alice, mère célibataire, est phytogénéticienne et travaille pour une société spécialisée dans le développement de nouvelles espèces de plantes. À lencontre du règlement intérieur, elle en offre une à son fils adolescent, Joe. This is a Drame, Horreur, Mystère film with a runtime of 105 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.8/10 from 9,959 viewers.
Jessica Hausner
dans le rôle de Director
Emily Beecham
dans le rôle de Alice
Ben Whishaw
dans le rôle de Chris
Kerry Fox
dans le rôle de Bella
Kit Connor
dans le rôle de Joe
David Wilmot
dans le rôle de Karl
Phénix Brossard
dans le rôle de Ric
Sebastian Hülk
dans le rôle de Ivan
Lindsay Duncan
dans le rôle de Psychotherapist
Jessie Mae Alonzo
dans le rôle de Selma
Andrew Rajan
dans le rôle de Jasper
Marie Noel
dans le rôle de Colleague 3
Goran Kostic
dans le rôle de Mr. Simic
Yana Yanezic
dans le rôle de Mrs. Simic
Leanne Best
dans le rôle de Mother
Phoebe Austin
dans le rôle de Girl
Janine Duvitski
dans le rôle de Lady
Neil Menage
dans le rôle de Buyer 1
Karik Samuel
dans le rôle de Buyer 2
Jessica Hausner
dans le rôle de Writer
Géraldine Bajard
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Seductive and mesmerizing film like the flowers around which the plot spins
source: Little Joe
oh my gosh I love you Kit but this was really painful to watch.It was really boring for me.
source: Little Joe
Basically, this is Invasion of the Body Snatchers. It's just not good.
In attempts to be a female Frankenstein story, "Little Joe", directed by Jessica Hausner, tells the story of a female scientist, Alice, who creates a plant that can make people happy. Described by The Hollywood Reporter as "flavorless Europudding", the film was under- whelmingly artistic. The plot lacked structure and scenes did not flow as well as they had the potential to. The storyline was fairly weak to begin with. The audience is initially introduced to Alice, who is abso- lutely work obsessed. She genetically modifies a plant that can change peoples' emotions and overall make them happy just by breathing in a scent. This project of Alice's surely goes wrong, as people are starting to become brainwashed. However, the brainwashing wasn't all that interesting. The plant, called Little Joe after Alice's son, Joe, was brainwashing people through its pollen in order for people to want to protect it, because the plant could not reproduce. The whole idea of this is just so hard to process, especially within the moment in a theater. It took me awhile to figure things out. The story is bland and straight out confusing for the first hour. Overall, the point of the plant taking away peoples' emotions wasn't emphasized enough. The acting was nothing special - the actors didn't convince me that the plant was harming them. The performances were so neutral and underwhelming. I couldn't feel emotions from any of the characters, even if there were intense parts within the film. In one scene, we see a character absolutely torn apart due to a build up of depression and other mental illnesses. Because of her job, the woman cannot stand her life anymore and throws herself off a high ledge in her work building. It was emotionless and bland during a time where the performances needed to be intense and dramatic. Hausner could not deliver to her own script's needs. "Little Joe" was also just a failed thriller film. There was barely any suspense, even though I believe there was meant to be a lot. The pacing within the first hour was slow, trying to focus on family issues. It just took awhile for me to piece things together, which should never be the case (unless done extremely well, like in "Memento"). Though I thoroughly disliked the creative direction that was taken in the film, I would still rate it around a 6/10 solely because there were multiple strong technical aspects that I think a lot of the film critics' reviews overlooked. There was an article written on "Little Joe" that only focused on the negative aspects of it. It gave absolutely no credit to sound design. The sound was probably the best part of the film. The score matched up extremely well with the visuals and the sound effects worked perfectly with it too. The visual images that I was seeing went hand- in-hand with the auditory sounds that I was hearing. It made me feel content within the showing. Speaking of visuals, I appreciated how "Little Joe" used a really difficult color palette, yet somehow managed to keep it strong and consistent. The choice of reds and greens was a bold move, and I didn't think that it could be pulled off. It was - props to Hausner for that. The production designer was impressive and was not afraid to go for the consistent color palette. The image shown above was one of the main looks of the film, and it was color corrected absolutely perfectly. To end, I appreciated how the color palette was introduced to viewers, right from the opening shot.
I don't think that this movie deserved the award for best actress, but it is nonetheless one of the best that premiered at Cannes 2019. But one thing that I really like about the protagonist, is her immense sadness and her inability to let go. Even though the acting may be a little, so to say, minimalist, the character itself is deep and layered in a beautiful manner. The sterile acting reminds me of how Lanthimos builds his characters in movies such as "The Killing of the Sacred Deer", or of the infinite space of boredom that lies between the characters in Antonioni's "The Night". The idea of the modified plants is used in an intelligent and minimalist way. I like to see how the perspectives change and evolve during the film, in regards to the benefits or dangers of this plant "Little Joe". The plot it's like a developing state of psychosis; you cannot grasp the truth or the meaning of concepts, you lose your ability to understand what's right or wrong and you're lost in a sea of lies. The cinematography is another strong point for "Little Joe". Even from the first shot, of the CCTV spinning round the flowers, I knew that this is gonna be a visual feast. The use of mirrors, glass, deep focus and travelling shots is utterly stunning. I don't get the negative reviews, but each to their own. If you like films such as those directed by Yorgos Lanthimos and Michelangelo Antonioni, with a flair of light sci-fi going on, you're gonna love this one.
Everybody can just get along regardless of race or personal believes! Right yeah! Boring and just another attempt by dying organisations
This film start with a plant breeding lab, two worker(Alice and Chris) talking about their company philosophy, and Alice sending her son "Joe" back to her house scene! As turnout, this film is about solving the mystery of a plant breeding by Alice "Little Joe"! Alice thought the plant can harm people by infected them but it's not! Entire film slow like freaking hell! The film also full of boring overuse scene! Such as, overuse of the working at the plant breeding lab scene, overuse of the super freaking annoying background music scene, overuse of the washing hand scene and overuse of the watching video clip scene! The conversation in the film also bored to death! The death of Bella's dog and she kill herself scene also never show to us! Barely intense scene is, Chris knock Alice out scene! But this scene even show us sideways! At the end, Little Joe awarded a prize! Alice sent Joe back to his father house! Alice greeting Little Joe "Goodnight"! That's it! Definitely the worst movie of the year! Avoid at all freaking cost!
Come on their suppose to be scientist yea so why not just kill the plant in front of the effected and see if they would react that would save a lot of time for the viewers too.Instead of the unnecessary suspense that i have slept through
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.