Annina Butterworth
dans le rôle de Self - Narrator in English version
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The documentaire film Loving Patricia Highsmith, starring Annina Butterworth, Patricia Highsmith, Marijane Meaker, etc., directed by an unlisted director, was released on April 7, 2022 in Switzerland. It tells the story of Basé sur les écrits personnels de Patricia Highsmith et les récits de sa famille et de ses amants, le film jette un nouvel éclairage sur la vie et l'œuvre de la célèbre romancière, imprégnée de son influence déterminante sur l'identité. This is a Documentaire, Biographie, Histoire film with a runtime of 83 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.8/10 from 658 viewers.
Annina Butterworth
dans le rôle de Self - Narrator in English version
Patricia Highsmith
dans le rôle de Self
Marijane Meaker
dans le rôle de Self
Courtney Coates Blackman
dans le rôle de Self
Judy Coates
dans le rôle de Self
Dan Coates
dans le rôle de Self
Monique Buffet
dans le rôle de Self
Tabea Blumenschein
dans le rôle de Self
Maren Kroymann
dans le rôle de Self - Patricia Highsmith
Gwendoline Christie
dans le rôle de Self - Patricia Highsmith
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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source: Loving Highsmith
Loving Highsmith (2022) was written and directed by Eva Vitija. The film is a biography of Patrica Highsmith, who was a successful author and a legendary figure. Highsmith appears in the movie in archival footage. Many of her friends and lovers give candid interviews. What makes Highsmith different from other successful authors is that she was openly lesbian. Loving Highsmith reveals that Highsmith was not a lovable woman. She seduced younger women and was a virulent anti-Semite. (She supported Palestinian rights, but this support was overtly linked to her hatred of Jews.) Highsmith is important because she wrote the first novel about lesbians that had a happy ending. (Novels about lesbians were OK in the 1950's, but they had to have an unhappy ending.) She used a pen name in 1952. In 1983 the book was republished as Carol, with Highsmith listed as the author. (The book was made into a movie that was highly successful.) Loving Highsmith was an honest and accurate portrayal of a woman who was hard to like. Maybe Highsmith's story is the reason that the movie has a relatively low IMDb rating of 7.1. I thought it was better than that. I think that a biopic should be rated on its effective portrayal of its subject--not on whether you like the person portrayed. I rated it 8. We saw this film as part of Rochester's excellent ImageOut LGBT festival.
The movie starts off with the filmmaker saying "I started reading her diaries and fell in love with her." I'm currently reading her diaries and it really doesn't feel like the filmmaker read them. The docu portrays her as a man-hating lesbian. That's not true. Her diaries show that, while she preferred women, she certainly slept with men. On purpose. And even enjoyed it sometimes. The relationship with her mother, too, was much more complicated than the filmmaker lets on. She and her mother actually talked about her lesbianism with her mother sometimes commenting about her current girl friend. Both of her parents read her work and, as Highsmith tells it, were helpful and supportive. The oddest choice was continuing the Texas theme throughout the whole movie. Highsmith left Texas when she was 6. To see the movie, you'd think that Texas was all she thought of. That's just not the case, at least from her diaries. I suppose I went into this expecting this to blow me away since the diaries are so powerful. The interviews were interesting...except when the white subtitles blended into the white background. Why is this still a thing?? She's a fascinating woman and deserved a better tribute to her.
Bon film !
source: Loving Highsmith
Loving Highsmith (2022) was written and directed by Eva Vitija. The film is a biography of Patrica Highsmith, who was a successful author and a legendary figure. Highsmith appears in the movie in archival footage. Many of her friends and lovers give candid interviews. What makes Highsmith different from other successful authors is that she was openly lesbian. Loving Highsmith reveals that Highsmith was not a lovable woman. She seduced younger women and was a virulent anti-Semite. (She supported Palestinian rights, but this support was overtly linked to her hatred of Jews.) Highsmith is important because she wrote the first novel about lesbians that had a happy ending. (Novels about lesbians were OK in the 1950's, but they had to have an unhappy ending.) She used a pen name in 1952. In 1983 the book was republished as Carol, with Highsmith listed as the author. (The book was made into a movie that was highly successful.) Loving Highsmith was an honest and accurate portrayal of a woman who was hard to like. Maybe Highsmith's story is the reason that the movie has a relatively low IMDb rating of 7.1. I thought it was better than that. I think that a biopic should be rated on its effective portrayal of its subject--not on whether you like the person portrayed. I rated it 8. We saw this film as part of Rochester's excellent ImageOut LGBT festival.
The movie starts off with the filmmaker saying "I started reading her diaries and fell in love with her." I'm currently reading her diaries and it really doesn't feel like the filmmaker read them. The docu portrays her as a man-hating lesbian. That's not true. Her diaries show that, while she preferred women, she certainly slept with men. On purpose. And even enjoyed it sometimes. The relationship with her mother, too, was much more complicated than the filmmaker lets on. She and her mother actually talked about her lesbianism with her mother sometimes commenting about her current girl friend. Both of her parents read her work and, as Highsmith tells it, were helpful and supportive. The oddest choice was continuing the Texas theme throughout the whole movie. Highsmith left Texas when she was 6. To see the movie, you'd think that Texas was all she thought of. That's just not the case, at least from her diaries. I suppose I went into this expecting this to blow me away since the diaries are so powerful. The interviews were interesting...except when the white subtitles blended into the white background. Why is this still a thing?? She's a fascinating woman and deserved a better tribute to her.
Loving Highsmith
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.