Rosser Goodman
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The comédie film L'amour à tout prix, starring Tyler Poelle, Joel Rush, Jennifer Elise Cox, etc., directed by Rosser Goodman, was released on July 22, 2014 in États-Unis. It tells the story of Corey had it all - a successful career, a sister who's his best friend and most of all, a bright future with his boyfriend. But, when the boyfriend dumps him for a woman, Corey sets off on a wild journey of self-discovery that leads him to new love and a life-changing choices. This is a Comédie, Romance film with a runtime of 84 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.8/10 from 793 viewers.
Rosser Goodman
dans le rôle de Director
Tyler Poelle
dans le rôle de Corey
Joel Rush
dans le rôle de Pete
Jennifer Elise Cox
dans le rôle de Kelsey
David Wilson Page
dans le rôle de Jon
Jenica Bergere
dans le rôle de Melissa
Kate Flannery
dans le rôle de Rosemary
Fay DeWitt
dans le rôle de Millie
Michael Carbonaro
dans le rôle de Kyle
Julie Goldman
dans le rôle de Hazel Blue
Justin Ross
dans le rôle de Gene
Edmund Entin
dans le rôle de Sean
Gary Entin
dans le rôle de Marcus
Cait Brennan
dans le rôle de Irate Poet
Daniel Rappa
dans le rôle de Dan the Bartender
William Mueller
dans le rôle de Commissioner
Megan Aimes
dans le rôle de Kelsey's Babe
Maya Dajón
dans le rôle de Kelsey's Girlfriend
GiGi Dubois
dans le rôle de Hot Babe
Dennis Bush
dans le rôle de Writer
Cait Brennan
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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source: Love or Whatever
Nothing great or meaningful here. Nobody is going to win any acting awards ...but this was enjoyable and watchable. No thinking required here; actually, the more you think about it, the less you will enjoy it. Overall, a fun and enjoyable escape from reality. TIP: MAKE SURE TO WATCH past the credits ...the movie continues for about another minute with an interesting clip.
This film is an absolute hoot. It has some of the funniest bits ever done in film and it is a modern rendition of the classic screwball comedy of the Thirties like Bringing Up Baby with Cary Grant and Katherine Hepburn or My Girl Friday and other great classic comedies. The cast in this film is utterly inspired they are so perfect. The lead is like a puppy he is so adorable and the two hunks after him are so hot you almost want to cry. The sister is almost the best part of the film she is so incredibly lovable and funny. You just want to hug her forever. The photography, locations, music are all first rate making this film just plain fun, fun, fun.
This is a funny, not meant to be taken seriously serious film. Let the politically correct work that one out! I should hate the fact that it is a wish fulfillment film, complete with butch and passive Gays, and ditto for the delightful Lesbians, and that therapists are unfit because they seem shallow, but I don't. This is an exaggeration of the Gay world and it works. It is about as serious as ' Bringing Up Baby ' the Katherine Hepburn classic and just as funny. I even wrote some of the lines down they were so witty ( perhaps unprintable here ) and every shade of the Gay/Queer spectrum should bite the bullet if they have to and watch it. I saw it with French subtitles, which added to the fun. And the actor who played the so-called ( and offensively remarked upon on this site ) as a leering, lecherous old woman ( read the review ) gave a brilliant and moving performance. The sex is upfront and hilarious as well as being sexy and the acting throughout was spot on even down to the smallest roles. I loved the Gay twins in matching clothes looking for the same man to share, and the ventriloquist who did a pastiche of Norman Bates ( guess the film ) if any outraged reviewer does not know, and above all see beneath the L.A. surface. There is a mad reality in this film that I will watch many times when I am depressed, and I will not take it seriously seriously.
This is one film you'll enjoy on a popcorn weekend night with your friends. Just go with the tide and enjoy Corey's affairs with two hunky guys. The plot: Psychoanalyst Corey proposes to boyfriend Jon. Jon who thinks he's "flexi-sexual" got scared and runs off with an older woman who later became one of Corey's patients. Corey meets and dates hunky pizza boy Pete. Then it's Corey's turn to get scared of the potential perfect boyfriend. Who is he gonna end up with? The film is peppered with hilarious characters: the crazy lesbian sister, the "animal lover" patient, the schizo puppeteer, the cookie old woman. Editing is fast and not a scene is wasted. What can you say when two guys go "catch me if you can" in the woods. Very funny indeed. Tyler Poelle who played Corey is a natural comedian. Joel Rush who played pizza boy Pete is more than just eye candy. The other actors look very professional and have natural comic timing. Over-all, a likable film...
I want to start by saying I don't take movies too seriously. If you can get me to sit through one...congrats on the writing & execution. I had been dying to see this because one of my friends; local Dallas artist, Paco Estrada, has a song on the soundtrack. It's the beautiful medley when Corey & Pete hookup. I'll do anything support Paco. I think the story is cute, I like the actors & would recommend it to anybody. I had empathy for the main character & enjoyed the comedic relief of the sister. I also felt for the Pete. The first boyfriend, was a perfect antagonist. The clients are a little far fetched. I think it's to make you see how much worse things could be on the other side of the fence.
Funny and refreshing. A definite must watch. I loved it.
source: Love or Whatever
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.